While watching the Ronald Cheng - Charlene Choi controversy unfurl late last month, it was hard not to think of the great speech by the Hyman Roth character in THE GODFATHER, PART II.  Lamenting the death of his partner in organized crime, Moe Green, Roth said:

Someone put a bullet through his eye. No one knows who gave the order. When I heard it, I wasn’t angry. I knew Moe, I knew he was headstrong, talking loud, saying stupid things. So when he turned up dead, I let it go.

And I said to myself, this is the business we’ve chosen. I didn’t ask who gave the order.

The matters of a marriage, for the most part, should be dealt with privately by the couple.  If some sort of abuse is taking place, then the authorities, quite rightly, should intervene. But, for the most part, what goes on between two people in a marriage should stay between the two people involved.  It’s a part of common human decency to respect the privacy of a married couple.  After all, some form of the Golden Rule (”do onto others as you would have done onto you”) exists in most of the World’s cultures.  Among the circle of Chinese people that I know, uncharitable things are often said of people who gossip about the marriages of the butcher, the baker or the candlestick maker.  We’ve all seen those types of characters in TVB dramas.  They’re never played by the beautiful TVB fa daans. They’re invariably played by lower profile supporting actresses.  Why, then, was the secret marriage of Ronald Cheng and Charlene Choi such a hot topic?

Simple, because of the business they’ve chosen.  The business, according to multiple Chinese media reports, that made Charlene Choi millions last year in accumulated fees, royalties and endorsements, provided her with enough money to buy three properties that generate rental income and will allow her and Cheng to avoid a nasty dispute over alimony.  “I can afford my own lifestyle and he can afford his,” Choi declared on March 29th at an event promoting her Twins reunion concerts.

While wealth and prosperity does certainly soften the blow of having your private life dragged through the mud, the public intrusion into the marriage of Charlene Choi and Ronald Cheng feels worse than the public intrusion on Sexy Photos Gate protagonists Gillian Chung and Edison Chen.  At first blush, it seems an insane notion.  After all, Ah Gil and EDC had their most private of parts laid bare.  The difference, however, is that in one case a private secret was revealed while in the other a lie was exposed.

Consider it this way: Ah Bing has a drug problem.  He’s still able to function but he’s addicted to drugs and it’s affecting his life.  He’s trying to shed his addiction but, because he wants to keep his job, he keeps his problem a secret.  Some people suspect that he’s an addict and have started to question him.  He denies the speculation because he wants to keep making a living.

Ah Mou also has a drug problem.  He’s still able to function but he’s addicted to drugs and it’s affecting his life.  He’s trying to shed his addiction but, because he wants to keep his job, he keeps his problem a secret.  Only thing is, he’s an anti-drug advocate who makes his living decrying drugs.  One day, a photo of him doing a line of cocaine is published in the newspaper and his career is ruined.

It’s a fine distinction but it’s why it’s easier to feel sorry for Charlene Choi than it is for Gillian Chung.  Ah Sa didn’t exploit her marital status for professional gain.  Her denials were about keeping her private life private.  She didn’t do it to sell more tickets and albums.  She didn’t do it to get more endorsement deals.  For at least two years, it had been an open secret that she and Ronald Cheng were together in some form.  It probably wasn’t a shock to most fans when Apple Daily revealed their marriage certificate.

On the other hand, in the face of the Easy Finder scandal, Ah Gil protested too much about how the pictures of her bare shoulder shattered her fragile, virginal, clean-cut sensibilities.  The peephole pictures were indeed despicable but, considering what they showed, it was not a proportional response.  As a result, when the Sexy Photos Gate images surfaced, most of her fans felt betrayed because it showed that she exploited the Easy Finder scandal for professional gain.

In Charlene Choi’s case, she was trying to keep the door closed on her private life.  Gillian Chung opened the door to hers by overplaying her reaction to Easy Finder.  The situations that the two Twins members found themselves in were caused by gross invasions of privacy but the fine line between a secret and a lie is why Choi will likely just keep moving on with her career while Chung had to spend the last two years in exile.

Public intrusion into the private lives of celebrities is the natural byproduct of fame.  Celebrities get paid because they have created an interest in themselves so they have to live with it when that interest manifests itself in distasteful ways.  Vicki Zhao probably isn’t enjoying the speculation about her baby and her Baby Daddy but the interest in her and her private life is part of why she’s in projects like MULAN and 14 BLADES.  The interest is why she’s able to do endorsements for clothing lines, shampoos and cell phones.

Most of the time, the attention is harmless and does not amount to more than an annoyance.  Most of the time, people can tell the difference between a private secret and a lie so no real damage is done unless a celebrity is caught in a lie.  People can respect secrets.  No one held it against Leslie Cheung for not revealing his sexual orientation with a “Yep I’m Gay” cover on Ming Pao Weekly.  No one held it against Anita Mui for keeping her fight against cancer private until three months before her death.

People, however, do not tolerate lies. Jackie Chan’s popularity in Hong Kong has never recovered from the Dragon Seed scandal of 1999.  His “good guy, say your prayers, drink your milk, take your vitamins” image was dealt a serious blow by news of his affair with Elaine Ng.  Chan has five of the top 20 highest-grossing Hong Kong films of all-time yet, since making HK$27.5 million with GORGEOUS (his last pre-Dragon Seed release), he hasn’t broken the HK$25 million mark.  In fact, his latest film, LITTLE BIG SOLDIER, made a desultory HK$1.8 million.

In the end, because Charlene Choi and Ronald Cheng were just trying to keep their marriage private, it’s hard to imagine their careers being damaged in the long-term.  This is why this particular intrusion into the private lives of celebrities feels more repulsive than other instances.  It feels like Choi and Cheng were forced to hold a press event announcing the dissolution of their marriage for mere weekend entertainment.  Sadly, it seems most people didn’t recognize that a tragedy was playing out before their eyes.  Two people who used to be in love were breaking up.  Two people whose lives had to have been diminished because they felt like they had to hide that love.  Tragic novels and plays could be written from these circumstances.  Instead, it was consumed as fodder for the entertainment news cycle.

It’s a sad situation and you can point the finger at multiple culprits: the over-heated HK media, the celebrity-obsessed culture, the way EEG markets its talent and the general nature of the HK entertainment star-system.  Ultimately, though, Choi and Cheng have no one to blame but themselves.  This is, after all, the business they’ve chosen.

Image credits: Paramount Pictures (THE GODFATHER, PART II screen grab), Time Magazine (Ellen Degeneres cover), Sina.com (Twins, Ronald Cheng & Charlene Choi)

Before continuing with the look back at the movies of the 2000s, a few thoughts on some news tidbits that have emerged lately:

1. Hong Kong Film Awards Nominations

I said it the day after last year’s awards and I still believe it to be true in spite of the buzz for Wang Xueqi’s work in BODYGUARDS AND ASSASSINS:  Simon Yam will win a Best Acting award at the HKFAs this year.  It may be a “lifetime achievement” type deal but I think he’s due.  He got two nominations in the Best Actor category this year for NIGHT AND FOG and for ECHOES OF THE RAINBOW so here’s hoping …

More thoughts on the HKFA nominations:

- Nice to see Zhang Jingchu get nominated for her solid performance in the grim tale that was NIGHT AND FOG.

- As a fan of schlocky HK comedies of the 1980s and early-1980s, it’s great to see Stanley Fung Shui-Fan get a Supporting Actor nomination for ACCIDENT.

- Biggest snub: Why no Supporting Actor love for Michael “Stone” Wong’s work in OVERHEARD?  He made that movie 25% better with his channeling of Stallone’s Rocky Balboa Italian twang in his introductory scene and his cheese-tastic delivery of “I got my own car!” at the end.

2. 2010: The Year of EDC

This is probably only amusing to me because I have the mind of a randy teenager but I couldn’t help but chuckle when I read the following on Edison Chen’s blog:

2010 promises to be a big year for ya boi EDC
i am going to be coming back HARDER than ever

Talk about unintentional comedy.  The capper is that he capitalized “harder”.  Does anyone NOT think of those infamous photos after reading that?

3. Edison Chen: “Why was I the bad guy?”

In an interview in the Chinese version of GQ, Edison Chen said that he still doesn’t understand why he was the bad guy in the Sexy Photos Gate scandal.  He said: “… was I really a bad person? I wasn’t. People just needed a scapegoat”.

He’s right.  He was a victim of a crime.  However, he presented himself as a hip-hop, bad-boy type which plays well to his target demographic but not so well to the broader, more conservative, mainstream Chinese audience.  So it’s not surprising at all that the general public turned against him.  Put it this way, it’s wrong to hit someone in the head with a steel chair but people cheer anyway when a heel character in pro-wrestling gets nailed with one because it happened to somebody who presented himself as a “bad guy”.

It’ll be interesting to see if 2010 will be remembered for a Chen resurgence or if it ends up being more like the Summer of George.

4. Gilllian Chung’s comeback continues

Gillian Chung continues on the comeback trail with an EP, a movie and a Mainland television series coming down the pipe.  Yet, it feels like she’s still fighting border skirmishes rather than making any serious assault on the capital.  Sorry, THE FOUNDING OF A REPUBLIC remains on the brain.  An EP isn’t exactly the same as a full album and a concert series.  The movie isn’t exactly a high-profile project slated for a big holiday release and the Mainland television series is a Mainland television series.

When you read her interviews, it’s clear that the comeback narrative her handlers at EEG have settled upon is “more mature, tough, resilient, plucky girl who is holding her head up high and refusing to let the scandal keep her down”.  It’s puzzling, then, that they are allowing her to hang on to that “naïve and innocent” schtick.  In articles that popped up last month about her new movie with William Chan Wai-Ting, she talks about being “embarrassed” because she had to do a kissing scene with Chan.  Is that the kind of talk you hear from tough, resilient girls?

Trying to do “tough and resilient” while hanging on to “cute and innocent” won’t work.  If Ah Gil wants substantial success on the comeback trail, she’s going to have to go full-bore on “tough and resilient” and drop the innocent act.  Besides, the “cute and innocent” road is still littered with the skeletons of Sexy Photos Gate like the Highway of Death was littered with the carnage of the First Gulf War.  All she’s doing when she plays “cute and innocent” is reminding people why she is on the comeback trail in the first place.

Now, fans of Ah Gil are probably thinking: “What are you talking about?  EEG is re-uniting her with Charlene Choi and Twins have a concert series and a new album coming out.  Isn’t that an indication that EEG thinks the comeback is going strong?”

EEG may, in fact, feel that way but I believe the re-unification of Twins is more about seeing if there’s any milk left in that cash cow and less about restored faith in Gillian Chung’s star power.  I think EEG is re-uniting Twins in spite of Gillian Chung’s situation rather than because of it.  It would, after all, be nutty to celebrate the 10-year anniversary of Twins in their 11th year.  I’d wager EEG is looking at a boost in Ah Gil’s profile as a possible collateral benefit of the Twins reunion rather than as the main impetus for it.

5. Jackie Chan in THE SPY NEXT DOOR

I was all ready to beat my chest in mourning for Jackie Chan’s career after reviews came out uniformly crushing THE SPY NEXT DOOR (it currently sits at 8% on Rotten Tomatoes).  Then, a week later, The Rock came out with THE TOOTH FAIRY and it occurred to me that the villain in this story shouldn’t be Jackie Chan for cashing in and taking the paycheque.  Only a naïve and innocent fool would refuse to sell a tiny fraction of their dignity for a multi-million dollar payday.  The culprits are movie studios that have failed to realize that it’s been twenty years since KINDERGARTEN COP made US$91.4 million and that it did well because it was more a “cops and robbers” film than a kids’ movie.

Here’s hoping we don’t see Bruce Willis in MY GRANDFATHER IS A HERO or Jason Statham in a remake of MR. NANNY.

6. Skynet/Cylons one step closer to taking over humanity

With the unveiling of a life-sized sex robot named Roxxy at the Adult Entertainment Expo in Las Vegas in January, can the Cyberdyne Systems Model 101 or the Cylon Centurion be that far away?

RANDOM NONSENSE:

After seeing Simon Yam’s performances in ELECTION and NIGHT AND FOG, I think the HK Movie Gods should decree that if you want to show a character is a bad guy, just show him fishing.  After what Yam’s characters did in those two movies, “Fishing = Evil” is now the equivalent of Blofeld stroking a white cat in Bond movies, the Snidely Whiplash moustache and Spock with a goatee in “Mirror, Mirror”.  If perpetual movie good guy Jackie Chan ever has occasion to play a villain, all the director has to do is show a goateed Big Brother fishing while playing with a white cat.

Enough ado, let’s get on to the without further … my list of the “Best Films of the 2000s”.

Previously: Three Views On Chinese Movies In The 2000s: Part I

6. RIDING THE TIGER

Writer/director Herman Yau Lai-To brings his deft, low-key touch to the high octane Sexy Photos Gate scandal in this “ripped from the headlines” film.  By eschewing the sex part of the scandal and focusing on the fame part, Yau offers a contemplative look at the nature of celebrity and how it really is like “riding a tiger into battle”.  It’s great when the tiger is with you and you’re able to easily do what you want on the battlefield.  It’s not so good when the tiger turns against you and you have no control over what happens.

OK, OK that film never happened. I just wanted to throw some appreciation towards Herman Yau.  While he doesn’t blow you away with his films like Wong Kar-Wai or Johnnie To, he does offer up solid work and is, in many ways, the “quintessential” Hong Kong director.  He makes movies, like TRUE WOMAN FOR SALE, that tell Hong Kong stories.  He also works in genres that are entirely “of Hong Kong”.  Movies like GONG TAU and SPLIT SECOND MURDERS are unique to the HK movie industry, they can’t be made anywhere else.

Yau started off the 2000s strong with the Buddy Film Creative Workshop films KILLING END and NIGHTMARES IN PRECINCT 7.  He had a bit of a lull in the middle of the decade with ASTONISHING and DATING DEATH but he bounced back with a solid run that began with ON THE EDGE.  If you’re not familiar with the work of Herman Yau, get yourself to the local Chinese video store and pick up a few of his films.

5. KUNG FU HUSTLE

In the 2000s, Stephen Chow made three of the top-10 grossing HK movies of all-time: KUNG FU HUSTLE (HK$61.2 million currently number one), SHAOLIN SOCCER (HK$60.7 million, currently number two) and CJ7 (HK$51.4 million, currently number seven).  So, you have to figure that one of Chow’s films has to be on the list.  Sitting at number one and number two, it’s basically a coin flip between KUNG FU HUSTLE and SHAOLIN SOCCER.  Like any good comrade — just checking if you’re reading Mainland censors — I side with the people and KUNG FU HUSTLE.

While SHAOLIN SOCCER had the bigger laughs and more significance as a milestone of Stephen Chow’s career, KUNG FU HUSTLE is the more accomplished film because it had a higher degree of difficulty.  SHAOLIN SOCCER could hang its comedy bits on the backbone of a conventional “underdog sports team” plotline.  KUNG FU HUSTLE was built entirely on film craftsmanship intangibles like charisma, tone and rhythm.  It could have easily all gone wrong but, instead, it all went right.  Look at some of the elements of the film: a dance number introducing the villains, a protagonist who disappears for a large chunk of the movie and sequences that belong more in a Looney Tunes cartoon than a smash kung fu flick.  Usually, those elements congeal into a lame and cheesy mess but Stephen Chow somehow combined them into a mesmerizing classic that thoroughly engages the audience.

4. ELECTION

Continuing what he started with Milkway Image in the late-1990s, Johnnie To had a prolific 2000s with commercial successes like NEEDING YOU, personal projects like THROWDOWN and SPARROW and philosophical pieces like RUNNING ON KARMA.  Three to five of his films could legitimately be placed on any “Best of the Decade” list of HK films but I chose to put ELECTION on this one because - twenty, thirty, fifty years from now - ELECTION is going to be the one most HK film fans will recall.

 

3. (tie) LOST IN TIME / THE WAY WE ARE

The two best “Hong Kong stories” films of the 2000s.  One conventional, the other unconventional, both provide a fascinating glimpse into the day-to-day rhythms of Hong Kong life.  They show that Hong Kong isn’t just about gangsters that struggle for power or cops chasing bad guys, it’s also about normal people just trying to get through the day the best they can.  They show that Hong Kong isn’t teeming with playboys, golddiggers, gu wat jai (古或仔), psychopaths, super cops and mad detectives.  Instead, it’s filled with normal, decent people like the minibus driver who helps out a overburdened woman burning the candle at both ends, the fruit lady from the supermarket who recognizes that her neighbour is lonely and the father who seems hard-hearted but, in actually, just can’t admit how much his daughter means to him.

The movies also contain two brilliant “show, don’t tell” sequences that are enshrined in my pantheon of all-time great HK movie scenes.  In LOST IN TIME, there’s a sequence that shows Cecilia Cheung’s character going through her day balancing her job as a minibus driver and her role as the caregiver to her dead fiancée’s son.  In THE WAY WE ARE, the compelling scene showing Chan Lai-Wun’s character cooking dinner is the embodiment of Bruce Lee’s notion of “emotional content”.  Both are simple segments yet they express many complex ideas and sentiments.

2. INFERNAL AFFAIRS

If there was a “Hong Kong Division” for my “Most Valuable Film of the 2000s” blog post, the choice would clearly have been INFERNAL AFFAIRS.  With HK$55 million in box office earnings, the movie currently ranks fifth in the list of top 10 highest grossing HK films of all-time.  It spawned a prequel and a sequel and it acted as a defibrillator to the ailing heartbeat of Hong Kong cinema.  From Kozo’s review of the film:

Cries of “Box Office Miracle” were trumpeted by Hong Kong’s so-called fourth estate, which advanced the opinion that Hong Kong Cinema was revived.

It put Alan Mak and Felix Chong on the map which led to movies like INITIAL D, MOONLIGHT IN TOKYO, CONFESSION OF PAIN, LADY COP AND PAPA CROOK and OVERHEARD.

Like CROUCHING TIGER HIDDEN DRAGON, my pick for “Most Valuable Film of the 2000s”, INFERNAL AFFAIRS also had influence internationally:  A Hollywood remake, THE DEPARTED, finally earned Martin Scorsese a long-deserved Best Director Oscar.

1. (tie) IN THE MOOD FOR LOVE / LUST, CAUTION

Through exquisite film craftsmanship and outstanding acting, IN THE MOOD FOR LOVE and LUST, CAUTION are two movies that offer insightful looks into the nature of love and human connection.  I made them co-number ones because a couple of things keep me from picking one over the other.  First, LUST, CAUTION isn’t a “pure” Hong Kong film.  Second, IN THE MOOD FOR LOVE feels like a 1990s movie to me.  I actually did a double take when I looked up its release date and saw that it was September 29th, 2000.  I could have sworn it was released in 1999.  I probably feel this way because, back when I had my own site, I was translating articles about the production at least two years before it was released.

Moreover, as much as it pains my inner Vulcan to admit, 2046 sullied my affection for IN THE MOOD FOR LOVE.  While they are two separate movies and I shouldn’t let one affect my view of the other, I just can’t like IN THE MOOD FOR LOVE as much after seeing 2046.  What seemed exciting and stylistically cool in 2000 seemed tired and tedious just four short years later with the release of 2046.

Going off on a tangent, if you take anything from away from those films, it has to be to have a carpe diem attitude towards love and prospective mates.  If you like somebody and there seems to be a good chance that they like you, take a shot and do something about it.  Otherwise, you may end up whispering your regrets to a hole in the wall at Angkor Wat or, even worse, facing a firing squad.

Going off on another tangent, there has been a decade long debate about what to name the 2000s.  Some have suggested the “Naughts”, others have said it should be the Oughts.  Then there are the “Zeroes”, the “Double Zeroes”, the “Os” and the “Twenty-Ohs”.  If you take a look at my list of the decade’s best HK films, you’ll see that my cousin Tony stars in the top three movies.  Call me biased but I think the decade should be called “The Leung Dynasty”.

Next time: The part I had the most fun writing: “Personal Favourites of the 2000s, uh, The Leung Dynasty.”

Image credits: Film Unlimited (Michael Wong), 69adget.com (Roxxy the Sex Robot), China Star Entertainment (Cecilia Cheung, Lau Ching-Wan), Jet Tone Productions (Tony Leung Chiu-Wai)

Hi.  I’m Sanney Leung.  You may remember me from such blog posts as Yummy Mummy Without A Tummy, Out With The Old, Part II and Sympathy For Mr. Imprudence.  It’s the season of Peace on Earth and Good Will Towards Men so, with apologies to Kozo, I’m going to interrupt the voting for Best Of The Decade and wish everyone a Happy

Holiday.

As this is a HK entertainment website, here are my wishes to you for 2010:

May your life be as rich and full as Ekin Cheng’s hair.

May your future be as bright as Zhang Jingchu’s smiling eyes.

And may your secrets stay secret longer than Andy Lau’s relationship with Carol Chu.

With that, I’m off to observe my holiday tradition of watching my favourite Christmas movie DIE HARD.  I’ve said it before, and I’ll say it again, Christmas just isn’t Christmas until I see John McClane decorating Karl’s brother Tony with a holiday motif.

* * * * *

P.S.: I was going to go a different way with this post so, this morning, I spent some time scouring the Internet looking for holiday-themed pictures of HK starlets.  I came across this one of Twins back in December 2007 (who could predict the turmoil that loomed for the girls just one short month into the future).  You’d think that this photo was for some holiday-related EEG project but, this is HK we’re talking about here, so it should come as no surprise that it was from an ad promoting

Hong Kong tourism and the “winter shopping festival”.

Don’t get me wrong, I’m not sitting atop

Sanctimony Peak, proclaiming that people in HK are godless heathens who worship the Almighty Dollar.  This was basically just an excuse to post a photo of two lovely women in short skirts.

Back soon with my HK$0.15 on the Best of The Decade.  Until then, have a safe and merry holiday.

Image credits: Tungstar (Ekin Cheng, Zhang Jingchu), Twentieth Century-Fox Film Corporation (DIE HARD screen grab), Discover Hong Kong (Twins)

I know I’m a few minutes late — I got home after midnight because the holiday fireworks show was scheduled to start at 10:15 pm but didn’t get going until just before 11 pm.  Be that as it may, Happy Hong Kong Special Administrative Region Establishment Day everybody!

And to my fellow Canadians, Happy Canada Day!

A news post featuring Gillian Chung today starting with this link:

Gillian Chung Returns to Work with Pride

* * * * *

Gillian Chung is returning to the stage just not for a concert series at the Hong Kong Coliseum.  At a press conference on June 23rd, it was announced that EEG is producing a run of the award-winning Neil Simon stage play I OUGHT TO BE IN PICTURES.  The play tells the story of an aspiring actress who re-unites with the screenwriter father who abandoned her sixteen years ago.  Chung will play the aspiring actress while veteran stage actor Chan Suk-Yi plays the father.  Veteran stage actress Siu Mei-Kwan (you may remember her from an appearance in SIMPLY ACTORS) plays the father’s love interest.

Chung, who has never done live theatre, told reporters that she is feeling an immense amount of pressure because her part is thick with lines and the nature of a live show means an actor cannot make mistakes.

On the other hand, she revealed that she is looking forward to working with two veteran actors whom she has long admired because she can learn from them.

The rest of the article contains that nonsense about the botox injections to her “elephant legs”.

RELATED LINKS:

• Gillian Chung, back on center stage
• Photos and video courtesy Sina.com
• Xinhua article
• Buy tickets for the show

EEG, sadly, is not paying me to post the last link.  I’m doing it for the benefit of faithful reader Glenn who is making a trip to HK in August.  I’m sure he wants the opportunity to have some, uh, pictures taken with Ah Gil.

SEXY PHOTOS GATE UPDATE:

Bobo Chan emerges from the dark

To me, Bobo Chan is the biggest victim of this mess.  She wasn’t even in the entertainment circle when the scandal hit.  She parlayed her fame into an engagement with a rich dude but lost it because of the pictures and is now a nail salon owner.  Not that there’s anything wrong with being a nail salon owner but if you had to choose between small business owner and rich dude’s wife, wouldn’t you pick rich dude’s wife?

AD WATCH:

Joey Yung shoots another ad for Broadway

AROUND TOWN:

Athena Chu, Gigi Leung Wing-Kei and Rain Li Choi-Wah

Chu, Leung and Li join William So Wing-Hong and Ella Koon at the Dragon Bowling centre for a charity bowling event for the Yan Oi Tong charity fund.

Sorry, I’m not going into this article any further because it hurts too much, too damn much, for me to read about Athena Chu ever since she eschewed my love, MY LOVE, for that rapscallion Paul Wong.  What does he have that I don’t have?  Talent, pffft.  Fame, pschaw.  A celebrated career, hrmpph.  I could understand when she spurned me for Stephen Chow but Paul Wong?  Paul freakin’ Wong?

EDITORIAL NOTE FROM SANNEY’S KOZO ENTERTAINMENT GROUP MANAGER MANNY KOK:  To the legal representatives of Paul Wong and Athena Chu, I’m confident that Mr. Leung is merely being facetious for humourous affect.  Quite simply, he thinks he’s being funny.  No need to initiate proceedings for a restraining order.  Then again, Mr. Leung does have that shrine to Ms. Chu in his bedroom.

EDITORIAL RESPONSE FROM SANNEY: Uh, that’s a shrine to the Greek Goddess Athena.  Yeah … that’s right … the Greek Goddess Athena.  And what the hell were YOU doing in my bedroom Manny?

RELATED LINKS:

• Yan Oi Tong web article about the event
• Yan Oi Tong official website

Gaile Lok:

• At an event at Mega Box
• Modeling at a fashion show with Qi Qi (Mrs. Simon Yam), Kristy Yang (Yeung Kung-Yu), Jennifer Tse Ting-Ting and Fiona Sit Hoi-Kei

Lin Chi-Ling at a promotional event for Pantene

Apparently, Pantene didn’t have the money to pay the appearance fee for Lin Chi-Ling’s legs as they were kept mostly under wraps.

Rosamund Kwan Chi-Lam

Still gettin’ it done, Rosamund Kwan attends Emmanuel Lejeune’s Spring/Summer 2010 Fashion Show.

Lynn Xiong and Angelababy were celebrity guests at a model search event

PHOTO GALLERYS:

Michael Jackson

Photos of Michael Jackson (circa 1987) during a brief visit to TVB Studios.  The photo of Jackson and Fiona Leung Pui-Ling (aka Leung Ngai-Ling) is totally surreal.

Ge You poses for the Chinese edition of Harper’s Bazaar

芝麻綠豆 (SESAME SEEDS AND MUNG BEANS): 

How Confucianism could curb global warming

LA TIMES: How would we have reacted if TMZ had been wrong about Michael Jackson’s death?

Still not giving credit where credit is due.  Admit it, TMZ got the scoop.  They beat out the LA Times and CNN.  This article is nothing but a whole lot of “Yeah, but …”.

Sexy Photos Gate reared its ugly head again this week as news about the three main protagonists of the saga surfaced:

CECILIA CHEUNG:

A very public display of affection from Nicholas Tse to Cecilia Chung

EDISON CHEN:

• Fallout looms as Edison Chen returns to HK 
• Edison Chen takes a risk by returning to Hong Kong
• Edison back in HK 

Chinese media are speculating that Chen’s return to Hong Kong is a “hungry dog backed into a corner” situation.  He’s supposedly taking the risk because of the financial state of the Chen family.  His father, Chen Chak-Man, declared bankruptcy earlier this year.  Her sister, model Tricia Chen Kin-Fei, is seeing very little demand for her services.  Chen’s own image took another hit in February when he was crushed by Cecilia Cheung in a widely broadcast interview.  Market share for Chen’s clothing company, CLOT, is facing increased pressure from Juno Mak’s clothing line Chapel of Dawn.

More Edison Chen:

On the May 29th edition of the RTHK radio show MADE IN HONG KONG with Alex Lee, former Cookies member Angela Au revealed that she had heard from her circle of friends that ol’ EDC has broken up with girlfriend Vincy Yeung.  Au: “That’s what I heard.  I don’t know if they’ll get back together.  You know how it is with young people, they’re always breaking up and getting together.

• RELATED LINK: RTHK webpage where you can listen to the show

GILLIAN CHUNG:

Gillian Chung Yan-Tung spent her Tuen Ng Festival performing in a show in Tongling, China.  By all accounts, she was warmly received.

• I guess the comeback isn’t proceeding that well.  This has the feel of looking up a popular TV star from the 1980s/1990s and seeing that she’s now “appearing in a production of the award-winning Broadway play THE GLASS MENAGERIE” but it’s “regional theatre” in Lincoln, Nebraska.  No offense to the good people of Tongling and Lincoln.
• Photos 

Back later with a regular news links post.