As mentioned yesterday, there aren’t many news coming out, even Variety Asia seems to be taking a break. But there are still news elsewhere, and I’ll just even them out for the weekend. I might even go into my own collection a do a bit of a feature.
Watched The Prestige on DVD, better known as Christopher Nolan’s break between the Batman movies. It’s a hell of a mind-bender about two magician’s relentless pursuit to top each other. You might expect them to eventually band together and become friends, but no such luck. They get dirty all the way to the end, and they really know how to duke it out. While there’s not much real thrills to be had (much of the thrills are in the complicated puzzle the Nolan brothers and novelist Christopher Priest put together), the movie moves at a constant pace, moving forward and backward in time enough that audience participation is guaranteed. The movie is well-shot, well-acted, well-written, and even most of the final twists work (even though the sci-fi twist was a bit of a stretch). It makes me wish Nolan would do another small personal film like this before spending 2 years of huge blockbusters.
- This weekend is kind of considered a holiday weekend here in the United States, although Easter is not an official holiday. But in Hong Kong, it’s a 5-day weekend, and that means a huge weekend at the movies too. At least 7 movies open this weekend - Mr. Bean’s Holiday (which dominated world box office last weekend), Danny Boyle’s Sunshine, Luc Besson’s Arthur and the Minimoys, Happily N’ever After, Disney’s Meet the Robinsons, The Reaping (which also opens in the US this weekend), and the sole Hong Kong entry is Eric Kot’s idol comedy Super Fans.
As far as ticket sales go, my unscientific research method is showing that Mr Bean is selling like hotcakes, and Sunshine seems to be doing moderate business (probably because it’s being put on smaller screens). Super Fans seems to be doing ok as well, although I doubt it’ll make a huge dent. We’ll know the results on Tuesday.
- China has this silly rule where they would block foreign films from opening in order to allow domestic films to thrive at the box office. This happened to The Da Vinci Code last year, although some say it was pulled because the government didn’t want to piss off the Catholics, which I wouldn’t be surprised at. This year, Spiderman 3 is lucky enough to squeeze in on May 1st before the July blackout period, and they’re gonna open it on a record 500 screens. That still won’t stop the millions of pirated disc soon to flood the streets of China, though.
- Are you ready for more Self-Defense Force Zombie? I am.
- Brian’s Asian Cinama - While on the Road has two entries of reviews. For chronological order’s sake, here’s his review of the Japanese hair scare thriller Exte.
- One reason for this film scholar to go to France this May? To see Martin Scorsese give a masters class in filmmaking at the Cannes Film Festival.
- Speaking of which, Hong Kong’s Oriental Daily (which means it should be taken with a grain of salt) reports that they have asked Jet Tone directly about the status of Wong Kar Wai’s My Blueberry Nights, and apparently the representative has responded it has been officially invited to open the festival, which would be an enormous honor for a Chinese director to go through. But apparently people are liking it so much that they think it should be going into competition, and that now it’s undergoing post-production. More as this develops, but it seems like no English media has picked this story up yet, so no idea how credible the report is yet.
- New York Times has a guide to Hong Kong, although it’s certainly a little to bourgeois for my taste. But hey, if it rocks your boat, go for it.
That’s it for today, hopefully more tomorrow.
