The following is a compilation of the most notable news covered by The Golden Rock from May 7th to May 13th:

- Johnnie To is no longer under the control of Dennis Law. Milky Way Image, which is under Law, can no longer afford To’s movies, so To decided to just buy his way out, taking two subsidiaries, which includes his own Milkyway Image, and his production team with him. Once the split is approved, Law’s company will no longer be Milkyway, but Brilliant Arts (which is just plain ironic, considering Law’s quality of work).

- The controversial Summer Palace by Suzhou River’s Lou Ye, which was banned by the Chinese government, just picked up the Golden Durian award at the Barcelona Asian Film Festival. Er..I hope they know that a Durian may be the foulest-smelling fruit in existence (it’s also very delicious, but it stinks very much). Hey, next year, they’re focusing on Hong Kong films. Good for them.

- Under kind of exciting news, Kenta Fukusaku announced that his latest film will be more like the hardcore masculine action movie his father Kinji Fukusaku used to make and a “real fight movie.” If it’s going to be anything like Kinji’s Yakuza Papers series, I can already tell it’s going to be quite good. Just look at who he has for his star.

- Holy crap, it’s the trailer for Wilson Yip/Donnie Yen’s Flash Point. Dig it. (Thanks to Beat TG on the Lovehkfilm Forum for the link)

- Darcy Paquet over at Koreanfilm.org updated his site with his thoughts on 2007 Korean cinema so far. It just made me more excited about Sai Yaichi’s Soo.

- Looks like Hollywood is singing the tune “blame Canada” these days after Warner Bros. found that 70% of the camera-recorded pirated versions of their films come from Canada. Since then, Warner Bros. have canceled all advanced screenings of their films, and 20th Century Fox is contemplating delaying releases for major films in Canada. Believe it or not, since Canada has no laws banning recording films in cinemas, it’s now one of the major piracy nations in the world.

- The first trailer for Benny Chan’s Invisible Targets is up, and wow. It’s not a very long clip, but it has a lot of crap blowing up, people jumping off stuff, and even has Nicholas Tse getting hit by a bus. It’ll probably have a crappy story with overacting everywhere, but this looks like a pretty promising action flick.

- The “King of Foreign Otaku” contest was on TV in Japan two nights ago, and Japan Probe has a report on it with short clips (the link he provides to the contest on Youtube is already gone. Well-played, TV Tokyo). And the winner is from Hong Kong! Represent!

Wait. Upon closer inspection, the guy’s name is Cheng Ga Fai….isn’t that the former radio host who specializes in Japanese pop culture?! I actually have one of his Tokyo guidebooks. Crazy…

- Do they really need to do this? The head of the Motion Pictures Association John G. Malcolm is going all the way to Japan to encourage crackdowns on piracy and to congratulate Osaka police for taking down groups that produce and sell pirated films in the region. Of course, what Malcolm doesn’t know is that he’s thanking the worst police force in the country.

- Thanks to the Trailer Blog, we have our first look at Ang Lee’s Lust Caution, starring Tony Leung Chiu-Wai. It’s part of a reel from Focus Features, who also distributed Lee’s previous film Brokeback Mountain. It’s not much, but it’s better than nothing. Lust Caution is expected to be released in the United States in September. No word on the Asia release date, though.

- While France is seeing decreased admissions in its cinema, every cloud has a silver lining. It’s not French cinema that’s failing in France, it’s the Americans! I suppose they might be quite happy about that.

- “For Those We Love,” the Japanese WWII film about kamikaze pilots written by Tokyo’s ultra-nationalistic governor Shintaro Ishihara, opened on Saturday in Japan. I was afraid the film would glorify people who were essentially government-sanctioned suicide bombers in a time of war. Turns out the film may not be the right-wing-lovefest people were afraid that it was going to be.

Updating a little early today because of a meeting during the day, and i wanted to get the rest of the weekend news out of the way before they get outdated.

- As mentioned yesterday, Tsui Hark/Ringo Lam/Johnnie To’s Triangle has been approved to go to Cannes. Now Twitch not only has that sexy film noir-ish poster (look in the comments for a full-sized version), but also a plot sypnosis and stills. For the life of me, I can’t figure out who that guy in the glasses is, though.

- While France is seeing decreased admissions in its cinema, every cloud has a silver lining. It’s not French cinema that’s failing in France, it’s the Americans! I suppose they might be quite happy about that.

- “For Those We Love,” the Japanese WWII film about kamikaze pilots written by Tokyo’s ultra-nationalistic governor Shintaro Ishihara, opened on Saturday in Japan. I was afraid the film would glorify people who were essentially government-sanctioned suicide bombers in a time of war. Turns out the film may not be the right-wing-lovefest people were afraid that it was going to be.

- In related news, looks like the film itself will be a moderate hit. Apparently, Toei is already predicting a 2 million total admission and 2.5 billion yen final box office gross, which doesn’t make it that big of a hit, considering the film took 1.8 billion yen to make.

- Twitch has compiled a round-up of impressive cgi battle scenes, which included a personal guilty pleasure Starship Troopers. I honestly don’t understand why this movie is so hated in the court of cinematic crimes.

- Paramount once had a park here in the bay area - Paramount’s Great America. The park is still open, but the report I’ll be linking below says that Viacom, Paramount’s parent company, gave the parks to CBS, who ended up selling those to another company, which means Great America isn’t really a Paramount park anymore.

Anyway, my point is that Paramount is looking to get into the theme park business again, this time in Korea, and this time not really investing into it. I had really hoped Paramount would’ve done something like Universal studios in terms of creating a movie-like experience. Instead, it turned into just another theme park with roller coasters and irrelevantly cute fluffy animal characters.