- In Hong Kong, Lust, Caution wins the Sunday box office yet again, making HK$1.25 million from 52 screens for a 19-day total of HK$30.06 million. Not only has Ang Lee’s erotic thriller now become the highest-grossing Chinese film of the year in Hong Kong, it is also now the highest-grossing category-III film (no one under 18 admitted) in Hong Kong history.

In the rest of the box office, the Hollywood romantic drama No Reservations is the strongest of the newcomers, making HK$340,000 from 28 screens for a 4-day total of HK$1.19 million. Tony Gilroy’s Michael Clayton, starring George Clooney, did only ok (for a film of its kind, that is) with HK$200,000 from 17 screens for a 4-day HK$700,000 total.

Now we’re down to the disappointments - Kenneth Bi’s well-meaning but disappointing drama The Drummer made only HK$60,000 from 18 screens for a 4-day total of just HK$210,000. HK$30,000 of those came from opening day. Ouch. Death Sentence, starring Kevin Bacon, had a Drummer-like per-screen average and made only HK$40,000 from 12 screens for a 4-day total of HK$160,000.

In holdovers, Resident Evil 3 had a pretty solid second weekend with HK$600,000 from 36 screens on Sunday. After 11 days, the horror-action flick has made HK$8.95 million. Oxide Pang’s The Detective continues its slow fade with only HK$90,000 from 18 screens for a 18-day total of HK$5.22 million. Sadly, Wong Jing’s Beauty and the Seven Beasts had a higher per-screen average with HK$70,000 from 8 screens. Its 19-day total is only HK$2.88 million.

- In Korean box office, it was such a slow week that even The Nanny Diaries and Becoming Jane made the top 10. Hur Jin-Ho’s Happiness leads the chart again. Can anyone tell me whether it was any good?

- In Japanese box office, no numbers yet, but the audience ranking says that Closed Note is still doing quite well (despite never having made it to the top spot), Peter Berg’s The Kingdom made second place, and people are actually still going to watch A Perfect Stranger. Scary.

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