The blogger has been extremely busy during the holiday weekend, which would explain the lack of posts. Maybe.

- Before we go over the Hong Kong box office tomorrow, let’s look at how things were on Thursday opening day. Patrick Kong’s L for Love, L For Lies actually remained on top with HK$680,000 from 35 screens. As for opening films, Spiderwick Chronicles opened on 35 screens with HK$650,000 and should do well for the weekend, Charlie Wilson’s War opened at just 19 screens and made HK$350,000. Under “possible disappointments” is the opening for Ching Siu-Tung’s An Empress and the Warriors, which opened on 35 screens with only HK$600,000. One of the possible reasons may be the audience not being able to find a Cantonese version (even though the trailers were dubbed in Cantonese and the film features actors based in Hong Kong), but I’m just guessing. Either way, it’s not poised to pass the HK$10 million mark at this point. We’ll know more during the week.

- The Winter 2007 Japanese drama season is pretty much over (with two dramas having yet to wrap up), and the highest-rated series of the season is the Monday 9pm Fuji drama Bara No Nai Hanaya with an average 18.2 rating a week ahead of its finale. In a far-off second is Saito-san with an average 15.5 rating. The disappointment of the season has to be Sasaki Fusai No Jingi Naki Tatakai, which opened with a strong 17.3 rating, but ends up averaging only 10.9 by the end of the season. Hell, even The Negotiator could recover for an average 13.4 rating by the time it ended. However, the lowest-rated drama this season belongs to Yon Shimai Tantei, which saw an average 7.0 rating and even saw one of its episodes get only a 3.5 rating. On the other hand, with an average 7.1 rating, Ashita No Kita Yoshio performed more consistently bad and had the lowest-rated finale of the bunch.

There ends another bad season for dramas, but with KimuTaku returning this coming season, perhaps ratings will pick up a little bit.

- Speaking of Japanese TV, this week’s Televiews column on the Yomiuri is about the various “Monagatari” (The Japanese word for “story) on the Japanese TV these days.

- While the usual big-time surely got what they wanted at Filmart this year, Malaysia companies also managed to strike some big-time deals on their own, especially in animation.

- It’s reviews time! This weekend, Japan Times’ Mark Schilling looks at actor Jiro Sato’s directorial debut Memo. Meanwhile, Japan Times’ Giovanni Fazio looks at Wong Kar-Wai’s My Blueberry Nights. In fact, the Yomiuri’s Ikuko Kitagawa also looks at My Blueberry Nights, although she seems to like it more than Fazio did. From the Hollywood Reporter, Elizabeth Karr looks at Joe Ma’s Sasori and calls it “vile” and “lacking in wit, irony and wisdom.” Meanwhile, Maggie Lee looks at the Korean film Man Who Was Superman, starring Jeon Ji-Hyun.

- Please, can someone tell me why the world needs an animated version of the hit Korean drama Winter Sonata? Oh, well, at least they got Yon-sama himself to dub the voice.

-  It’s trailers time! First, Twitch has a trailer for Katsuhito Ishii’s latest film Yama No Anata, with Smap member Tsuyoshi Kusanagi as a blind masseur who doesn’t kill people. They also have the final theatrical trailer for the Stephen Chow-produced blockbuster junk food Shaolin Girl. It’s not only Lacrosse with Shaolin kung-fu: it also has villains kicking ass.

- The comeback edition of the Yubari Fantastic Film Festival ended on Sunday successfully, and the short film Daichi o Tataku Onna picked up the competition prize.

-  Shin Ka-Hyun is now joining Song Kang-Ho for Park Chan-Wook’s latest Thirst. You know what that means? When Bae Doo Na’s in, we have ourself a Sympathy For Mr. Vengeance reunion!

- Lastly, the Yomiuri does a feature on African-American enka singer Jero, who has hit the big time with the young using an old-fashioned genre.