- Now.com finally updated their Thursday opening day numbers on time for me to make a prediction for this weekend at the Hong Kong box office. As expected, Patrick Kong’s Love Connected led the way, but with only HK$357,000 from 36 screens. That gross is higher than the HK$209,000 opening for Nobody’s Perfect. Either the teens will show up, or it will continue the downward spiral of Patrick Kong. Following close behind is My Bloody Valentine 3D, which managed to make HK$326,000 from 18 screens because of the inflated ticket price. Then again,it may end up winning the weekend exactly because of that.

Clint Eastwood’s Changeling opened on 5 screens with HK$48,000, while Milk also opened on 5 screens, but to just HK$37,000. As the Academy Awards approaches, these films should get a boost over the weekend, at least with per-screen averages.

By the way, Joe Ma and Leefire’s Give Love, which opened on at least 10 screens, didn’t even make it to the top 10, despite the presence of Gigi Leung. More on Monday when the full numbers are out.

-  As expected, Departures swept the Japan Academy Prize last night, winning 10 awards, including all the major awards EXCEPT for Best Actress, which went to All Around Us’s Kimura Tae. It’s well-deserved, but I feel a little sorry for Ryoko Hirosue at the same time.

Meanwhile, Ponyo won two awards - Best Animated Film, and Best Music. Paco and the Magical Book won Best Art Direction, and The Dark Knight won Best Foreign Film. The audience awards went to Suspect X for Best Picture and Kenichi Matsuyama for Best Actor.

- Departures is also nominated for Best Foreign Film at the upcoming Academy Awards this weekend. Of course, it’s no surprise that both Japan Times and the Daily Yomiuri have respective features on the film.

The Japan Times piece by Mark Schilling.

The Daily Yomiuri piece by Ikuko Kitagawa. 

- In Korea, John Cameron Michell’s sexually explicit film Shortbus will finally be shown in Korea with a restricted rating that will actually allow the film be shown in the country, thanks to a court decision.

- Scud, reportedly the creative driving force behind City Without Baseball, is continuing his obsession with male nudity with the so-called “extreme trilogy”. The first film of that trilogy is Permanant Residence, and here’s the trailer (NSFW for male nudity), with a bad cover of Truly, Madly, Deeply playing in the background. Now we know who was responsible for the bad Cantopop covers in City Without Baseball then.

That’s it for today. More on Sunday to wrap up the weekend.