January 3rd, 2011
The Golden Rock - January 3rd, 2011 Edition
Yes, another year, another New Year’s resolution to keep up the blog. However, I’m taking several measures to make sure my blogging work can run a little more smoothly.
First, all number crunching will be left to my Twitter. Without much time to spend writing an entry everyday, leaving the number crunching out of the entry ensures that I wouldn’t have to stop and do all those calculating. However, I can access my Twitter a lot more often than my blog, so it makes sense for me to do number reporting whenever I can get to the numbers. That hopefully means I will report even more numbers than I already do on Twitter, since right now it’s only covering Hong Kong and Chinese numbers. Do note that I will keep covering any big news regarding box office here.
Second, I have over 40,000 comments sitting there waiting for me to likely mark them as spam. I am literally getting a new spam comment every minute, and I simply cannot check in every hour to get rid of them. So until I can get rid of all of those comments to a size I can work with, I have to close the comments section. I will, however, take any comment on my twitter instead.
And now, on with the news!
- China’s box office grew by an astonishing 61% in 2010, making it now the third largest film market in the world. China expects itself to surpass Japan - 2nd in terms of gross - by 2015. With Japanese gross partly due to high ticket prices, I wouldn’t be surprised if China has already passed Japan in terms of attendance.
- The Kouhaku Uta Gassen, one of Japan’s highest-rated television shows and a cultural institution, scored OK ratings for its 2010 edition.
- Speaking of box office, Hollywood Reporter recaps this year in Bollywood, with some low-budget films scoring surprisingly high grosses.
- Derek Elley of Film Business Asia has one of the first official English-language reviews of LET THE BULLETS FLY. I agree with the assessment.
- Once dubbed the “Golden Manager”, Paco Wong officially leaves Gold Typhoon (previously Gold Label) to pursue other businesses, as well as continuing to develop movies.
Why is this important? Paco Wong resurrected the likes of Leo Ku, helped lift Miriam Yeung to become one of the biggest stars of Hong Kong, and nurtured Stephy Tang to be a star. He nurtured so many award-winning pop stars at one point that every other pop star started their thank-you speech with “thank you, Paco.” Under his reign as artist management, Gold Label became one of Hong Kong’s biggest record labels and eventually churned out successful local films like DRAGON LOADED and the Patrick Kong romance films. They weren’t necessarily good movies, but Gold Label made local films for a local audience, and that makes Paco Wong an important man already.
When Gold Label became Gold Typhoon, managerial restructuring put Paco into executive position and away from artist management. After losing Miriam Yeung and Leo Ku, it became downhill for Gold Typhoon and Paco. The last film Gold Typhoon produced under Paco was LOVE CONNECTED in 2009.
- Was going to report some box office speculation news for China, but it’ll wait until more solid numbers come in from cinema.com.cn
Starting off slow for now, but will slowly get into the groove.