- It’s Taiwanese music charts time! Energy member Milk Yeh’s debut album could only muster a 2nd place debut behind Jesse McCartney’s album with 2.9% of total sales. The slow sales gave Victor Wong and Kenji Wu a chance to climb back up on the chart. Coco Lee’s relevance in Chinese pop may’ve just been proven, as her latest compilation could only get a debut at 11th place with just 0.86% of total sales. Khalil Fong also made it back into the top 20 at 17th place with 0.7% of total sales.

- Congratulations to Kiyoshi Kurosawa’s Tokyo Sonata, which picked up the Un Certain Regard Jury Prize at the Cannes Film Festival. NHK News is already all over this.

- It’s reviews time! First up is Derek Elley’s review for Kim Jee-Woon’s The Good, The Bad, and the Weird. I can’t wait to watch this now. Mark Schilling of Japan Times also has a review of a film I’m anticipating - Kenji Uchida’s After School, his follow-up to the smart A Stranger of Mine.

- The Daily Yomiuri’s Televiews column looks at the ratings for the some of the dramas this season, as well as a brief review for Kimura Takuya’s CHANGE.

- Instead of paying for that expensive making-of DVD for Aoi Miyazaki’s latest film, now you can just catch clips of them at theatres, one clip at a time until its release in February.

- According to a research on the media, the American cable news networks have been giving less coverage of the Asian disasters than viewers demand. However, I watch CNN International here in Hong Kong, and the amount coverage has actually been quite balanced, with news getting fairly equal time, other than the live shows from the American CNN, of course.

- After a drama and two hit movies on deep-sea divers, there will be a Japanese drama on doctors who rescue people on helicopters. With a slate of promising young actors (plus a boy band member), the drama is coming this summer.

- I forgot to include the several deals that Fortissimo was also able to get at Cannes, which includes oversea distribution for Tokyo Sonata and Ashes of Time Redux.

- Japan takes successful adaptation one step further. After the film and TV drama versions of Ima, Ai Ni Yukimasu (Be With You), the tearjerker fantasy novel is now coming back as an audio drama. The news also mentions that a Hollywood remake starring Jennifer Garner is in the works. Actually, I can see her in the Yuko Takeuchi role.

- Twitch has an English-subtitled trailer for Go Shibata’s acclaimed Late Bloomer, which has been picked up for North American release by the up-and-coming Tidepoint Pictures.

- Apparently, Zhang Ziyi is quite upset that a group of people in Cannes doesn’t know much about China earthquake, accusing them of not knowing what’s going on on Earth. In related news, Zhang Ziyi doesn’t know how to spell “hypocrisy”.

- Watching TV today, I realize that the trailer for Johnnie To’s The Sparrow is up, and I found it on Youtube. Whoever edited it is a genius.

-Under “Cannes market deal” news today, Variety has a wrap-up of the various deals Cannes market. Meanwhile, Jason Gray also has a look at the deals being made for Japanese films at the market.

Also, director Wim Wenders have a Korean investor involved with his latest film, an adaptation of a novel by Ryu Murakami.

- The comic adaptation Maison Ikkoku is coming back for another live-action episode this summer.

- Amidst the current situation in China, it’s amazing that the media authority in the government still has time to get some censorin’ on.

- The Daily Yomiuri has a feature on the flash animated movie Eagle Talon II, currently playing in one Tokyo theater. Confession time and relax time in the middle of the movie? Sounds like a ton of fun.

- Actress Aoi Miyazaki just picked up the Galaxy Award for her starring role in the Taiga drama Atsuhime, currently playing to pretty damn good ratings on NHK.

- Finally got some Japanese box office numbers in, although it only covers Saturday and Sunday, which was the middle of the Golden Week holidays. As a result, most of the movies on the chart saw a rise from their previous weekend’s gross. For example, Shaolin Girl saw a 20% boost and has now grossed 715 million yen, despite a somewhat weak opening last weekend. But of course, the biggest boosts went to the kid-friendly films such as Conan (20.3%), Crayon Shin-Chan (27.7%), and The Spiderwick Chronicles (17.7%). However, the Masked Rider movie took a drop instead, losing 23.4% of business despite not losing any screens. Hollywood flick 10,000 B.C. also lost business, presumably because theaters put the more popular films on bigger screens and moved this to smaller ones.

- With its first hit in two years, Toei is now crossing their fingers on God’s Puzzle, Takashi Miike’s latest, to rebound them from what was their worst fiscal year in 20 years.

- Meanwhile, The Forbidden Kingdom has done solid business in China, making 150 million yuan since its release in late April already, partly thanks to the holiday last week.

- Things are not doing so well in Korea, where theaters saw April’s performance as the lowest monthly attendance figures since April 2003.

- However, local performance is not stopping them from taking their award-nominated films for a special showing in Japan.

- Earlier in the week, I mentioned that the Chinese distributor for the new Donnie fantasy film Painted Skin already estimated a final box office take simply based on screen counts. Now, the investors are so confident that not only did they already plan two sequels, they already assume they’re successful enough to raise the budget and get Zhang Ziyi for the second movie.

- The Asia Pacific Screen Awards, which had its first year in Australia last year, is now adding an academy, with all the nominees from last year’s awards being included with voting powers for this year’s awards.

-  There’s a short teaser for the omnibus movie Tokyo!, though it doesn’t really show anything from any of the three films, which will get their premiere at Cannes this year.

- A Spanish film buyer has bought their first Asian film, and…it’s Taiwanese torture porn?

-  Hollywood Reporter’s Maggie Lee turns in a review for Sylvia Chang’s Run Papa Run.

-  Chinese president Hu Jintao told Japanese reporters that his favorite Japanese TV drama is the popular 80s morning drama Oshin. It would’ve been great if he said anything with Kimura Takuya in it, but alas, that was not to be.

- My boy Jero has now joined the ranks of popular Japanese pop stars - he’ll be the spokesman for a new line of canned coffee.

- It was a public holiday in Hong Kong on Thursday opening day, so the box office gross were fairly high.Iron Man, which opened on April 30th here, had a pretty big May Day with HK$2.6 million from 57 screens for a 2-day total of HK$4.09 million. It should have no problem with hitting that HK$10 million mark by the end of the weekend. Another film with an impressive per-screen average is the period drama The Other Boleyn Girl, which made HK$254,000 from just 6 screens on its opening day. There’s also the Japanese film Mari and Her Three Puppies, which made HK$772,000 from 22 screens (with only one playing the original Japanese version). Wong Jing’s latest My Wife is a Gambling Maestro got past the HK$10,000 per-screen average as well with HK$371,000 from 27 screens on opening day. Hell, even crocodile thriller Rogue made HK$73,000 from 7 screens. Sadly, Lawrence Lau’s Besieged City made only HK$38,000 from 6 screens.

- It’s Oricon charts time! Korean boy band TVXQ’s latest single debuts on top yet again, with male trio Shuchishin staying at 2nd place. Meanwhile, Arashi’a latest album tops the albums chart, with Bennie K’s compilation debuting far behind at 2nd place.

More over at Tokyograph.

- On the heels of L For Love, L For Lies‘ success, writer/director Patrick Kong is already shooting his next film, though with the cast of Alice Tzeng and Andy On instead of Stephy Tang and Alex Fong Lik-Sun. Is he trying to move into auteur territory here?

- In related news, Stephy Tang has just started work on her latest film, a Chan Hing-Ka-directed comedy in which she plays an underwear inspector. The film also features Ronald Cheng, Andy On (the man’s got a lot of work lately), and the Shine Boys. Didn’t Chan Hing-Ka already make a comedy about underwear?

- Japanese newspaper Nikkan Sports have been revealing the winners for their yearly drama Grand Prix all week. Here are the winners:

Best Drama: Yukan Club
Best Actor: Jin Nakaishi - Yukan Club
Best Actress: Maki Horikita - Hanazakari no Kimitachi e
Best Supporting Actor: Shuichi Nakatsu - Hanazakari no Kimitachi e
Best Supporting Actress: Yu Kashii - Yukan Club

Be sure to remember that the winners were voted by the general public, and both these dramas feature popular idols. This means the result may not reflect the true quality of these shows.

- Organizers at the Cannes Film Festival have announced Blindness, the latest from City of God director Fernando Meirelles, as the opening film. This marks the first time a Japanese film has been selected as the opening film at Cannes because the film is actually a co-production between Brazilian, Canadian, and Japanese production companies. It also features Japanese actors Yoshino Kimura and Yusuke Iseya. Jason Gray has more details about the co-production deal.

- Under “various Korean film news” today, Twitch has a teaser for King and the Clown director Lee Jun-i’s latest Sunny, about a Korean woman who joins the entertainment troupe to find her husband fighting in the Vietnam War. Meanwhile, a Korean dance group will join the production of the latest Hollywood teen-oriented dance movie Hype Nation, with 60% of the film to be shot in South Korea. Tezza director Choi Dong-Hoon is now working on a big-budget superhero film. Lastly (because it’s only somewhat related), the horribly-titled multi-national martial arts film Laundry Warriors has wrapped filming.

- Emperor Motion Pictures hasn’t really had it hit in a while, so I’m just wondering, where did they get the money to finance in a major Hollywood production?

- In a recent visit to The University of Southern California, Chinese director Feng Xiaogang talks about how much he hated Forbidden Kingdom. These are his words translated (original Chinese text from Apple Daily):

“The film’s story itself is already problematic. It’s a mess. I just couldn’t keep watching. I don’t know why it’s doing so well at the American box office. I would not dumb down something to simply please the American audience. ”

I didn’t like the film either, but dyamn!

Welcome to an extended Tuesday edition of The Golden Rock. By extended, I mean it’s taking me 2 days to compile and write this entry.

- In Hong Kong weekend box office (the link you click on will probably have been updated for Monday box office already, though), Daniel Lee’s Three Kingdoms is at the top again with HK$924,000 from 40 screens on Sunday for a 11-day total of HK$13.99 million. That not only means that the film didn’t lose much of its business from last weekend, but also Daniel Lee can now make more crappy and overdubbed historical epics. Sylvia Chang’s Run Papa Run saw a pretty big boost in business over the weekend, making HK$813,000 from 30 screens for a weekend total of HK$2.65 million. The Pang Brother-produced (one of them) horror flick scare 2 die hangs in there with HK$91,000 on 14 screens that are probably not playing it 5 shows a day.

As for foreign flicks, John Rambo made HK$526,000 from 28 screens for a 4-day weekend total of HK$1.74 million. Step Up 2 the Streets is a real sleeper hit with another HK$482,000 from 27 screens on Sunday and a 11-day total of HK$6.07 million. British comedy Run Fat Boy Run couldn’t go far with only HK$99,000 from 10 screens for a 4-day total of HK$350,000. Small Irish film Once is still doing OK with HK$52,000 from 4 screens for a 11-day total of HK$460,000.

- In Japanese box office attendance figures, a Masked Rider movie made its way to the top (which I’m sure is something that can only happen in Japan….on a quiet weekend), while Cloverfield drops by one place along with Enchanted. Meanwhile, Curse of the Golden Flower managed to open in the top 10, even though it’s opening a year and 4 months later than everywhere else in the world. I guess the appeal of Jay Chou didn’t reach Japan. More when the numbers are out.

- Since only very few Spring dramas have premiered in Japan, we’ll get to the drama ratings report next week.

- I first read it up on the Hong Kong Film blog, and it was also reported as the entertainment headline on Apple Daily: Johnnie To’s English-language film debut, the remake of the French film Le Cercle Rouge, is a go to start shooting in June. It will be starring Liam Neeson, Orlando Bloom, and Chow Yun-Fat. However, To confirmed that he has only signed Orlando with the other two’s deals in the works. The film will be shot in Macau and Hong Kong with a budget of USD$40 million dollars. Now you may scream in excitement.

- A Filipino film about the Manila squatter slum has picked up multiple prizes at the Singapore International Film Festival, including Best Asian film. Last week, it was reported that four films at the festival were banned for their possibly undesirable content.

- Despite calls from both a major figure and the shrine in question asking for their footages to be deleted, Yasukuni distributor Argo is refusing to make the cuts and is now consulting with lawyers about said requests. Fight the good fight, y’all.

- Here’s something that I don’t think a lot of people ask for, but will probably get anyway: Japanese consumers can now spend about US$4,500 on a 3D TV……to watch one hour of 3D programming currently being broadcast everyday. In the future, Kimura Takuya’s hair will fly towards you during those Gatsby commercials.

- Speaking of celebrity advertising, learn English at ECC, or Takeshi Kitano will come and stick chopsticks up your nose. Why not ECC, indeed.

- How’s this for an unlike pairing? Bad girl Anna Tsuchiya will be providing her vocal talents to the new Anpanman movie.

Anna Tsuchiya:

Anpanman:

Who wants to take bets which one Anna is doing?

- Cine Quanon, a fairly major indie distributor in Japan, will be closing their theater in Seoul. No word on whether they will reopen at another location.

- If you all remember, the upcoming Japanese drama adaptation Sushi Ouji was greenlit before the series even aired, and the ratings ended up being fairly unspectacular. Without even bothering to find out how that went (the film will open this Saturday), Shochiku went ahead and greenlit the sequel to their new film Tsukiji Uogashi Sandaime before it even opens in June. Apparently, they hope to turn it into a modern “Taro-san” film series. I know Japanese people love fish and everything, but does that apply to paying 1800 yen every year to see a movie about it?

- A little more rational move by Shochiku this week is their decision to distribute HD-recorded Kabuki performances not only overseas, but also on commercial flights.

- In Hong Kong TV, there are only 2 free-to-air networks: TVB and ATV. TVB tends to take up about 80%-90% of viewership, which means ATV is just there because it has to be there. However, ATV finally scored a small victory Sunday night, when their Chinese channel showed a James Bond movie. It got a 11 rating, which is already better than the average ATV rating. Meanwhile, TVB’s Chinese channel was showing Wong Kar-Wai’s 2046, which only got a 10 rating. Yes, that means James Bond beat Wong Kar-Wai, which is a little sad from a film fan’s point of view, but happy from a fan of a little competition in the TV industry.

- After hitting one disappointment after another, Viz Media (buy their Japanese movies DVDs, people! They actually got good movies!) has found a new way to distribute Death Note in North America - by making it a limited event.

Was just watching the Hong Kong Film Awards on (delayed broadcast) TV. I haven’t tallied everything because I missed over an hour of it, but I can report that The Warlords took most of the major awards, including Best Picture, Best Actor (Yes, Jet Li is now a bona-fide actor.), Best Director. In fact, Peter Chan was the big winner, with wins for Protege as well (including one for Andy Lau as Best Supporting Actor. Sorry, Nick Cheung). Meanwhile, it’s “time to hand the torch to the young ‘uns” night at Milkyway, with Eye in the Sky taking 2 of Milkyway’s 3 awards. Also: Love Is Not All Around: 1. Exodus: 0 More when the reports come out.

- It’s Taiwanese music charts time! Kenji Wu’s latest album spends another week at the top, while the highest ranked “new release” is Khalil Fong’s Hong Kong concert, which was released along with his debut album as well. Oh, the reason that Jordan Chan debuted all the way at 20th place is because his album was released a day before the cut-off date for the charts. Expect him to be at a much higher place next week.

- It’s also reviews time! Variety’s Dennis Harvey has an early review of The Forbidden Kingdom with Jet “Best Actor” Li and Jackie “I’m gonna be a serious actor to take that award next year” Chan. Japan Times’ Mark Schilling has a review of the kids-and-parents-friendly film Chesuto, which he wasn’t too thrilled about. From BC Magazine review Yvonne Teh are her reviews of Chow Yun-Fat and Michelle Yeoh’s latest acting effort Escape From Huang Shi (Children of Huang Shi sounds better in that self-important way, though) and the Daniel Lee MTV-style epic extravaganza Three Kingdoms. The magazine also offers reviews of Sylvia Chang’s Run Papa Run by James Marsh and the Muay Thai action flick Chocolate by Brian “Asian Cinema - While On the Road” Naas.

- Just to show that some people do what I do better than I do, Ryuganji has a entry filled with useful snippets of recent Japanese cinema news.

- New Korean film producer Motion 101 is now headed for closure - before it even got started on its first project. Is the Korean film industry doing that bad, or was it just bad management?

- Takeshi Kitano has revealed his latest film Achilles and the Tortoise - another self-referential film about the making of art. Apparently, now Kitano has his own “trilogy”

- This week’s Televiews column on the Daily Yomiuri looks at new baseball drama Battery and the latest installment of the long-running drama Wataru Seken wa Oni Bakari. Oh, the writer also manage to work in a reference to Takashii Miike Cell Phone Detective, which only scored a 3.8% rating for its premiere (though it did only premiere on TV Tokyo, or is that a National network now?)

- Lastly, Jason Gray discovers another promising young filmmaker with an excellent debut feature at the Nippon Connection Film Festival in Germany.

Yay, the Golden Rock is back at least for the weekend. Can’t guarantee that daily updates will continue, as this blogger is still fairly busy these days. But take what you can get, folks.

- On Hong Kong Thursday opening day, Daniel Lee’s overhyper and overdubbed Andy Lau period extravaganza Three Kingdoms will likely take the weekend again after taking in about HK$460,000 from 39 screens on its 8th day. Now it has already taken in HK$11.28 million, with HK$15 million possibly within reach. The weekend’s widest opener, Sylvia Chang’s Run Papa Run, made an OK HK$380,000 from 29 screens, and will probably have about HK$2 million when the weekend’s over. The weekend’s widest foreign language opener, John Rambo, made HK$317,000 on its opening day, possibly hurt by its category-III rating here. Lastly, the British comedy Run Fat Boy Run with Simon Pegg made about HK$35,000 from 9 screens on its opening day. I’ll be paying my 55 bucks to see this as soon as I can. Ouch.

-  Hayao Miyazaki’s long-awaited latest work, Ponyo on a Cliff, now has a release date for Japan: July 19th. Damn, I was hoping it would be about 2 weeks earlier than that.

- Drama News Net updates the latest Japanese drama ratings everyday. In a preview of next Monday’s report, the much-hyped Last Friends, starring Juri “Nodame” Ueno and Masami “The Sick Girl in Crying Out For Love In the Center of the World” Nagasawa flopped with just a 13.9% rating for its premiere episode.

- As Jason Gray’s blog, I’m a little “Yasukuni‘d out” as well from reading all this news about the controversial documentary. However, this news is a little frustrating: a sword maker who is a major part of the documentary has asked director Li Ying to remove all of his footage from the film after a right-wing Japanese Diet member reportedly spoke to him about his appearance in the film. Now I’m really beginning to regret not catching this at the Hong Kong International Film Festival, it was one of the only chances to see it uncut.

-  The China Fim Archive will begin restoring historic films that survived up to the last 102 years. I hope they don’t have to be communist-friendly to qualify restoration.

- The 2007 Spring drama Watashi Tachi no Kyokasho just picked up the best screenwriter award for its writer Yuji Sakamoto. Did that pique up my interest a little bit? Yes. Is that going to compel me to buy a copy right away? Not exactly.

The blogger has been extremely busy during the holiday weekend, which would explain the lack of posts. Maybe.

- Before we go over the Hong Kong box office tomorrow, let’s look at how things were on Thursday opening day. Patrick Kong’s L for Love, L For Lies actually remained on top with HK$680,000 from 35 screens. As for opening films, Spiderwick Chronicles opened on 35 screens with HK$650,000 and should do well for the weekend, Charlie Wilson’s War opened at just 19 screens and made HK$350,000. Under “possible disappointments” is the opening for Ching Siu-Tung’s An Empress and the Warriors, which opened on 35 screens with only HK$600,000. One of the possible reasons may be the audience not being able to find a Cantonese version (even though the trailers were dubbed in Cantonese and the film features actors based in Hong Kong), but I’m just guessing. Either way, it’s not poised to pass the HK$10 million mark at this point. We’ll know more during the week.

- The Winter 2007 Japanese drama season is pretty much over (with two dramas having yet to wrap up), and the highest-rated series of the season is the Monday 9pm Fuji drama Bara No Nai Hanaya with an average 18.2 rating a week ahead of its finale. In a far-off second is Saito-san with an average 15.5 rating. The disappointment of the season has to be Sasaki Fusai No Jingi Naki Tatakai, which opened with a strong 17.3 rating, but ends up averaging only 10.9 by the end of the season. Hell, even The Negotiator could recover for an average 13.4 rating by the time it ended. However, the lowest-rated drama this season belongs to Yon Shimai Tantei, which saw an average 7.0 rating and even saw one of its episodes get only a 3.5 rating. On the other hand, with an average 7.1 rating, Ashita No Kita Yoshio performed more consistently bad and had the lowest-rated finale of the bunch.

There ends another bad season for dramas, but with KimuTaku returning this coming season, perhaps ratings will pick up a little bit.

- Speaking of Japanese TV, this week’s Televiews column on the Yomiuri is about the various “Monagatari” (The Japanese word for “story) on the Japanese TV these days.

- While the usual big-time surely got what they wanted at Filmart this year, Malaysia companies also managed to strike some big-time deals on their own, especially in animation.

- It’s reviews time! This weekend, Japan Times’ Mark Schilling looks at actor Jiro Sato’s directorial debut Memo. Meanwhile, Japan Times’ Giovanni Fazio looks at Wong Kar-Wai’s My Blueberry Nights. In fact, the Yomiuri’s Ikuko Kitagawa also looks at My Blueberry Nights, although she seems to like it more than Fazio did. From the Hollywood Reporter, Elizabeth Karr looks at Joe Ma’s Sasori and calls it “vile” and “lacking in wit, irony and wisdom.” Meanwhile, Maggie Lee looks at the Korean film Man Who Was Superman, starring Jeon Ji-Hyun.

- Please, can someone tell me why the world needs an animated version of the hit Korean drama Winter Sonata? Oh, well, at least they got Yon-sama himself to dub the voice.

-  It’s trailers time! First, Twitch has a trailer for Katsuhito Ishii’s latest film Yama No Anata, with Smap member Tsuyoshi Kusanagi as a blind masseur who doesn’t kill people. They also have the final theatrical trailer for the Stephen Chow-produced blockbuster junk food Shaolin Girl. It’s not only Lacrosse with Shaolin kung-fu: it also has villains kicking ass.

- The comeback edition of the Yubari Fantastic Film Festival ended on Sunday successfully, and the short film Daichi o Tataku Onna picked up the competition prize.

-  Shin Ka-Hyun is now joining Song Kang-Ho for Park Chan-Wook’s latest Thirst. You know what that means? When Bae Doo Na’s in, we have ourself a Sympathy For Mr. Vengeance reunion!

- Lastly, the Yomiuri does a feature on African-American enka singer Jero, who has hit the big time with the young using an old-fashioned genre.

First, more news from the wrapping Hong Kong Filmart:

- The American economy is on its way down, but the Asian film industry says it ain’t got nothing to do with them.

- After 11 years, Filmart is now a viable launching pad for Chinese blockbusters, though the Chinese censoring body has spoiled the party for everyone. Sylvia Chang revealed herself to Oriental Daily that the film that was told to re-apply as an import rather than a co-production.

- Professor David Bordwell writes about the films he’s seen and the people he’s met at this year’s events.

- One of the events at Filmart is the Hong Kong Asia Film Financing Forum, and Pang Ho-Cheung has won top Hong Kong Project award again this year for his proposed project The Bus (However, his other two awarded projects appear yet to be made).

- Bey Logan says Japanese movies should open themselves up to the world so that they can survive when the bubble bursts. I have my own doubts about the need for that.

- Twitch’s Todd Brown roams and share the promos he’s seen at the film market.

- Variety’s Grady Hendrix also shares info about the promos he’s seen at the film market.

- In fact, I waited so long to post this entry that Hollywood Reporter has already posted their wrap-up of the market.

And now, some number crunching:

- Japanese box office numbers have come out, showing that Enchanted scored a fairly huge opening (more on that later). Also, the other three family films on the top 10 (not counting The Golden Compass) dropped fairly little between 24.7% to 32% or so.

Oscar winner No Country For Old Men made 43.46 million yen from 41 screens on its opening weekend, which is damn good. It’s so good that it’s actually 152% of the opening for An Inconvenient Truth (which I’m sure is an inconvenient truth for that film’s distributor. Yes, I know it’s a bad pun).

Actually, Enchanted’s reported opening also includes last weekend’s preview screenings, so the 583 million yen gross isn’t exactly a three-day gross. However, Eiga Consultant did compare it with Ratatouille, which had the same release pattern. Turns out Enchanted still comes out on top, opening at 107% of the Pixar film’s gross.

- It’s Japanese music charts time! The Oricon and the Billboard Hot 100 charts are fairly similar, except Tetsuro Yamashita’s single got a bit of a bump on the Billboard because of its high position on the Radio Airplay chart. On the singles chart, Johnny’s Kanjani takes the top spot, as Namie Amuro’s latest stays fairly behind at 2nd, though it sold quite well. On the album chart, Kou Shibasaki’s compilation wins the day, while Ken Hirai scores a second place debut with his latest.

More over at Tokyograph.

- Doraemon has been picked as Japan’s animation ambassador, which I think it’s pretty damn cool as a lifelong Doraemon fan.

- Music show is a major part of many major Japanese TV networks: Fuji TV has Hey Hey Hey, and TBS has Music Station. However, NTV has apparently been without one with its primetime lineup for 18 years, though now that’s about to change. It even answers a question that I forgot to ask for years: What happened to Noriko Sakai?

By the way, keep checking the spin-off for those HKIFF reports.

Thanks to Filmart here in Hong Kong, there’s a ton of news happening out there.

Oh, look, new entry on the spinoff

- Of course, the big news is the Asian Film Awards, which seems to be less sloppily delivered this year (no David Wu and Fiona Sit trading quips), even though the star wattage has now dropped to the host from that entertainment news show on TVB. Also, there are reports that the awards were only half full, and that post-award interviews with Best Actress winner Jeon Do-Yeon were somehow moved to a back alley.

Oh, of course, there were awards passed out too.

- Anyway, time for number crunching!

At the Hong Kong box office, it’s no surprise, but it’s hard to report anyway: Patrick Kong’s L for Love, L for Lies made HK$1 million from 40 screens on Sunday and made HK$3.99 million over the 4-day weekend. With the Easter holiday next weekend, this is likely going to go past the HK$10 million mark (I somehow don’t think the same target audience will decide to flock to An Empress and the Warriors). Meanwhile, the animated film Horton Hears a Who! draws HK$320,000 from the first 2 days of previews on 31 screens, One Missed Call made HK$650,000 from 17 screens over 4 days, Woody Allen’s Cassandra’s Dream made HK$99,000 from 9 screens over 4 days, and Dan in Real Life made only HK$270,000 from 10 screens over 4 days.

With holdovers, 10,000BC passed the HK$10 million mark with HK$700,000 from 45 screens on Sunday, Shamo made HK$165,000 from 20 screens(the total is wrong on the now.com page), suffering a pretty significant drop, and Juno managed to pass the HK$4 million mark on Sunday as well.

In Japan audience attendance figures, Enchanted opens at number 1 amidst a very crowded family film market. If you count the dog movie, at least half the movies on the top 10 are aimed for a family audience (and I already didn’t count The Golden Compass). That’s because it’s Spring break when schools are out until April. More when the numbers are out.

- And now, news from Filmart:

China’s government is clamping down on co-productions, but that’s OK - Asian filmmakers will simply look elsewhere.

And experts at another panel believe that there will be one integrated Asian market, and that filmmakers are not really interested in challenging China’s censorship rules.

Oh, dear: The Pang Brothers are intending their Storm Riders sequel to be the Hong Kong equivalent of the Hollywood film 300, with the entire film shot in front of digital backdrops. Still, overseas buyers seem to be eating it up, so more power to them.

Meanwhile, Namson Shi, who seems to have a part in distributing Stephen Fung’s troubled dance film Jump, says that the film has not been sent for Chinese approval, nor has there been a decision made about keeping its troubled star Edison Chen.

Hong Kong’s Big Media promised to make 100 films in their first 5 years. Hell, we should just be lucky that they’re making 10-12 this year, even if one of them will be Marriage With a Fool 2.

Japanese director Sabu is in town trying to get funding for one of his latest films, a horror-romance set in Hong Kong.

For other Filmart coverage, go over to the Variety Filmart blog.

And now, back to your regular programming

- One of the few cinemas in Japan (in fact, the biggest one) planning to show the controversial documentary Yasukuni has backed off, citing that it might cause disruptions for the building’s fellow tenants. Then blame the right-wingers, not general courtesy.

- It’s Maggie Lee’s reviews time! All three from Lee are her takes on An Empress and the Warriors, her take on Fine, Totally Fine, and also her review for the Taiwanese youth film Orz Boys.

- In addition to wrapping up its run in Hong Kong, Karei Naru Ichizoku just picked up the award for Best Drama from TVNavi Magazine. Its star Kimura Takuya (AKA. Kimutaku) also picked up Best Actor for the drama.

Kimutaku is on a bit of a streak, as his new drama Change (the one where he becomes Prime Minister of Japan) now has Madonna providing it with a theme song.

- There’s a trailer for the horror prequel Kuchisake Onna 2 (The Slit-Mouth Woman 2).