I couldn’t find the time to record and edit the Podcast today, so it’ll most likely come tomorrow.

- Kenichi Matsuyama got his big break playing the eccentric detective L in the Death Note movies, but except for scoring his own spin-off film, he has found little success beyond the successful franchise. For instance, his drama Sexy Voice and Robo crashed and burned in the ratings, and his last starring role in the indie film Shindou didn’t even attract the audience to make it a successful indie film. Sadly, his latest film Dolphin Blue continues his slump at the box office. On 100 screens, Dolphin Blue opened with only 25 million yen for only a 250,000 yen per-screen average. His last challenge, and the one most likely to resuscitate his popularity, is the Death Note spin-off L. If even that doesn’t bring back to audiences, he can kiss his leading man status goodbye pretty soon after that.

- Meanwhile, the biggest release in Japan this holiday weekend, next to the Harry Potter previews, is Saiyuki, the film adaptation of the TV drama based on the famous Chinese tale Journey From the West. Apparently, its release on 461 screens is the widest release ever for a Japanese film (even the Death Note sequel got only a comparatively moderate 362 screen-release), and distributor Toho somehow pinpointed on predicting the film would make 5.9 billion yen. Maybe? Judging from the trailer, I’m leaning towards “maybe not.”

- A week or two ago I wrote about the first Disney Chinese production about to open in China. After two weeks, The Magic Gourd has done rather well, already having attract 750,000 admissions for a 16 million yuan total so far. With the weekend gross dropping very slowly, this movie might overtake Protege as the highest-grossing Chinese film of the year. Thus continues Disney’s plan of global domination….

- After the Japan Society in New York’s own Japanese film festival, the Korea Society has announced the lineup for their own Korean Film Festival. However, the lineup just simply isn’t as exciting as the recent Asian film events in New York. Secret Sunshine isn’t even on there.

- Two Chinese directors have just finished documentaries that are worth noting, but for different reasons: First, Jia Zhangke has already finished his follow-up to his award-winning narrative film Still Life and companion documentary Dong with Wu Yong, a documentary about the path of fashion from the assembly line to the catwalk. The other is a documentary on the Yasukuni Shrine by unknown Chinese filmmaker Li Ying, who filmed at the controversial Japanese Shrine for over a decade. It’s a brave attempt at what seems to be an unbiased view at a subject that has caused such strong emotions in China.

- This weekend, the long-awaited Hong Kong action film Invisible Target finally comes out, and there’s a new poster out to further whet your appetite.

- Reviews from the Daily Yomiuri this weekend include the animated omnibus film Genius Party and three of this season’s Japanese dramas.

- Speaking of TV in Japan, the American cartoon Spongebob Squarepants (heard of it, never watch it) has caught on after arriving on the public television NHK network. And it’s not even the kids that are loving it.

- The next “city” omnibus film to follow Paris je t’aime is, as reported previously, Tokyo! (That’s the title. And I know that a New York I Love You is on the way as well). In addition to the three directors involved - Michel Gondry, Leo Cerax, and Boon Joon-Ho - there’s also more information about the films, courtesy of Tokyograph.

- I wrote about Twitch’s coverage of the film The Wonder Years, about a young girl’s search for a rock star she presumes to be her mother, a while ago. Turns out the movie flopped at the box office, and it’s coming to DVD with a mere 6-week theatrical-to-DVD window.

- The Motion Pictures Association continues to stick their nose into Asia’s business by helping Japan in a campaign to stop Peer-to-peer downloading.

- Get ready to start looking around eBay, because a thief just stole about 25,000 yen worth of clothes from the set that was used for the hit Japanese film Tokyo Tower. The set remained opened for public visitors after the film finished shooting.

- Yuki Tanada, whose last film credit is apparently the screenplay for Sakuran, signed award-winning actress Yu Aoi on for her latest directorial effort Hayakumanen to Nigamushi Onna, about a girl who flees from home to save up money after she was convicted of a crime.

- Remember yesterday I reported that the new Harry Potter played on only 42 screens in Hong Kong? According to the Hong Kong Thursday opening day numbers (where nothing officially opened since Potter opened on a Wednesday), it’s actually playing on 92 screens! This is probably because Ming Pao daily meant 42 theaters, and most of these theaters are multiplexes that are playing the film on multiple screens. This makes the negative reporting on Ming Pao’s part more accurate, since the film managed to take in “only” (”only” being a comparative term with Spiderman 3 and Pirates of the Caribbean) HK$3.15 million for the two-day total of HK$6.68 million. Simple math would show that the opening day gross was HK$3.53 million on 92 screens. Still, the opening is the highest in the Potter series, and apparently it’s the highest non-holiday opening day ever.

Meanwhile, Die Hard 4 begins to slip with only HK$360,000 on 36 screens after a 15-day official total of HK$13.48 million, and Shrek 3 also dies down with just HK$190,000 on 34 screens with a 15-day total of HK$18.85 million. Believe it or not, there are still four movies on the top ten, even though their grosses are pretty weak - Hooked On You leads the pack with HK$140,000 on 19 screens for a 15-day total of HK$8.09 million; Wonder Women made HK$60,000 on 9 screens for 8-day total of HK$1.11 million (making it the lowest-grossing handover commemoration film out of the three); Eye in the Sky made HK$10,000 on 4 screens for a 22-day total of HK$4.12 million; and Simply Actors made a measly HK$4,000 on 3 screens for HK$9.3 million after 24 days. This is scary: Only two HK films have broken that HK$10 million mark this year - Protege (good) and Love is Not All Around (bad).

(HK$7.8=US$1)

- In a prediction of how the latest Pokemon film will do in Japan, 2 million advance tickets have already been sold before the film’s opening this weekend. While these tickets are cheaper, at least they’re money in the bank before the film has even opened. Plus, we know with kids’ films that admissions is the true gauge of success, not money.

- A month ago or so, the Hong Kong press covered the hell out of Japanese pop diva Ayumi Hamasaki’s visit to Hong Kong to shoot the MTV for her latest single, which also stars Hong Kong model-turned-serious-actor Shawn Yue (no kidding, he went to New York for three months for acting lessons, with a translator in tow and all). Turns out the whole thing is a short film that’ll be featured on the DVD accompanying the single, which apparently will be out on the 18th.

The MTV, which I guess is part one, is now on Youtube. Hong Kong certainly looks real pretty, but director Wong Hoi (I think he does music video in HK) edits the whole thing as if he’s trying to make Infernal Affairs 328, which again shows the ineptness of MTV filmmaking in Hong Kong (EDIT: Now I remember. Wong Hoi was the editor on Initial D, which means he was responsible for the incredible annoying editing style that single-handedly ruined the film. It all makes sense now.). Plus, the whole communicating by dictionary thing just reminds of that episode of Undeclared where one of the main character can only communicate with his new Japanese girlfriend through talking dictionaries in each other’s languages. The storyline, in which Ayumi plays herself falling in love with her bodyguard during a video shoot in Hong Kong, is especially strange, seeing how she had just announced her break-up with her boyfriend of 7 years.

- Speaking of Youtube, Tokyo local broadcasting network TokyoMX, which is like the community news channel, has signed a deal to put their program on the video site. They are the first Japanese television station to do so, and I hope more stations will follow their lead.

- Jason Gray talks about the latest film by Isao Yukisada, who is getting out of his period drama slump after making THE movie of 2004 Crying Out For Love in the Center of the World. Amazingly, this childhood fantasy film is actually an original screenplay rather than based on preexisting material.

- The Puchon International Fantastic Film Festival (better known as PiFan) launched on Thursday after years of turmoil. However, this year will see 215 films screened in 10 days, and ticket sales are up.

- In more festival news, Ang Lee’s latest Lust, Caution has officially been invited to the Venice Film Festival. This year’s festival, whose jury will be headed by Chinese director Zhang Yimou, is already feeling the Chinese influence after this week’s announcement of Alexi Tan’s Blood Brother’s placement as the festival’s closing film.

- Lastly, Benny Chan’s Hong Kong summer action flick Invisible Target, which is one of Hong Kong films’ final hope this summer, has already been bought up by the Weinstein Company for distribution in North America, Australia, and South Africa. Distribution means they’ll hold it until everyone also bought the Hong Kong DVD, then release it with a corny English dub, straight-to-video style.

You know the procedure for Wednesdays - it’s the Oricon charts!

- We’ll first look at the monthly rankings for June. On the singles chart, it’s no surprise that Kat-tun’s latest won, but I’m a little surprised that it won by such a large margin. Released on June 6th, the single sold 332,000 copies within the month of June, despite the song sucking quite hard. Meanwhile, the only two songs that are not new releases on the top ten are Keisuke Kuwata’s Ashita Hareru Kana and new band GReeeeN’s Ai Uta, both of which saw rising sales from the previous month.

Meanwhile, the competition on the album charts is a little closer, as Mariya Takeuchi’s latest album sold 357,000 copies in the month of June after being released on May 23rd. Not too far behind is Johnny’s Entertainment’s Kanjani, who sold 226,000 copies of their latest after it was released on June 6th. Zard’s last compilation album “Golden Best” sold an additional 155,000 copies due to the untimely death of singer Izumi Sakai. Sad for J-pop, 4 of the albums on the top 10 are American albums from Linkin Park, Avril Lavinge, Maroon 5, and Ne-Yo, respectively.

On to the weekly charts. On the singles side, Erika Sawajiri’s first single as herself debuted at the top spot, but with a fairly weak sales figure of 50,000 copies. Sawajiri is now the first female artist to have her first two singles debut at number 1 since Hiroko Yakushimaru became the first female artist to do it in the early 80s. Not very far behind is the much-touted new single from young artist Ayaka, who just announced she will hold a concert at the famous Budokan in December. Despite all the hoopla surrounding the song’s release, it only sold 38,600 copies in its first week. Still, I actually like the song quite a bit. Meanwhile, high-pitch boy band w-inds’ new single, which is apparently the Japanese theme for Shrek the Third, only mustered a 4th place debut after selling 28,7000 copies. As for returning singles, Koda Kumi’s latest lost about 67% of its first-week sales with only 35,000 copies sold this week, and Ketsumeishi’s latest suffered similar damage with their latest single as well. If daily rankings hold up (and they usually do), then the new single by a collaboration known as the Golden Circle should win the week with very weak sales.

As for the album chart this week, Namie Amuro’s latest also suffered a 64% drop in sales, selling only 90,500 copies despite staying at the top spot. In comparison, GReeeeN’s debut album lost only roughly 35% in sales for their second week, selling 85,700 copies at a close second place. Meanwhile, Zard’s Golden Best sells another 32,200 copies, while R&B/ballad pop act Melody, who I’ll always know as the girl in that cool M-Flo song, sees her latest album debut at 6th place with only 22,000 copies sold. Get ready for Arashi’s latest album to blow away all competition by the end of the week.

- As we reported yesterday, Andrew Lau/Alan Mak’s Confession of Pain arrived dead on arrival in Japan. On its opening weekend, the film made 23.7 million yen. That’s only 27% of the opening for Daisy and 54% of the opening for Infernal Affairs III. Eiga Consultant sees it as a failure of Ayumi Hamasaki’s theme song to bring audiences in, but I see it as a freefall of Takeshi Kaneshiro’s popularity in Japan. Even teaming up with who is arguably one of Asia’s top actors couldn’t lift this thing up. Then again, the movie isn’t all that great.

- Just a little preview of Friday’s Hong Kong box office report - Harry Potter is going to be huge, just look at the IMAX presales. Those tickets are twice the price of a normal ticket. Red means sold out, by the way.

- Twitch has a ton of reviews from the Fantasia - Dog Bite Dog, The Restless, Kim Ki-Duk’s Time, Hazard, and The Show Must Go On.

- Meanwhile, Variety reviews the Japanese-Chinese co-production The Longest Night in Shanghai, which this blogger actually would like to watch.

- This can’t be real, right? Dicky Cheung, best known as Hong Kong television’s answer to Stephen Chow, is starring as the Monkey King in a Hollywood film after he played the famous character in two different television dramas.

- In an attempt to search out for new inspirations for films, a popular blog about a group of students’ war of pranks with a local resident in a rural town is being adapted into a film. If it all goes well, I bet you they’ll be making various versions of TV as well. Then again, the film is being directed by Renpei Tsukamoto, whose last theatrical work is One Missed Call 2.

- There’s a new trailer for Benny Chan’s Hong Kong actioner Invisible Target online, except it just have a little bit more plot and it’s all dubbed in Mandarin. It didn’t get me anymore excited about the film than I already did, so watch at your own risk.

- The Tribeca Film Festival held a mini-edition in Beijing, and it seems to be a success, as it has attracted not just over-glamourized celebrities, but hip film buffs as well.

- MTV and Motorola held a series of concerts featuring Taiwanese star Jay Chou and Chinese star Cui Jian to remind people that music comes from real musical talent, not just getting lucky on some talent show. Wow, so MTV actually promotes music anywhere that’s NOT the United States.

- After all the pushing and pulling and the rumoring, the producer of John Woo’s Battle of Red Cliff has confirmed that Chow Yun-Fat will simply not be joining the production in any capacity.

- In DVD news, Studio Ghibli’s Tales From Earthsea is coming is a cheaper Hong Kong DVD on July 20th, while the Korean dark comedy Driving With My Wife’s Lover, which I linked a review for a while ago, is coming out in August. I actually want to watch both, despite the less-than-good reputation for Earthsea.

- The Thai government is just pissing off everyone in the Thai entertainment industry, as even the TV industry has come out against the new ratings system. They argue the new system, which they say was thought up without any careful consideration, will restrict artistic freedom and impossible to put into practice. Case in point: A program is rated PG if it contains “use of wrong grammar not used for comic effect.” Man, that’s worse than China.

Seems like I accidentally used this title for yesterday’s Song of the Day, my apologies.

- The Japan box office numbers are out on Box Office Mojo….kind of. They have a bunch of numbers and percentages, but I’m guessing that because not all the distributors delivered their numbers, so the rankings are somewhat incomplete. The only conclusions I can make out is that 1) No film took a real big hit. Not even Pirates of the Caribbean, which just would. not. go. away. and 2) Confession of Pain preformed pretty disappointingly, despite the presence of Takeshi Kaneshiro. Is he just not that popular in Japan?

On the arthouse side, the Finnish film Lights in the Dark by Aki Kurismaki. The only reasons I’m writing about the performance of this film are 1) it actually looks really interesting, and 2) The advertising suggests that director Kurismaki has some kind of small following in Japan. Anyway, the 2006 Cannes contender opened in one small theatre in Shibuya on the 7th, and attracted 703 admissions for an even 1 million yen gross on the opening day. With a capacity of 145 and 5 shows a day, that means each show had an average capacity of 97%, which is pretty damn good.

- Lovehkfilm has a couple of new reviews - The Milkyway “Handover commemoration” comedy-drama Hooked On You, the Barbara Wong-directed official “Handover film” Wonder Women, plus a review of A Ball Shot By a Midget (don’t let the name turn you off, it’s really pretty good) and Resurrection of Golden Wolf by yours truly.

- MTV and EMI asks all Asian songwriters and aspiring directors: “Are you proud to be Chinese?” I certainly hope this song isn’t the winner.

- Despite bad word-of-mouth pretty much anywhere it played, Studio Ghibli’s Tales From Earthsea managed to sell 147,000 copies the first week and is the best first-week sales of any animated DVD this year.

- After Tokyo International Film Festival found a new programmer, the AFI festival in Los Angeles found themselves a new artistic director too.

- Even though it’s easy to attack the Hong Kong print media for spending most of their pages on celebrity gossips, you can actually find some little pieces of news that matter. For example, while this report is about Hong Kong stars Gigi Leung and Lau Ching-Wan having to lose weight for their respective upcoming film roles, you also learn that Wai Ka-Fai is making a new movie starring Lau as a blind man this August.

- The hit drama Nodame Cantabile is coming back for a two-part drama special in January. Next stop: the movie? For those people in Hong Kong that hasn’t downloaded it yet (I’m sure there are a few of you out there), this will be showing on TVB in August.

- TV Tokyo is under fire for biased reporting of the upcoming elections for the House of Councilors. News agenda exists, but I doubt that TV Tokyo is the only TV station that has it.

- Hollywood continues their formulaic filmmaking by finding ways to either continuing franchises or starting new ones. I swear, I’ll never watch another Harry Potter film if they manage to just make one up out of thin air.

- MK Pictures, most well-known for producing Korean director Kang Je-Gyu’s Shiri and Taegukgi (if you know Korean films, you should know these films anyway), has been bought up by cable TV. One of the people who sold his shares? Kang Je-Gyu.

- The promotion for Wilson Yip’s Flash Point has started in Hong Kong, and is it quite possible that they’re centering the promotion on Louis Koo? No way, Donnie Yen’s bus is probably right behind it, probably with a larger close-up too.

- I totally missed it when it got reported on Tokyograph, but the troubled Yubari Film Festival is finally coming back in March.

- In the Sunday box office numbers from Hong Kong, Hollywood films split the box office booty as Die Hard 4.0 wins the day with HK$1.64 million on 51 screens for a so-called “4-day total” (it already had a week of previews) of HK$11.46 million. Not far behind is Shrek 3, which played on the same amount of screens and made another HK$1.59 million for a 11-day total of HK$17.25 million. Farther behind is the handover commemoration film from Milkyway Hooked on You, which is still going relatively strong by making HK$600,000 on 30 screens for a per-screen average of HK$20,000. After 11 days, the Miriam Yeung/Eason Chan starrer has made HK$7.1 million, and might even cross the champagne-worthy HK$10 million mark.

Meanwhile, this week’s Hong Kong opener Wonder Women, which opened on a lackluster 12 screens, bounced back a little bit from its soft opening to make HK$210,000 for a 4-day total of HK$660,000. Robert Rodriguez’s Grindhouse segment Planet Terror made only HK$180,000 on 15 screens for a 4-day total of HK$840,000. This would probably be because of the subject matter and the category-III rating (no one under 18 admitted). On its 20th day of release, Hong Kong comedy Simply Actors made HK$140,000 on 20 screens for a HK$9.13 million average. It’s not very likely this will pass the HK$10 million mark. Lastly, Julie Delpy’s Two Days in Paris continues to play strongly on its 4-screen limited release, making HK$70,000 for an 11-day total of HK$70,000.

US$1=HK$7.8

This week, the Harry Potter movie opens in Hong Kong, which pushes everything out of the way. This one is especially big because it’ll be the first major IMAX film to play in Hong Kong’ spanking-new IMAX theater, and lines for advanced tickets have already gotten quite huge.

- In South Korea, Transformers remained very very strong, losing only 2% in total market shares this past weekend. It’s also looking to break the attendance record for a foreign film, which was set by the final Lord of the Rings film at 6 million (Tranformers has already hit 4.2 mil). For how everything else is doing, check out Korea Pop Wars.

Meanwhile, Hollywood Reporter beats a dead horse on the declining local film industry in Korea.

- In Japan audience rankings, just about every film stays where they are, except for the entry of Dolphin Blue starring Kenichi Matsuyama at number 7 and Andrew Lau/Alan Mak’s Confession of Pain at only number 8. More numbers tomorrow from Box Office Mojo.

- In Japan drama ratings (yes, a majority of the Summer 2007 season has started), Fuji’s comic adaptation Hana Gi Kari No Kimi Tachi He (which, like Hana Yori Dango, was first made into a successful live-action drama in Taiwan) started ok with a 15.9 rating (roughly 10.3 million viewers). That’s lower than the premiere for TBS’ Hana Yori Dango, which opened with an 18.3 rating back in fall 2005. TBS’ Jigoku No Sata Mo Yome Shitai, which sounds eerily similar to the TV Asahi drama Erai Tokoro Ni Toide Shimatta, premiered with only a 13.7 rating (roughly 8.9 million viewers) up directly against TV Asahi’s third installment of Kikujiro to Saki (based on Takeshi Kitano’s childhood), which premiered with an even weaker 10.9 rating (roughly 7.1 million viewers).

By request, the Misaki Ito/Kyoko Fukada Fuji Thursday drama Yama Onna Kabe Onna does OK with a 14.1 premiere (Last season drama in that time slot, Watashi Tachi No Kyokasho, premiered with a 14.2 rating), scoring roughly 9.2 million viewers. At the same time slot is TBS’ Katagoshi No Koibito, which premiered with a 10.2 rating (roughly 6.6 million viewers, which is even lower than last season’s ratings poison Kodoku no Kake). The highest-rated debut this season so far is TBS’ Yamada Taro Monogatari, which stars two members of Arashi and takes up the old Hana Yori Dango timeslot. It premiered with a 17.4 rating (roughly 11.3 million viewers). The two dramas that are already in their second weeks , Fuji’s Life (their second in the successful Saturday 11pm time slot) and Papa To Musume No Nanakakan, are both holding up well. Life actually saw an increase in viewership, going from the premiere’s 11.0 rating to this past week’s 11.7 rating (roughly 7.6 million viewers). However, it’s still performing weaker than last season’s surprise hit Liar Game. On the other hand, Papa To Musume No Nanakakan, which was praised by the Daily Yomiuri this past weekend, saw only a small drop from 14.0 to 12.8 (roughly 8.3 million viewers) for its second episode.

Whew. I’m covering less drama ratings next week. Just leave a comment if you want me to cover a specific drama.

All Summer 2007 drama information here.

- According to the Hong Kong Film Blog, Derek Kwok’s The Pye-Dog, which was supposed to be released back in May, is now eyeing a September release date. However, someone in the comment section writes that it might even be looking at November. The mystery continues.

- In my continuing love for the Japanese government advisory panel that is encouraging wider distribution of Japanese entertainment, they have asked DVD recorder manufacturers to allow the limit for copying programs on DVDs be increased to nine from the current one. In other words, if you recorded something from a digital broadcast, you can only copy it onto a DVD once. Now, that limit is being upped to nine, in case the user fails to burn it completely. This is already after a compromise by the panel, who initially ordered that limit be removed.

- Twitch has a full trailer for Kenneth Bi’s The Drummer. Considering I didn’t like Rice Rhapsody very much, this film is actually looking very promising ever since I started following its production on Bi’s blog.

- Although the launch of the reinvented Bangkok International Film Festival has been a little bumpy, the Bangkok Film Market is going very well, with all the booths on the market floor already taken.

- Jay Chou’s directorial debut Secrets isn’t coming out until the end of this month, so I can’t say whether this is good news or bad news. But apparently Jay found the experience rewarding enough for him to say that he prefers directing over acting. Then again, someone with an ego like Chou probably can’t resist acting in his own films anyway.

- The New York Asian Film Festival (who I named one of the winners of the week in the Podcast) has ended, and Memories of Matsuko ended up taking the audience award!

- Twitch has a review of Invisible City, the Singaporean documentary that I wrote about two weeks ago.

- Lastly, my feature article about Hong Kong filmmakers that emerged in the last ten years is up. My most sincere thanks (and apologies) to the Yesasia editorial team for their work to get it to its current form.

The Podcast is all done, but will come a little later.

- As reported early in the week, Die Hard 4.0 had quite a huge opening in Japan, making 600 million yen on its opening weekend (to add to the advanced preview gross). That opening is actually 99% of Die Hard with a Vengeance’s opening, which ended up making a pretty amazing 7.2 billion yen 12 years ago. However, considering that the series has made gradually more money with each installment (the first film did 1.8 billion, and the second film did 5.11 billion yen), so will this become the downward trend in the series?

- In “Why do celebrities matter that much” news today, Ozzy Osbourne has been enlisted to help Taiwan get recognized by the UN by joining a gothic band on a tour around the world. What the hell were they smoking when they came up with that idea?

- A humorous observation by the Hong Kong Films blog from Hong Kong looks at the classification papers for the new Hong Kong film Mr. Cinema. It has been somewhat controversial for glamorizing the left-wingers in Hong Kong by telling a selective version of Hong Kong history, including taking out the Tiananmen Square incident. Ironically, the classification for the film was issued on June 4th, the 18th anniversary of the incident.

- The TV Tokyo Thursday Night Western Theater, unlike the weekly movie time slot on American networks, has lasted 2000 weeks and seems to be going strong. On the other hand, the big networks in the United States have pretty much stopped showing movies during primetime on any set schedule. I don’t know why this is news, I was kind of desperate.

- Twitch has a link to the first 12 minutes of Fumihiko Sori’s Vexville, which is being streamed on video rental chain Tsutaya on their server. I got lazy and didn’t get to check out the clip, but I’m sure it’s visually exciting, if what’s in the trailer is an indication of anything.

- Baidu, the website that was once accused of providing illegal download of music to its users, has now struck a deal with Rock Music to provide music streaming, with the record company getting advertising revenue. Finally, someone that gets the “If you can’t beat ‘em, join ‘em” concept.

- I forgot to do a review for Deadly War in Hiroshima, the second episode of the classic Yakuza Papers series. It features a crazy overacting Sonny Chiba as a reckless gang leader with an oversized ambition. I mention this because Sonny Chiba has mentioned that he is planning to quit acting at the end of the year.

- Lastly, Michael Wells turns in his last report at the New York Asian Film Festival, although I personally don’t mind if Hula Girl gets the audience award.

- This week, Japan Times reviews the Ryuichi Hiroki(who also made Vibrator) film Koisuru Nichiyoubi - Koi Shita (Thanks to Ryuganji for the link this week, because it wasn’t found from the Japan Times film review listing for some reason). Made under a project for the satellite channel BS-i, the film is currently playing at a Shibuya theatre. However, it actually opened last month at another theater in Shinjuku already, and only saw 1025 admissions/1.37 million yen. Since the theater has a capacity of 330, that means the shows aren’t even half-full on average. However, unlike other television-financed blockbusters, the experimental project is meant to show off new talents with commercial genres.

- Meanwhile, the Daily Yomiuri have reviews of Andrew Lau/Alan Mak’s Confession of Pain (which opens this weekend in Japan with a better trailer, despite some inaccurate subtitles. Japan Times also reviews it, though reviewer Kaori Shoji incorrectly identifies Andrew Lau as the sole director.), Pedro Almodovar’s Volver, and of course - the new Harry Potter movie, which seems to be drawing the most negative reviews of the series. They also give a very enthusiastic review for the new drama “Papa To Musume No Nanakakan,” which seems more like a idea stolen from Walt Disney’s 1976 film Freaky Friday (it was even remade a few years ago, so the TBS guys have no excuse)

- I found a very interesting Chinese blog on Hong Kong cinema that covers everything from films to theaters to ticket inflation. Recently, the blogger looked at why Simply Actors (starring Jim Chim and Charlene Choi) did so much business its opening week, except for the fact that it opened on a public holiday. Turns out the promotional campaign includes three different types of HK$10 off coupons that are good for different days of the opening week, which may mean lower box office gross, but also means more incentive for people to go to the theater. It’s even cheaper than buying a VCD, for crying out loud.

- In DVD news, the Japanese comic adaptation film Nana 2, which flopped pretty horribly at the box office last winter, is coming to an English-subtitled Hong Kong region 3 DVD on July 12th. Also, the DVD for Han Jae-Rim’s The Show Must Go On is coming to Korean region 3 DVD on July 19th.

- Prepare to see Yoji Yakusho everywhere when you head off to the Japan International Contents Festival this fall, because the actor has been chosen as the face of the festival.

- Alexi Tan’s Blood Brothers, also produced by John Woo and Terence Chang, is slates to have its world premiere as the closing film at the Venice Film Festival in September. But what is this whole thing about it being a remake of Woo’s Bullet in the Head?

- In the first half of 2007, Korean cinema took up only a 47.3% share of the total theatrical market at home, which is its lowest since 2001. In comparison, Korean films took a 60% market share in 2006. I’ve said before, plenty of countries outside the United States would kill for that kind of numbers. Yes, even the 47.3 % one.

- Considering that it’s over on Monday, this news is a little late, but this year’s Taipei International Film Festival seems to have the largest Chinese cinema lineup in all of Asia. It even has Hou Hsiao-Hsien sitting on top!

Tomorrow, Podcast and more and more news.

Saw the new Disney/Pixar film Ratatouille today, and had a great time as expected. Of course, I was especially excited to see this because it marked Brad Bird’s first film since The Incredibles, which was also the last Pixar film I wanted to see (I still haven’t seen Cars yet). It’s less “action-packed” than The Incredibles, which can be expected since it’s about a rat who becomes a chef, but there are still some really exciting sequences here that shows how far computer animation has come. The best part is that as excitedly real as it looks at times, the animators still have their feet firmly planted on fantasy land, with rats that walk on two feet and emote as if they’re human. And the writing is again top notch, with great comedy bits and even instances of subverted cliches. The rat clan on the move scenes do get a little goosebump-inducing, but like the usual Pixar films, this is a ton of fun to watch.

- As always, we start with the Hong Kong Thursday opening day box office numbers. The “official” opening day for Die Hard 4.0 was a little lackluster, making “only” HK$740,000 on 51 screens after the weeklong preview made HK$6.36 million. Shrek 3 will remain a viable competitor this weekend, as it made another HK$600,000 on 51 screens for an 8-day total of HK$13.37 million. Hooked On You might seeing a fair drop this weekend, making only HK$350,000 on 32 screens on Thursday. I don’t see it doing any better than HK$500,000 per day over the weekend. After 8 days, it has earned HK$5.46 million, which means it should end up being a moderate earner, but not a homerun by any means.

Remember I said Wonder Woman might be a huge hit? I was dead wrong, especially when I found out it only opened on 12 screens on Thursday. What’s worse is that it only made HK$90,000, despite film critic Shek Ki giving it a very positive review on Ming Pao daily yesterday (no link, sorry). The weekend’s third opener, Robert Rodriguez’s Grindhouse segment Planet Terror, actually did better than Wonder Women and made HK$140,000 on 15 screens, despite the no-one-under-18 category III rating.

- The Korean summer hit Black House is heading to Japan in October. Unlike other Korean films, this one might actually have a fanbase in Japan because it was based on a Japanese novel. Hell, they’re even putting on a wide release of 250 screens.

- The Tokyo International Film Festival has picked a new programmer for the Winds of Asia section, which promotes young talents from Asia. He wants to expand the scope to South, Middle, and Central Asia. Why doesn’t he just say “the rest of Asia” instead?

- After a theatre in Tokyo found enormous success with their screenings of the hit Korean drama Hotelier, the theatre is going back for some more Yong-sama classics. Starting on Tuesday, the theatre is screening each week two episodes of the complete version of Winter Sonata, THE drama that started the Korean wave in Japan. The theatre first decided to play it on three of their screens simultaneously, but when the tickets were quickly sold out, they will now play it on all their screens except one. The power of Yong-sama prevails.

- On a related note, overseas sales of Korean TV programs, mostly dramas, has seen increase in some markets. However, it also saw a decrease in key markets such as China, Japan, and Taiwan.

- The New York Asian Film Festival is winding down, and Asian Cinema - While on the Road uploads another report, this time about the screening of the Pakistani zombie horror flick Hell’s Ground and hanging out with hip Asian directors on the 4th of July.

More news throughout the weekend as they come in. And remember the Podcast on Sunday.

- Director Satoshi Miki’s The Insects Unlisted in the Encyclopedia (review by Japan Times, and more info from Ryuganji) first got attention because it’s Oscar nominated actress Rinko Kikuchi’s first post-Oscar role (more on her later). But as the release date approached, the film picked up attention due to its director. Miki Satoshi got his start on TV doing variety shows. While he made his film debut in 2005, he went back to TV, writing and directing the cult favorite drama Jikou Keisatsu. At least it was popular enough to bring it back for a second run this past Spring season, and it became the most “satisfying” drama of the season (trust me, those rankings held up throughout the season, although the ranking came from right after its start). The popularity of the show has now come to explain the film’s relative success at one Tokyo theater. Opening on June 23rd, the opening day drew 772 admissions and grossed 1.19 million yen(4 shows a day, with a capacity of 218). For the entire week, it drew 2842 admissions, grossing 4.17 million yen at that theater alone. Even though it’s nowhere near full capacity, this is still better than Miki’s debut film Into the Pool.

- In addition to Insects, Rinko Kikuchi also stars in a new “web movie” for a popular cosmetics brand. However, the idea itself is better than the actual film, and try not to let Rinko’s hair distract you too much.

- In “Who cares Hollywood hasn’t sold us the rights yet?” news today, China’s Zonbo Media is going ahead with production for the Chinese version of the American series Prison Break, except 1) The production company states that it has nothing to do with the hit Fox series, and 2) Fox has denied ever selling the rights to China, even though Zonbo Media said they bought it. Huh…..

- The Bangkok International Film Festival, who hit yet another snag when the government took away its opening film Persepolis to maintain friendly relations with Iran and stave off the Muslim insurgency, decided to put in the Children of Glory as its new opening film. Apparently it’s about “the bloodiest water polo match in history.” What?

- Kenji Uchida, who made a brilliant debut with Unmei Janai Hito (Stranger of Mine), is moving on up with his follow-up film After School, about a teacher who searches for her childhood friend with a private detective. Just started shooting last week, the film has 7 times the budget of Stranger of Mine, though it’s still at a fairly small 180 million yen.

- The first Kansai Film Festival is starting late next month. Don’t worry, you don’t have to make a film about the Kansai region to get in, you just have to be a foreign director making a film in or about Japan.

- In DVD news today, Twitch announces the pre-order for the South Korean sleeper hit Paradise Murdered, and the Hong Kong editions for Japanese films Retribution and Studio Ghibli’s Tales from Earthsea.

- I should have seen this coming. Fuji Television, who managed to milk the novel Tokyo Tower for all its worth by making a made-for-TV movie, a 11-episode drama, and a hit movie, is now bringing the 11 billion yen-hit family drama Bizan(review by Hollywood Reporter) to TV. Starring Takako Tokiwa, Bizan the mini-series will start shooting at the end of the month with no broadcasting date set.

- The South Korean theatre chain Megabox just opened its first multiplex in China, and plans to open two more in Bejing. Sorry, I’m just a nerd for theatre openings everywhere.

- Associated Press’s entertainment writer Min Lee reviews the new Milkyway thriller Eye in the Sky.

- The Cinefan festival in India is putting a focus on Japanese and Arabic films this year, including a tribute to director Kenji Mizoguchi.

- I posted a long time ago that even Japanese music tend to copy each other, but I couldn’t even find the songs. Now I have - check out Porno Graffiti’s Sister, Undergraph’s Tsubasa, and BoA’s Everlasting. I posted these in the order of the release - one copies the same musical pattern, and the other copies the chorus of another. All three were pop hits, and all three are kind of crappy. Then again, the point is that it happens everywhere.

I found this site via Hollywood Elsewhere today, and my blog is apparently:

What the fuck? I’m only as good as Shrek 3?

- Then again, maybe it’s not so bad to be Shrek 3 in Hong Kong. On Sunday of the 4-day holiday weekend, the animated sequel made HK$3.01 million on 54 screens for a impressive 4-day total of HK$8.2 million, and probably crossed the HK$10 million mark on Sunday already. Die Hard 4.0 is far behind, making HK$1.28 million on 36 screens on its 4th day of previews. It has made HK$3.58 million and will officially open on naturally July 4th. The biggest local performer, meanwhile, is the Milkyway comedy-drama-handover commemoration film Hooked On You. On Sunday, it made HK$960,000 on 34 screens for a 40-day total of HK$3.14 million.

Golden Scene should be happy that Simply Actors managed to hang on this weekend, making HK$500,000 on 30 screen for a HK$7.81 million cume after 13 days. However, Milkyway’s other release Eye in the Sky failed to retain the male audience, making only HK$210,000 on 25 screens for a 11-day total of just HK$3.4 million. Lastly, the only limited release arthouse film on the top 10 is Julie Delpy’s Two Days in Paris, which made HK$100,000 on 4 screens for a 4-day total of HK$300,000.

- Meanwhile, South Korea saw a invasion of Michael Bay’s Transformers, as it scored 75% of all ticket sales this past weekend. It also attracted 1.3 million people on an unknown number of screens (though I suspect that number is pretty high up there). Meanwhile, Black House (which Korean Film Page’s Kyu Kyun Kim, who teaches at alma mater UC Davis but I have not met before, recently reviewed) stays at second place and has nearly attracted a million admissions already. Go to Korea Pop Wars for the rest of the rankings.

- Global music sales are down, and the industry goes after its favorite scapegoat - piracy. However, not only has digital music sales now responsible for 11% of all music sales, Asian countries such as Japan, South Korea, Malaysia, Indonesia, and even China saw growth in sales. So much for blaming Asia.

- My new favorite film distributor in North America is Viz Media, who brought non-AzN xtreme Japanese films such as Linda Linda Linda and The Taste of Tea here. Now, they are bringing award-winning crowdpleaser Hula Girl to the States.

- Speaking of picking up aZn-xtreme movies, Media Blasters just picked up Takeshi Miike’s yet-t0-be-finished Crows Zero and a few more cult flicks for North America.

- Takeshi Miike’s all-English “Sukiyaki Western Django” now has a release date of September 15th. Sony financed and will be distributing this one, so Miike doesn’t have to worry.

- My role model Takeshi Kaneshiro (despite my appearance and charisma nowhere near his in any way) is back to Japanese cinema after 2002’s Returner in Shinagami No Seido, which according to Ryuganji, most definitely sounds like a Japanese version of Wings of Desire.

- Japan’s Docomo just started a movie download service for your mobile phones, in their attempt to get people to stop typing so damn much on their phone while riding the trains. Too bad the service is nowhere near free, though.

- In “News that everyone already knows before it got reported” today, Hong Kong’s Big Media, who promises to make 100 films in the next 5 years, is in a co-production deal with Mei-Ah. I kind of figured that out when I found Big Media’s sales fliers through Mei-Ah’s website.

- The Wii has now outsold the Playstation 3 in a ratio of 6:1 in Japan, increased from the 5:1 ratio last month. I suspect PS3 sales will increase when television standards turns completely to digital broadcasting, but that would also mean Sony has a tough couple of years to go.

- Michael Wells checks in with Twitch with yet another set of reviews from the New York Film Festival. This time, he includes major South Korean films Dasepo Naughty Girls, The Show Must Go On, and I’m a Cyborg But That’s OK.

- Hollywood Reporter checks in with two Asian film reviews that I missed out on. First it’s Isshin Inudou’s big commercial release Bizan, which did respectable business in Japan, then the other is the J-horror flick Ghost Train, which somehow got itself a North American distribution deal. It’s worth watching just to see the ridiculously over-the-top finale.

- Moving their efforts away from Japan, the Korean Film Council has opened their first office in North America in Los Angeles. The office will help coordinate festival screenings, do research on the North American market, and of course, give information about Korean cinema in general.

- Speaking of Korean films, Twitch has the first trailer for Korean horror film Epitaph. Honestly, the only thing that might make this film promising is the fact that the director used to work for Park Chan-Wook.

- Salon Film have established itself for many years as THE provider of film equipment throughout Asia. Now they’re taking on the business of selling Asian things back to the rest of the world by taking on international sales. Their first film will be the “supernatural action” film The Painted Skin, the 4th collaboration between Donnie Yen and Wilson Yip.

- Twitch has an interview with Death Note series director Shusuke Kaneko. Am I the only one who still doesn’t think he was fit to direct the Death Note films?

We may be taking a break tomorrow since it’s the Independence Day holiday in the States. At least expect a late entry.