Many people through Martin Scorsese’s The Departed would’ve featured Brad Pitt because the rights were bought by Brad Pitt’s production company Plan B. According to today’s Oriental Daily in Hong Kong, Plan B may be interested to repeat its success by buying the remake rights to Andrew Lau and Alan Mak’s Confession of Pain.

The question is why? Confession of Pain is part of the murder mystery genre that Hollywood has done over the years. Then again, I haven’t seen it yet, so maybe that’s why I haven’t seen one reason why anyone should buy remake rights for a story Hollywood has probably done before.

Edit: Just realizing that the page will be gone to make way for tomorrow’s newspaper, I’ll post the original Chinese text that mentions the news here:

畢 彼 特 前 年 買 下 《 無 間 道 》 版 權 拍 成 電 影 《 無 間 道 風 雲 》 ， 此 片 最 近 更 威 盡 美 國 的 「 星 獎 」 ， 據 知 ， 畢 彼 特 食 髓 知 味 ， 對 劉 偉 強 新 作 《 傷 城 》 亦 感 興 趣 ， 記 者 就 傳 聞 向 電 影 公 司 求 證 ， 發 言 人 承 認 確 有 荷 里 活 片 商 斟 洽 《 傷 城 》 版 權 ， 但 就 未 肯 透 露 詳 情 ！

And a rough, non-professional translaton by me here:
http://p202.ezboard.com/flovehkfilmfrm19.showMessage?topicID=105.topic

Despite the presence of Hong Kong’s most overworking director (and by that I mean overediting, overwriting) Andrew Lau, I was looking forward to Confessions of Pain - two actors facing off in solving a complicated murder mystery. It’s a typical Hollywood buddy movie, except both characters are the straight-faced leading men, so everything is played more serious than ever. Nevertheless, with the Infernal Affairs team, I’m looking for at least something well-written and probably horribly directed. But at least it’d be well-written.

The reviews are out, and it’s not looking well. While I’m personally waiting for Lovehkfilm’s Kozo to weight in on it, the first “official” review is from Malaysia’s Cinema Online. The reviewer finds the movie servicable, but it “never quite finds its pulse.” However, I’d take film reviews of films with possibly controversial aspects from Malaysia with a grain of salt, because from what I understand, the censors would take out possibly objectionable content (something as innocent as a makeout scene). Correct me if I’m wrong.

On the other hand, the not-so-wise user comment section of mov3.com are also quite mixed. Some are disappointed because they went in expecting another Infernal Affairs, some like it because of the script, and some hate the script, saying it feels like something from a TVB drama. Having grown up watching TVB dramas, I would say that is a pretty bad thing to call a film.

Hopefully, if the box office numbers hold up, I should be watching it in about 3 weeks or so, and then I can hate on it like everyone else.

- As I hinted in my last entry, I will be on vacation starting next week. I’ll be in Japan from 12/26 through the new year to 1/11, and then Hong Kong from 1/11-1/24 (life of a new college graduate - travel). I tried to find a concert to go to in Japan, to no avail. It seems like the concerts I want to go to are all desperately out of reach. Luckily, I scored some tickets, thanks to the good folks at HK’s URBTIX, to the Denise Ho (AKA HOCC) concert on 1/20. Then, of course, I found just now that AT17 is holding a concert on from 1/3-1/5 in Hong Kong. Disappointment is me.

Oh, well, I’ll just buy this to make up for it.

- The Thursday opening day box office numbers are in, and it’s no contest - Zhang Yimou’s Curse of the Golden Flower is in first with HK$1.07 million on 43 screens (That’s a HK$24,883 per-screen), Confessions of Pain in a far second with HK$830,000 on 45 screens (a HK$18444 per-screen), Casino Royale at third with HK$700,000 on 36 screens (a HK$19444 per-screen), Happy Feet at fourth with HK$460,000 on 34 screens (HK$13,529 per-screen - don’t let this one fool you, though. Those numbers will pick up by the weekend), and Eragon with a measly 160,000 on 31 screens.

Except for Casino Royale and Happy Feet possibly switching places by the end of the weekend, the top 4 films should continue to do very strong numbers over the 3-day weekend.

(source: mov3.com)

- The official numbers from the Japanese box office also came in. Looks like NANA2 may still have a chance at hitting the all-important 10 billion yen mark after dropping only 20%, but it’s not going to be that 6th big Japanese film like everyone had predicted. Letters From Iwo Jima will probably stay strong through the new year with only a 26.5% drop in its second weekend. Hopefully, it’ll be strong enough so I can catch an English-subtitled version next week when I travel to Japan.

(source: Box Office Mojo)

- And the controversal Japanese drama of the season, 14 Sai no Haha (or 14-year old Mother), broadcasted its last episode to its highest ratings yet - 22.4%., and a final average of 18.4%, much much stronger than the drama from the same timeslot the previous season. I think most of the ratings came from the thematic controversy, since the show itself is tame with its subject matter, turning its wagging finger on rich moms and nosy neighbors. This season’s strongest drama, Clinic of Dr. Koto 2006, wrapped up last night in Japan time, and ratings should be in any time now.

(source: Dramanews.net)

And here comes another new blog on Asian cinema that the internet doesn’t need. Let’s just dive right into it, shall we?

- The big Christmas movies are opening this weekend in Hong Kong. On the Chinese corner is Zhang Yimou-Chow Yun-Fat-Gong Li-and-her-cleavage-and-overrated Jay Chou’s Curse of the Golden Flower vs. Andrew Lau-Alan-Mak-Tony Leung Chiu-Wai-Takeshi Kaneshiro’s murder mystery Confessions of Pain. This one is hard to call - both films should attract teenage girl-worthy audiences (thanks to the films’ respective idol power), but Golden Flower will also be attracting the over-40 crowd (thanks to Chow Yun-Fat AND Gong Li), while Confessions will be bringing in the all-important 25-40 crowd (thanks to the Infernal Affairs team’s presence).

On the half-American/half-Hong Kong side, we have Penguin-dancing Happy Feet, with the Hong Kong voice talents of Justin Lo, Stephy Tang, and Vincent Kok. It certainly doesn’t match up to the English version’s talent roster of Elijah Wood, Nicole Kidman, and Robin Williams, but look for the family and teenage girl crowd to flock to this one.

Kind of continuing, maybe opening once and for all, we have the new James Bond flick Casino Royale. It had a pretty strong preview week, playing in less theaters than Eragon (thus a lower gross), but it maintained a higher per-screen average as of Tuesday’s gross is concerned (CASINO’s HK$10,000 on 33 screens vs. ERAGON’s HK$7600 on 50 screens. US$1=HK$7.78). With a full-on opening, it should have a fairly strong weekend.

We also have the second weekend of Eragon, which may take away some of the family-friendly business away, but Happy Feet will probably come in and make Eragon’s second weekend pretty miserable. Again, Thursday’s gross will be the biggest indicator.

In limited release, there is no new limited release this weekend. Hence, Paris je t’aime, which already had two strong weekends playing on 3 screens, should hang in there with only 2 screens/3 showings a day. Little Miss Sunshine dwindles down to two screens with two showings a day, it may still have a fighting chance at the top ten come Sunday, but it looks like it’s going to be between Confessions of Pain, Curse of the Golden Flower, Happy Feet, Casino Royale, and Eragon.

The Nativity Story is still playing on quite a few screens, and Christmas is coming up. But honestly, who am I kidding? It’ll be pretty much gone this weekend.

(source: mov3.com)

- In DVD news, Johnnie To’s box-office disappointment and critically acclaimed Exiled is out, and there’s no doubt that come March, Johnnie To will be holding a Hong Kong Film Award. The only question is for which film - Election 2 or Exiled?

- In Japan, TBS-Toho has been dealt with a double blow after NANA2 flopped last weekend. This weekend, the legendary Kon Ichikawa’s remake of his own film Murder of the Inugami Clan also flopped, grossing only 130 million yen over the weekend (US$1=118 yen). Looks like Japanese’s film only hope left at the holiday box office (I’m not counting Letters from Iwo Jima because of its Hollywood connections) is Fuji’s TV-drama adaptation Ooku, starring Nakama Yukie. Look for the usual anime film versions and Letters from Iwo Jima to rule again.
(sources: Eiga Consultant, MovieWalker)