- I’m sure everyone is very interested in how Stephen Chow’s CJ7 did at the Hong Kong box office. Expanding to 102 screens over the weekend, the sci-fi comedy made HK$4.2 million on Sunday for a 4-day weekend total of HK$15.82 million. Even though I expressed what seemed to be disappointment about the opening day not breaking records, I will never called a HK$15.82 million opening weekend a disappointment.

Meanwhile, the adults-only-in-Hong-Kong Hollywood musical Sweeney Todd did OK, making HK$837,000 from 35 screens on Sunday for a weekend total of HK$3 million. Of course, OK is because it’s category-III, and word probably got out quickly that it’s a full-blown musical.

- In Japanese cinema attendance, last week’s 2nd place film Flowers in the Shadow managed to hit the first place, while Yoji Yamada’s Kabei went up one place as well to 3rd place this past weekend. Meanwhile, American Gangster opens at 2nd place, Kids could only manage an opening at 6th place (what happened to that day-and-date release in Hong Kong anyway?), and the family film The Water Horse opened at 7th place. More when the numbers come out.

- The Japanese drama ratings this season are getting to be flat-out depressing, as 11 dramas managed to hit their season lows last week. Honey and Clover remains in single-digit category with a 9.5% rating, The Negotiator saw a small rebound, then drops even more into a 13.1% rating, Daisuki!! drops down to a 9.1% rating, Edison No Haha suffers the biggest drop down to a 9.1% rating after hitting its season high 12.1% rating the previous week, and the high-profile Sunday night drama Sasaki Fusai No Jingi Naki Tatakai fails to recover from its phenomenal drop and remains at a 11.6% rating in its 3rd week.

Also, the new Saturday night 11pm drama Lost Time Life opened with a 11.4% rating, which is higher than the premiere for Summer 2007 drama Life, but lower than the first drama in that time slot Liar Game.

- Edison Chen has officially released a statement apologizing for the now-infamous sex pictures scandal. He recorded a short video, speaking in English, and calling this whole incident “a strange ordeal,” as police has now narrowed down the cause to a computer repair shop who was fixing a computer that had hundreds of these images.

- Park Chan-Wook’s latest vampire flick needs a leading lady. While a director of his caliber usually wouldn’t have a problem, it is this time for him because the actresses keep turning him down due to the need for explicit sex scenes in the film. I sound shallow, but I hope Song Kang-Ho isn’t the one doing them.

- Feng Xiaogang publicly said in Hong Kong that his latest film The Assembly is supposed to be somewhat critical of the Chinese government, although he knew that he had to tone it down to avoid getting banned. Looks like that tact got him an appointment as an adviser at the Chinese People’s Political Consultative Conference. Guess who else got appointed? Previously-banned director Zhang Yimou, though he was previously appointed as well.

- The Korean wave is slowing down, but it’s definitely not dead, as Japan’s Avex has picked up Lee Myung-Se’s M and Hur Jur-Ho’s Happiness. Hur Jin-Ho made the highest-grossing Korean film of all time in Japan with April Snow (though the film was a disappointment in its native land), which may explain the sale.

- Japanese pop star Koda Kumi has been suspended for a month just when her new album is being released because she actually joked that she wishes her manager’s new wife give birth before 35 because that’s when ” their amniotic fluid goes rotten.” Ha…..ha?

The blog is taking a break tomorrow, so we’ll finish off all the news for the weekend here:

- Hot off the press is the Hong Kong Film Awards nominations. I’m waiting for the website to post the entire list, so here are the highlights:

BEST PICTURE

The Warlords
Protege
The Postmodern Life of My Aunt
Eye in the Sky
Mad Detective

BEST DIRECTOR

Peter Chan - The Warlords
Derek Yee - Protege
Ann Hui - The Postmodern Life of My Aunt
Johnnie To, Wai Ka-Fai - Mad Detective
Yau Nai-Hoi - Eye in the Sky

BEST SCREENPLAY

The screenwriting commitee of The Warlords (I can’t translate all 8 names here)
Derek Yee and 3 other screenwriters  - Protege
Li Qiang - The Postmodern Life of My Aunt
Wai Ka-Fai, Au Kin-Yee - Mad Detective
Yau Nai-Hoi, Au Kin-Yee - Eye in the Sky

BEST ACTOR

Aaron Kwok - The Detective
Jet Li - The Warlords
Andy Lau - The Warlords
Lau Ching-Wan - Mad Detective
Simon Yam - Eye in the Sky

BEST ACTRESS

Teresa Mo - Mr. Cinema
Zhang Jingchu - Protege
Siqin Gaowa - Postmodern Life of My Aunt
Rene Liu - Kidnap
Charlene Choi - Simply Actors

All in all, 13 for Warlords, 15 for Protege, 9 for The Postmodern Life of My Aunt, 8 for Mad Detective, and 7 for Eye in the Sky. That’s 24 for Peter Chan, and 15 for Milkyway. The awards will be announced on April 14th.

- Believe it or not, we’re not reporting on Edison Chen’s blog because he wrote anything about the recent photo scandal, but because there’s actually movie news on it. On the latest entry of his blog, Edison posted two pictures from Dante Lam’s latest film Sniper, due to be released on March 29th.

Meanwhile, there are word from both Oriental Daily and Apple Daily that Colombia Pictures have told Stephen Chow that they want the Chow-produced and Stephen Fung-directed dance flick starring Edison to either have its release pushed back, take out all of Edison’s scenes, or release it straight to video - all because of the scandal. Currently, the film is slated to be released on May 1st. However, remember that this is the Hong Kong press, so you never know how much of this is true.

Just the fact that they completely misread his blog is already an issue: They’ve taken the introduction that he’s had on the blog all this time and reported it as if he just wrote it yesterday. Now the headlines are: “Edison Chen fights back on his blog, saying ‘don’t hate the player, hate the game.” This is why I read 3 Hong Kong newspapers a day online to crosscheck facts.

- Japan Probe would like to introduce you to the newest foreign-Japanese star of enka. Kiyoshi Hikawa, eat your heart out!

- It’s reviews time! This week, Japan Times’ Mark Schilling reviews the made-for-cable film Tokyo Shonen (last year’s Koisuru Nichiyobi was made under the same network), and that paper’s Giovanni Fazio gives an unscathing review to Ang Lee’s Lust, Caution. Meanwhile, The Daily Yomiuri’s Ikuko Kitagawa gives a much more positive review to the erotic espionage thriller.

- The total box office of 2007 in Japan dropped slightly, as Hollywood films take the majority of the market again after last year’s win by Japanese films. By the way, 29 films went past the billion mark in gross, but only 7 of them are Japanese.

- TBS has announced that the first series to take their new Saturday night 8pm drama slot (previously filled by variety shows) will be an adaptation of the baseball comic Rookies. And TBS is planning to not follow the traditional season schedule, as the show’s planner says that they plan to adapt all 24 volumes of the comic. This may also mean that TBS can choose to cancel it anytime.

- Meanwhile, this week’s Televiews column talks about what’s on Japanese TV Friday nights, including Korean dramas, variety shows, more crappy variety shows, then a pretty good drama.

- The Japan Times has a wonderful interview with veteran director Yoji Yamada. When asked what message he would like people to take away from the film, he said this:

“…Japan made a wonderful postwar Constitution, but no amends have been made for past wrongs. In Germany, the Nazi collaborators were made to pay for what they did; in Japan, a war criminal could became prime minister, such as Nobusuke Kishi, the grandfather of our recent prime minister, Shinzo Abe. There’s something strange about that.”

- Lastly, Kaiju Shakedown has a link to the first teaser for John Woo’s The Battle of Red Cliff.

- The big thing in Hong Kong is probably how much money did CJ7 make on its opening day. From 94 screens (out of 194), the Stephen Chow sci-fi father-and-son comedy made HK$3.03 million. It’s not record-breaking, but that’s pretty damn good considering we haven’t even hit the holidays yet. However, word-of-mouth is fairly mixed on this one (”It’s not really a Stephen Chow movie!”), so the kids will be making up the repeat business this time.

The not-so-kid-friendly Sweeney Todd, rated category-III in Hong Kong (no one under 18 admitted), opened on somewhat solid ground with HK$520,000 from 33 screens (most of them being the smaller screens of multiplexes). Obviously, we know CJ7 will win, so we’ll look at the rest of the box office on Monday.

- Meanwhile, the Associated Press review of CJ7 is pretty close to my own opinion of the film: amusing moments, but not much of a film, and a pretty bad Stephen Chow film.

- Rinko Kikuchi, who’s shot to fame with her Oscar-nominated performance in Babel, will not be seen in Yoichi Sai’s period action film The Legend of Kamui due to an injury that will leave her away from the shoot for too long. This is the second injury to a film’s major star after Kenichi Matsuyama suffered an injury that took him off the film for 3 weeks.

-  I love Johnnie To interviews, because he’s not afraid of pissing other people off, including his former employer TVB. In his latest one, he dismisses The Warlords by saying The Assassination of Ma came first and as always: TVB has been going downhill for the last 10 years. We here at The Golden Rock love you, Johnnie, even if you did have to make Linger!

By the way, that “literature director” comment is corrected translated. Perhaps a more clear translation is “a director of literature”

Tomorrow: Reviews time! And a ton of Japanese movie news. It’s kind of a quiet weekend.

As much as we would like to provide daily coverage of the so-called Edison-Bobo-Gillian-Cecilia incident on the Golden Rock, you’re better off checking out the coverage of the media coverage over at the always-informative EastSouthWestNorth.

- It’s Oricon charts time! On the singles chart, artists whose singles usually debut on top failed to do so this week, as Ketsumeishi and Koda Kumi could only secure 2nd and 4th place debuts. Meanwhile, the group Radwimps got their first number 1 single instead.

On the albums chart, ZARD can still hit the number one with a new compilation put together by fan votes (ZARD may be the new Tupac in Japan). Meanwhile TVXQ couldn’t repeat their success on the single charts with a 4th place debut.

Chart report from Tokyograph.

- As expected, Eiga Consultant did analyze the opening of Yoji Yamada’s Kaabei. However, Mr. Texas compared its opening with star Sayuri Yoshinaga’s previous film Kita No Zero Nen instead of Yoji Yamada’s previous films. Anyway, Kaabei’s opening was at 65% of Kita No Zero Nen’s opening, which led to a total gross of 2.7 billion yen. However, Kaabei is not a spectacle-filled historic epic, and may end up having longer legs than it. Still, the lack of Kimura Takuya means it probably won’t make as much money as Love and Honor did.

- Didn’t get to cover the Japanese drama ratings, but I will report that the final episode of the Saturday night Fuji drama SP managed a damn good 18.9% rating, which is phenomenal for a series on Saturday night at 11 pm. Bring on the meaningless prime time special!

- An Inconvenient Truth, the global warming documentary featuring Al Gore, breaks Japanese box office records as it attracted roughly 60,000 admissions and a gross of 90 million yen during its run at one Tokyo theater.

- Korean actor Choi Min-Shik, who reportedly declared that he would not be doing any more film work until the screen quota was restored, has signed up to be in a film. He will be playing a company director who takes his Nepalese worker’s remains back to the Himalayas in a yet-to-be-titled film. I don’t think he was doing it for money, either: the film is only budgeted at $500,000.

- Meanwhile, things don’t look too well for Korean films, as a new report claims that an average Korean film lost 1.9 million in 2007, with nearly 80% of its revenue made from theatrical release, signaling a fairly weak home video market.

- Jason Gray looks at the Japanese films that will be heading to Berlin next week.

- And Grady Hendrix looks at some of his favorite films that will be looking for funding at the upcoming Hong Kong-Asia Film Financing Forum.

- This is kind of an old news worth reporting, seeing this is a Hong Kong film website and all: Mei Ah, one of the big investors of relatively new Hong Kong film distributor Big Media, has sold most of its stakes to a Mainland Chinese investor. However, Mei Ah will still handle distribution and acquire their films for their TV channels.

- Thing about websites that do almost daily box office updates is that you miss out on reporting the Sunday grosses on Monday, then you miss the overall weekend picture. Also, you then have to report that See You In Youtube actually topped the box office on the next day. That’s right, the Oxide Pang-led feature-length student film finally topped the box office on Monday, January 28th, 2008, making HK$184,000 from 28 screens for a grand 12-day total of HK$4.36 million.

All the way in 4th place on Monday was Sunday’s surprise winner, Atashin’ichi the Movie. It lost its family-friendly business on Monday and made only HK$75,000 from 16 screens for an 12-day total (trust me, I didn’t read it wrong; they changed it around) of HK$2.73 million. Second place, though falling very very quickly, is the handheld cam monster flick Cloverfield with just HK$145,000 from 36 screens, though it has made HK$6.93 million already, which is pretty good for a Hollywood film whose viral marketing did not reach Hong Kong.

As for last week’s openers, The Kite Runner did only OK with its limited release, having made HK$620,000 from 8 screens over 5 days. That’s HK$124,000 each day, with a HK$15,000 average. It probably did much better over the weekend, since it only made about HK$60,000 of it on Monday. The other opener, the Thai horror film 13 Beloved, made just HK$180,000 from 13 screens over 5 days. I’d say that’s a qualified flop.

- The Japanese box office numbers also came out, with Sweeney Todd still on top after losing almost 40% of last weekend’s business (that fall is on the higher end of the usual drop), almost losing to the new ensemble film Kagehinata Ni Saku, which opened at second place with a better per-screen average. Also with a better per-screen average than Sweeney Todd is the documentary Earth, which lost only another 25% of its business from last week.

Meanwhile, the Yoji Yamada drama Kaabei opened in 4th place, though the previous Yoji Yamada films tend to have lasting power rather than huge opening weekends. I’m pretty sure Eiga Consultant will be analyzing this opening soon.

My fingers are freezing. That’s it today.

- It’s reviews time! This week, Japan Times’ Mark Schilling gives a glowing review to Yosuke Fujita’s Fine, Totally Fine. Meanwhile, Daily Yomiuri’s Ikuko Kitagawa also gives a very positive review to Yoji Yamada’s latest Kaabei.

Not entirely sure if it counts under reviews, but this week’s Televiews column provides brief reviews quite a few Winter 2008 dramas, including Dai suki!, Bara No Nai Hanaya, and Bomb-Bee Man, among others.

- Speaking of Fine, Totally Fine, there’s also an interview with director Yosuke Fujita in the Japan Times.

- Under “drama specials that don’t need to happen” news today, the hit Fuji Saturday night drama SP will be getting a prime time special only a little over 2 months after the finale airs tonight. However, the special is only the 11 episodes edited together with timeline rearranged. Why would anyone tune in, you ask? It will apparently reveal a big secret that I suspect the writers were only able to concoct after Fuji told them they’d be milking this thing for all it’s got. Then again, I’m just guessing.

- Unlike China, the Hong Kong government will be giving the foreign press total freedom by not imposing a mandatory registration system for the Olympic Equestrian event, which will take place in Hong Kong. However, organizations are still complaining about the cost it takes to apply for a special visa every time these journalists need to enter China.

- Speaking of China, its broadcasting authority literally asked a TV station to not only remove its sexually explicit material, but to also provide “more spiritual food” to its audiences. Would you like that spoon-fed?

- A few news straight from Peter Chan’s mouth: The Warlords was actually cut by several minutes in Mainland China for violence, and that is also the version that is mostly being passed around on the internet. Also, his co-producer Andre Morgan apparently took the film and made his own international cut for oversea buyers, which Chan is not very happy about because it’s being done without any input from him. Unhappy enough that now his next film Waiting is on hold while Chan takes a break for a year to  watch the “shifting marketplace.” I’m not sure if he’s lamenting, but he’s suggesting that next time he makes a mid-budget film, he will be aiming towards China, because he’s now a businessman, not a filmmaker.

Another Hong Kong filmmaker bites the dust…

- I wonder if Taiwanese producers regretting their decision to start filming a Taiwanese version of the live-action Honey and Clover series at the same time as the Japanese one. I’m asking because ratings for the Japanese one has now slid to single-digit numbers. Who knows? Chinese teenagers love (to download) their idol dramas, so this might be a hit.

-  Japanese horror director Hideo Nakata seems to be taking a turn away from the genre that made him famous with not only the upcoming Death Note spin-off L, but also his upcoming project Gensenkan, a film about a group of people who hide at a hot spring inn for different reasons.

Meanwhile, Korean director Park Chan-Wook’s vampire film will star Song Kang-Ho.

Both films will be featured at the upcoming Hong Kong-Asia Film Financing Forum.

- Hollywood Reporter has an interview with Josie Ho from Hong Kong, in light of The Drummer’s competition slot at Sundance. Just reading that introduction (especially about her calling Chinese film executives “dick face”) makes me like her so much more.

- The Midnight Eye has posted a set of top 10 2007 Japanese films lists from several contributors well-versed in Japanese films, including Golden Rock favorite Jason Gray. Those lists just show how much more Japanese films I need to watch.

- Big news for foreigners in South Korea: CJ entertainment and Korea’s largest theater complex will offer some of the bigger films English-subtitled screenings during their release. About 4-6 films will be getting the subtitle treatment, with A Man Once Superman being the first one. How long will it take before Japan does that same? I suspect never.

- The Chinese learn the idea of irony, with a new brand being named after the most famous street in Beijing for knock-off goods. The ultimate irony? The general manager of the market that started the brand is warning people to not sell fake versions of the goods.

- Let’s look at the Thursday opening day box office in Hong Kong first: Cloverfield looks to lead the weekend again after making HK$255,000 from 36 screens on Thursday for an 8-day total of HK$5.45 million. However, bad word-of-mouth (”I don’t get it!”"It made me dizzy!”) may allow the Hollywood romantic comedy 27 Dresses catch up and hit number 1 instead, as it made HK$206,000 from 26 screens on Thursday. I hope See You in Youtube doesn’t catch up instead after making HK$218,000 from 28 screens for second place on Thursday.

There’s no wide release threatening last week’s holdovers, with The Kite Runner making the most money on opening day. From 8 screens, the film adaptation of the best-selling novel made just HK$66,000, though it may see a boost over the weekend. More on Monday when the numbers come out.

HK$7.8=US$1

-  I completely forgot to look at the Japanese box office numbers. Looks like besides Sweeney Todd’s great opening, the documentary Earth managed to hold on to its business quite well, dropping only roughly 27 % from last week’s gross and already passing the 1 billion yen mark. Also, Season of Snow lost just 31% of its business from last week, fairly typical of most Japanese blockbusters (and that additional 200 screens is just what they didn’t compute last week, which means it didn’t gain nor lose any screens). Mr. Bean’s Holiday’s opening was also more impressive than it looks, making 107 billion yen from just 137 screens. That’s 123% of Johnny English’s opening. With the first film making 1.15 billion yen over 10 years ago, will the sequel match that gross?

However, all the big movies from December are losing audiences fast, with I Am Legend, National Treasure, and Alien Vs. Predator 2 all losing 50% of previous week’s business (though I believe I am Legend has made closer to 38 million than 3.8 million dollars).

- Lastly, someone requested me to post the top grossing films in Hong Kong in 2007. Since this blog is in Lovehkfilm, I’ll only do the top-grossing Chinese films (and there’s only one Hong Kong film if I include the foreign films anyway, and that’s Lust, Caution).  Discounting films that opened in Christmas 2006, here are the 6 top-grossing 2007 Chinese films in Hong Kong:

1)  Lust, Caution - HK$48.7 million
2) The Warlords - roughly HK$28 million
3) Protege - HK$26.53 million
4) A Battle of Wits - HK$16 million
5) Secret - HK$14.48 million
6) Invisible Target - HK$13.13 million

In perspective - Andy Lau stars in three of those

In perspective 2 - Peter Chan was involved in two of those

In perspective 3 - This is probably the first time a category-III film became a box office winner in Hong Kong

In perspective 4 - Milkyway is involved in none of those

In perspective 5 - Neither is Donnie Yen.

List courtesy of Hong Kong Film blog, though The Warlords‘ gross were estimated by yours truly.

A rather short entry today:

- It’s Oricon charts time! This week, the Korean boy band TVXQ managed to become the first foreign male artist to score a number one song on the singles chart by selling 40,000 copies of their latest single. The girl group Perfume is not far behind at 3rd place, and I wonder if them being human clocks have anything to do with it. Meanwhile, The Bank Band owned the albums chart, while Kobukuro’s latest album has already passed the million mark (I should probably buy a copy somewhere to see what the big deal is).

Oricon information from Tokyograph

- The Hong Kong Film blog presents the 6 lowest-grossing films of 2007 in Hong Kong. Lovehkfilm even reviewed two of them:

6. The Tokyo Trial: HK$8,420
5. Fear Factors: HK$7,740
4. Lethal Angels: HK$3,630
3. Sweet Revenge: HK$3,255
2. Fight For Love: HK$1,620
1. Bar Paradise: roughly HK$540

In perspective: HK$7.8=US$1

In perspective, part 2: Hong Kong’s lowest-grossing foreign film in 2007 was My Wife is A Gangster 3, but it still grossed HK$15,000.

- This past weekend, Japan Times reviewed the new indie film Don’t Laugh At My Romance (Trailer here), starring L himself Kenichi Matsuyama. Opening at one theater in Tokyo, the film saw full houses almost at every single show during opening weekend, making 4.03 million yen at that theater alone, with the male-female audience ratio at 1:9 during the day and a large number of audience in their 30s and couples showing up. Its nationwide expansion will now likely be quickened.

- The Blue Ribbon Awards winners have been announced, with the dark comedy Kisaragi taking best film, though Masayuki Suo did end up taking home best director for I Just Didn’t Do It, which also won best actor.

Full list of winners.

- Asian cable network Star TV will be starting a second movie channel devoted Chinese-language films from the 1970s-1990s. However, my two paid movie channels in Hong Kong censor movies (as in they take out all profanity, gore, and nudity), and I suspect that Star Movies do the same, which is why I didn’t subscribe.

- The Hollywood Reporter’s Stephen Farber reviews Kenneth Bi’s The Drummer at Sundance, calling the film “a true guilty pleasure that will tickle audiences around the world”…as in unintentional laughter?

- Chinese anti-piracy authorities and the Motion Picture Association are teaming up for the second anti-piracy video contest, which gives students a chance to produce one-minute shorts that encourage people to protect intellectual property. Don’t know if something like that really helps, though.

- Plus, once word of this admission by the Motion Pictures Association of America gets out, why the hell do college students want to keep staying away from piracy? They’re already falsely accused of it, might as well really do it.

- No Japanese box office numbers yet, but we now know that Tim Burton’s Sweeney Todd made a killing (ha ha!) at the box office, making 398 million yen from 400 screens on its opening weekend. Warner Bros. expects the film to make about 3 billion yen, nearly matching the film’s box office gross in the US.

- Sadly, the horror-musical didn’t do nearly as well in South Korea, where it opened at third place with 1.84 billion won from 321 screens, way behind the two Korean films that topped the box office for the second weekend in a row.

- Tired of Japanese dramas adapted from comic books? Too bad, because you’re getting two more of them.

- You learn something new on the internet everyday: did you know that the American sitcom Growing Pains was such a huge hit in China that its star is still very popular there? Popular enough to have investors fund a movie that will be released nationwide where he plays a white Chinese-speaking ballet dancer who falls in love with a Chinese ballerina.

- Turns out Atonement will not be the first film released in China at the end of the Hollywood blackout. Instead, the family film The Water Horse will beat it to the punch by opening a week earlier on February 16th.

- Under “let’s make up a story out of tragedy for ratings” news today, Fuji Television will bring to the small screen a documentary drama about a heroic policeman who died while saving a woman who was trying to commit suicide at the train tracks.

- How the hell does Grady Hendrix find stuff like North Korean electronic keyboard-driven propaganda music?

- Kazumasa Oda beats yet another record, as his compilation album Jikou Best has now spent 300 consecutive weeks on the Oricon charts and counting.

- In yet another high profile competition titles at the Berlin Film Festival, Hong Sang-Soo’s latest Night and Day will be heading to the competition. It will also run 2 hours and 24 minutes, which is an eternity in Hang Sang-Soo pacing.

-  Kaiju Shakedown introduces you to another type of underground director in China: One that makes films about Christianity.