- It’s Japanese drama ratings time! The first full week of the winter 2008 season is over, and the Shingo Katori-Yuko Takeuchi drama Bara No Nai Hanaya leads the pack with a 22.4% rating for its premiere episode. Not far behind is fellow Smap member Goro Inagaki and Koyuki’s starrer Sasaki Fusai No Jingi Naki Tatakai (Jason Gray writes about it here) with its premiere episode scoring a 17.3 rating last night. Binboman, starring Shun Oguri, also did pretty well in its first episode with a 16.5% rating.

Meanwhile, several dramas saw a rise in ratings after their premiere episode. Saito-san, which the Daily Yomiuri’s Teleview column wrote about last weekend, saw its second episode score a 17.4% rating, up from the 15.3% for its first episode. The Kenkuro Kudo-penned drama Mirai Koushi Meguru saw its second episode go up to a 10.6%, up from the 9.0% for its premiere episode.

However, other dramas took the usual fall. Last week’s big premiere The Negotiator dropped from the 16.7% for its first episode to a 13.8% for this past week, the boxing drama One-Pound Gospel dropped from 13.0% to 11.4%, and the manga adaptation Honey and Clover drops to 10% from its 12.9%-rated premiere.

All Winter 2008 drama information from Tokyograph

- The Hong Kong Film Critics Society has announced their 2007 awards, and they are not as nutty this year:

Best Picture: The Postmodern Life of My Aunt
Best Director: Ann Hui - The Postmodern Life of My Aunt
Best Screenplay: Wai Ka-Fai, Au Kin-Yee - Mad Detective
Best Actor: Tony Leung Ka-Fai - Eye in the Sky
Best Actress: Siqin Gaowa - The Postmodern Life of My Aunt
Recommended films (only 8 this year, as opposed to 10): Eye in the Sky, The Warlords, Whispers and Moans, Hooked On You, Mad Detective, Triangle, Protege, The Detective.

No Pang Ho-Cheung (no, he wasn’t even in the finalists list)? No Exodus? No Invisible Target? No Trivial Matters? At least no Wong Jing.

(courtesy of Hong Kong Film Blog)

- While the news of Johnnie To’s Sparrow heading to Berlin is not news, his assistant said that the possible English-language remake of The Red Circle is currently on hold because of the writer’s strike in America.

- While the Chinese government is admitting that the battle against piracy is a struggle, it’s interesting to read that people are downloading Hong Kong and Taiwanese television series that are usualy banned there. This means the government may be battling piracy not just because of copyright infringement, but to also keep the lid on banned materials.

- The teaser for Ping Pong director Fumihiko Sori’s Ichi, a re-imagining of the Zatoichi tale, is on the website. They’ve done something like this before, it was called Azumi, and it wasn’t that good.

- Meanwhile, the legendary Sonny Chiba has announced his first film under his new name Rindo Wachinaga. Za Toichi (The Toichi) will be about a blind moneylender. Chiba may act in the film under his acting name (as in Sonny Chiba).

- I already found this out on imdb: Ken Watanabe has signed up for his first Hollywood studio role since Letters From Iwo Jima for the vampire film Cirque du Freak. Of course, it’s probably just another supporting role with not much to do.

- Under “what the hell were they thinking?” news, an NHK crew was filming a drama when they attached a fake license plate to a background car in order to give the illusion that they are in another prefecture. However, they managed to take a break without removing the plate, and the car drove off with the fake license plate.  Always be careful with cars you’re not allowed to put fake license plates on, people.

- Thailand’s now-defunct iTV was first conceived as a fair and balance news network free of government influence. Ironically, its editorial control have now been given to the Thai military-run government after it was forced into bankruptcy.

- Meanwhile, Thai Airways stewardess are complaining about a new soap opera about air hostess that depicts immoral sexual relationships amongst stewardess and pilots. I guess the show isn’t sponsored by any major airlines then.

-  Kaiju Shakedown covers all the musicals going to South Korean stages that are based on movies. In fact, 30% of all musical on South Korean stages will be based on movies.

- In Hong Kong Sunday box office, Cloverfield is a hit, but missed the HK$5 million target I was expecting last Thursday. However, it did average HK$1 million a day, with HK$990,000 from 37 screens on Sunday for a 4-day total of HK$4.13 million. The Hollywood romantic comedy 27 Dresses saw a significant boost over the weekend with HK$529,000 from 26 screens on Sunday for a HK$1.85 million 4-day total. See You in You Tube actually was the 2nd place film for the weekend, with HK$2.03 million after 4 days but was behind 27 Dresses with HK$508,000 from 28 screens on Sunday.

The Japanese animated film Atashin’ichi also saw a major boost over the weekend, making HK$482,000 from just 16 screens for a 4-day total of HK$1.22 million. Then Elizabeth: The Golden Age saw only a small increase, making HK$162,000 from 12 screens for HK$580,000 after 4 days. Lastly among the newcomers, Rendition is DOA with just 99,000 from 16 screens for a weekend total of just HK$340,000.

In holdovers, only Mr Magorium’s Wonder Emporium hung on from among the new releases last weekend with HK$95,000 from 10 screens for a 11-day total of HK$1.19 million. Atonement is still doing reasonably well too, with HK$56,000 from 6 screens that only show it twice or thrice a day. After 25 days, the British romantic drama has made HK$2.16 million.

- Japanese attendance figures are in, with Tim Burton’s Sweeney Todd taking the top spot, and pushing Earth down one spot. The Japanese sports melodrama Giniro No Season stays at third place, beating Mr. Bean’s Holiday’s debut. Two other newcomers, Silk and 28 Weeks Later, debuted at 8th and 9th place, respectively. More when the numbers come out.

Time to wrap the weekend up:

- Newly elected South Korean president Lee Myung-Bak is planning to not only deregulate the Korean broadcasting industry, but also disband the Ministry of Information and Communication. All of this in an effort to bring Korean telecommunication and broadcasting technology back up to standards.

- Meanwhile, Japan public broadcasting network NHK is seeing its revenue from “mandatory” license fees go up after the network saw one million households refusing to pay their fees after several scandals at the network. However, the management committee still refuses to reduce the license fee, despite several discount schemes being enacted later in the year.

- Three more Asian films are going to the Berlin International Film Festival, though only to the Panorama section. They include Kim Ki-Duk’s latest and the homosexual coming-of-age film Hatsu-Koi (which was a pain in the ass to find any information on it).

- This week’s Televiews column on the Daily Yomiuri covers the manga adaptation genre so prevalent in Japanese dramas, and manages to find a good one in the new drama Saito-san.

- Currently 16% of the Chinese population has internet access (the current average is 19%). However, 16% of over a billion people is 210 million, which is only 5 million behind the United States. However, such massive growth also means massive problems such as the censorship of cyberspace and widespread copyright violation.

- Of course, China has other problems, including interviewees who can’t seem to answer questions on their own.

- The classic Japanese animated series Gegege No Kitaro turns 40 this weekend, and one Japanese network is celebrating with a new installment of the series on Thursday nights at 12:45 am, which changes the characters a bit from the Kitaro you know and love. I still didn’t like the movie, though.

- Congratulations to singer Mieko Kawakami for winning Akutagawa Prize, one of the most important literary awards in Japan.

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- Taiwanese music charts time! This week, 7 new albums entered the top 20, pushing out quite a few albums. Amazingly, Aska Yang’s new album debuts on top with nearly 23% of total sales, followed by Wang Yue Xin taking up 6.79% of sales, and Rene Liu’s latest follows him closely at third place with 5.22%. Meanwhile, last week’s leaders Fahrenheit and Ayumi Hamasaki see huge drops to 11th place (with 1.21% of sales) and 8th place (with 1.37% of sales), respectively.

- How many movies can Kenichi Matsuyama fit in in a year? He has a supporting role in Tsubaki Sanjuro, he has the titular role in the upcoming Death Note spinoff movie L - Change the World, and Japan Times’ Mark Schilling reviews yet another film he’s in this week - Don’t Laugh at My Romance (or Hito No Sex o Warau Na), where he plays a college student in love with a woman double his age.

- Kaiju Shakedown has a link to the Zhang Yuan arrest video. To those who haven’t kept up: Chinese 6th generation director Zhang Yuan was not only arrested in his home for using drugs, his arrest was also captured on camera by a CCTV crew, and used as a story to warn people that China is taking a zero tolerance policy towards drugs ahead of the Olympics. Of course, only with a camera crew would cops start moralizing to people they arrest about using drugs.

- Courtesy of the great EastSouthWestNorth is a blog post that translates and adds to another post about the way Americans and Chinese look at Ang Lee’s Lust, Caution.

- The fall 2007 Edition Nikkan Sports Drama Grand Prix has announced its results, with Yukan Club winning 4 out of 5 awards, despite a less-than-stellar 12.6 average rating. The seasonal awards will culminate into the yearly awards, which will be in a few months. Yes, it’s award-winning, but is a drama about rich spoiled 20-somethings really worth watching?

- The blackout of foreign films in China is just about ready to end (If you don’t count the limited release of The Pursuit of Happyness), with the British film Atonement to open on February 22nd. However, the film has reportedly been edited to make it suitable for all audiences in China. What did they take out, the war?

- Twitch has a review of Feng Xiaogang’s hit film The Assembly.

- First, a short box office report from Thursday opening day in Hong Kong, just to see how things will be over the weekend:

The J.J. Abrams-produced Cloverfield attracted a ton of audience based on its mysterious commercial. The handheld-camera-monster-flick made HK$863,000 from 36 screens and should be close to the HK$5 million mark by the end of the weekend. Surprisingly, the teen flick See You In Youtube, produced by Oxide Pang and directed by a new director plus 6 film students (Some say it’s Oxide Pang and the other 6, who cares? A student film is a student film is a student film), managed to make HK$408,194 (sorry to say 30 of those dollars are mine) from 28 screens. At third is the Hollywood romantic comedy 27 Dresses, which made just HK$227,000 from 26 screens.

Wait, there’s 3 more opening films to go: The Japanese cartoon Atashin’ichi The Movie made HK$125,000 from 27 screens, but should see its business pick up considerably over the weekend. Elizabeth: The Golden Age (which was torn apart by critics in the West, but heard good reviews around Hong Kong) made HK$78,000 from 12 screens. Lastly, Gavin Hood’s Rendition made only HK$54,000 from 16 screens. Then again, who expects a movie about torture to do well?

- The numbers for the Japanese snow sports movie Giniro No Season came out. However, Box Office Mojo got them wrong by reporting that it opened on 66 screens, when it really opened on 266 screens. As a result, the per-screen average is still a solid US$6,570, or 715,500 yen.

- The nominees for the 2nd Asian Film Awards have been announced, and it’s the Chinese-speaking films’ world, as Ang Lee’s Lust, Caution is tied with Peter Chan’s The Warlords with 6 nominations each. Rounding out the best picture nominees are the Iranian film Buddha Collapsed Out of Shame, Japan’s I Just Didn’t Do It, South Korea’s Secret Sunshine, and China’s The Sun Also Rises. I was really happy that not only did Sakuran get recognized for its art direction, but also for the score by Shiina Ringo.

Also, the awards are being held with a larger budget than last year. Why, you ask? Because there’s no writers strike in Asia, guys! They’re just lucky to get paid!

Complete list of nominees.

- Speaking of I Just Didn’t Do It, it just picked up two major awards at the Mainichi Film Awards - Best Film and Best Director (English-subtitled DVD, where art thou??!!) . However, there are some puzzling choices in there: Talk Talk Talk for Best Actor AND Best Sound?! Actor, maybe, but the movie’s DVD didn’t even have a Dolby 5.1 soundtrack!

- Despite a slow first half in 2007, Toho ended up having their most successful year ever, thanks to Always 2, Hero, A Tale of Mari and Her Three Puppies. Hell, even Tsubaki Sanjuro ended up working out.

- Andy Lau rules. He might not have been able to pay people’s salary in pizzas and online game strategies (that would be the Korean pop star that did it), but he did jump off the stage during a concert to rescue a fan getting jumped by security guards for jumping past the fence. Why? Because he’s Andy-freaking-Lau.

- Next to this here blog getting linked for the Storm Riders story (in this entry, y’all), Kaiju Shakedown also has bits of other news for you. I hope those so-called Dragonball set pictures aren’t real.

- First, a short report on the Japanese box office numbers:

Looks like Earth’s opening was actually pretty huge. From 275 screens, the nature documentary made 349 million yen, and will definitely have no trouble hitting the 1 billion yen mark. This being a holiday weekend, no film on the top 10 except Tamagotchi took a real huge drop.  The third place opener Giniro no Season probably did not report its numbers, which threw off the top 10 a little bit, and the pseudo-Western drama The Assassination of Jesse James by the Coward Robert Ford opens outside the top 10 with 23.7 million yen from 69 screens.

By the way, Tsubaki Sanjuro finally made 1.05 billion yen after 7 weekends. I knew you could do it, Oda-san!

It’s all because of the horses!

- Time for this week’s Oricon charts. On the singles side, the pop group AAA got their first number 1 single, though it only sold 25,000 copies, narrowing beating this year’s Kohaku favorite Sugimoto Masato.  On the album side, even a full week couldn’t lift Ayumi Hamasaki’s latest album back up to the top spot, letting Kobukuro maintain their number 1 for another week.

More from Tokyograph.

- Two pieces of news from Hong Kong newspapers, one with a link, and one without:

The Pang Brothers-directed Storm Riders sequel is now set to shoot next month not only with original stars Ekin Cheng and Aaron Kwok (so THAT’S why the Pangs have been casting them lately!), but also with Twin’s Charlene Choi and Nicholas Tse signed up for supporting roles. The team will go to the Cannes market in May.
(From Oriental Daily)

Screenwriter Ivy Ho is working on her directorial debut, starring Ekin Cheng and Karena Lam.
(From Apple Daily)

- Between making his new vampire flick and his big-budget collaboration with The Host director Bong Joon-Ho, Park Chan-Wook will be producing a screwball comedy named Scarlett Blush.

- Poor Korean anchorwoman Moon Ji-ae has lost her spot as anchor on the news after coming under heavy criticism for cracking up at the end of a newscast. The problem is that it followed an update on the day’s headline, about 40 people being killed in a warehouse fire.

- Lust, Caution has lost its chances at winning a best foreign film Oscar. Then again, it has plenty of company, as heavy favorites such as Diving Bell and the Butterfly, 4 Months, 3 Weeks, and 2 Days, and Persepolis all did not make the final 9-film short list.  On the other hand, Kazakhstan’s Mongol, starring Japanese actor Tadanobu Asano, did end up on the shortlist.

- The first week of the Winter 2008 season has gone by for Japanese dramas and the ratings are in. The Negotiator leads the way with its premiere episode hitting a 16.7 rating. The only other drama that beat that this past week was the long-running detective drama Aibou. The Misaki Ito-starring drama Edison No Haha premiered with just 11.0% rating; The Kenkuro Kudo-penned drama Mirai Koushi Meguru, starring Kyoko Fukada, started even weaker with just a 9.0 rating. However, an excuse for that is that it played at 11:15 Friday night, a time slot that usually see 12% as successful.

The boxing drama One-Point Gospel, starring one of the Kat-tun boys, premiered with a 13.0 rating; the first drama adaptation of the popular comic Honey and Clover also premiered with a relatively weak 12.9 rating (though it’s trying to attract audiences with the popularity of the comic rather than the cast); and the time limit-based drama Ashita no Kita Yoshio also only scored a 12.7 rating.

As Tokyograph reported, the Monday 9pm Fuji drama Bara No Nai Hanaya did open strong with a 22.4% rating, but that was last night, so we’ll talk about it next week.

All Winter 2008 drama information here.

- According to the Hong Kong Film Blog, a new Donnie Yen film is in the works. The name? Hong Kong Vice. Yen will play a mentor to a female detective. Not sure if this is indeed an approved remake of Miami Vice, or whether they just ripped off the name for someone cheap and quick.

- Variety’s Derek Elley has a fairly positive review for Peter Chan’s The Warlords.

- There’s a rumor out there in the Chinese press about John Woo getting ready to move on to his next project: A historical epic about Mao Tze-Tung’s rise to power and Chiang Kai-Shek’s move to Taiwan. With the sensitive political environment, I doubt China is going to let him pull this off.

- After Stephen Chow boasted about his intentions to make audiences cry when watching his latest film CJ7 because it’s “heartwarming,” now he’s boasting that the special effects by Menford will be up to international standards. In case you don’t know, Menford also did the special effects for The Legend of Zu and A Chinese Tall Story. Adjust your expectations accordingly.

- The Japanese attendance report have come in, and Earth, the feature film version of the BBC documentary Planet Earth, managed to top the box office. I don’t know if it was the stunning imagery or Ken Watanabe’s narration, but Eiga Consultant seemed to have predicted that it would win this weekend, leaving me as the only person that’s surprised that a documentary can top the box office. Meanwhile, the sports film Giniro No Season (or Season of Snow) opens at third place. More when the numbers come in.

- Korea Pop Wars have decided to go with original Korean won figures for its box office report, so now we can use multiple sources for the Korean box office report - one with the original won figure, and one with admissions statistics (which I still think is relevant). This week: only 3 movies in the top 10 are Korean, but two of them took not only the top 2 spots, but also have fairly impressive opening weekends.

Korea Pop War figures

Twitch attendance figures 

- Before Peter Chan Ho-Sun’s The Warlords opened, Chan declared that if Feng Xiaogang’s The Assembly would make 2 billion yuan in China, The Warlords would make 2.5 billion yuan. Guess what? The latest Chinese box office figures show that The Assembly has surpassed The Warlords in total box office figures with no signs of slowing down. Note that The Assembly also costs considerably less to make.

It was a public holiday in Japan on Monday, so that means no box office reports and no TV drama ratings either. I’ll wait until tomorrow.

- Hong Kong box office was generally weak this past weekend (at least on Sunday). The top 10 films’ box office gross ranged from HK$116,000 to only HK$256,000. On top finally is Ridley Scott’s American Gangster, which made only HK$256,000 from 25 screens for an 11-day total of HK$2.8 million. However, if not for the HK$10 increase per ticket (due to running time), it would’ve lost out to National Treasure: Book of Secrets, which made HK$247,000 from 32 screens for a 25-total of HK$17.08 million.

As for opening films, Mr. Magorium’s Wonder Emporium actually came out on top with HK$231,000 from just 11 screens for a 4-day total of HK$720,000. Meanwhile, Thursday’s winner The Deaths of Ian Stone fell all the way to 8th place with HK$166,000 from 12 screens (this is actually slightly higher than its opening day gross) for a HK$690,000 4-day total. Johnnie To’s Linger remains dead on arrival with only HK$167,000 from 22 screens with just HK$620,000 after 4 days. It may not even reach the HK$2 million mark when it’s all over.

In holdovers. Wong Kar-Wai’s My Blueberry Nights did end up passing the HK$2 million mark, making HK$201,000 from 14 screens on Sunday. After its second weekend, the road drama has made HK$2.13 million.

HK$7.8=US$1

-  The Philippine non-profit organization The Cinemalaya Foundation has picked the ten projects for a grant from the organization to help complete in time to compete at its film festival in July. The films apparently have to articulate Philippine culture, made on digital technology, and filmmakers have to have done less than 3 films.

- In case you wanted it, an English-subtitled trailer is out for Stephen Chow’s latest CJ7. The bad news? It’s dubbed in Mandarin. This is starting to bring back memories of The Magic Gourd, which is probably a bad thing.

- At least Chow tells you that this movie is going to be pushing for tears, which wouldn’t be my own definitely of “heartwarming”. But hey, he’s the one making millions of dollars, and I’m the one paying US$8,000 a year for film school, so what do I know?

But I am a critic, and I’m looking forward to CJ7 less and less now.

-  With the Chinese total box office growing by 20% in 2007, I can bet more Hong Kong filmmakers will turn to pleasing Mainland Chinese audiences to make the big bucks. However, will this lead to more artistically successful filmmakers staying in Hong Kong? In other words, will Hong Kong cinema go in the way of Taiwanese cinema?

- There’s a trailer for the new Korean comedy Radio Days, and it looks like it might be good. I emphasize “might” because dramatic elements in Korean comedies are always a bit of a wild card.

- According to Kaiju Shakedown, My Name is Fame director Lawrence Lau is making a film based on the alleged assassination attempt on Taiwanese president Chen Sui-Bian starring Simon Yam and Gordon Lam. Which conspiracy theory will it follow?

- An interesting discovery today that borders on lame. A Hong Kong cram school commercial that parodies the CJ7 teaser with a guy walking around a dump looking for A’s. Isn’t it a little too early to be parodying it already?

- The Daily Yomiuri’s weekly Televiews column takes a look back at this year’s Kohaku and other lame Japanese New Year’s  Eve programming, many of which I missed because i was watching Kohaku like any Japanese person ought to.

- Singapore and Malaysia’s first gangster flick is coming out this Lunar New Year. Too bad it looks like successful commercial director Jack Neo’s seemingly lame telling of the My Wife is a Gangster formula. This may just be worse than Kung-Fu Dunk for Singapore’s Lunar New Year market. I shudder at that thought.

- Another Asian film is heading to Berlin. This time it’s Shin Onna Tachiguishi Retsuden, the omnibus film co-directed by Momoru Oshii along with five other directors. I didn’t even know it opened in Japan already.

- It’s hard to believe, but 50 Chinese websites have apparently “voluntarily” stopped providing illegal downloads of movies in a crackdown by authorities to stop piracy in China.

- Twitch’s Stefan has a review for Johnnie To’s Linger, which follows my general feelings towards the film. However, The Taipei Times seems to like it quite a bit. Does the Mandarin version make that much of a difference?

- The picture link below is of the latest Japanese pop duo to hit the pop world:

sisters.jpg (not work-safe)