Note: This blog expresses only the opinions of the blog owner, and does not represent the opinion of any organization or blog that is associated with The Golden Rock.
- This week in Hong Kong, we have Jackie Chan’s Rush Hour 3 (reviewed by Lovehkfilm’s Sanjuro) vs. Walt Disney’s first Chinese production The Magic Gourd (what the hell is a Gourd anyway?). On Thursday opening day, Rush Hour 3 wins with HK$700,000 on 38 screens, which guarantees it a win for the weekend, but it’ll not likely hit HK$10 million. On the other hand, The Magic Gourd, featuring Gigi Leung and the voice of Lau Ching-Wan (as the gourd in question), might not even make HK$1 million. Despite Disney’s attempts to get people in the theater (like the HK$15 off with a stub from Ratatouille at two theatres) and its hit status in Mainland China, the film only made HK$140,000 on 16 screens, probably exactly because it looked too catered to the Mainland Chinese market.
In holdovers, all the second-weekend movies aren’t looking to do too well, with The Simpsons Movie leading the pack, making HK$390,000 on 38 screens for an 8-day total of HK$6.1 million. Donnie Yen….er, I mean Wilson Yip’s Flashpoint is looking to do the best per-screen business with HK$360,000 on 28 screens, much of those already showing it only 3 or less times a day. After 8 days, it’s made HK$6 million, so Grady Hendrix was right that it would probably limp to HK$10 million, if possible. Lastly, The Bourne Ultimatum (great action thriller, by the way, even if it’s a little light on plot) looks for follow the pattern of the first two movies with only HK$250,000 on 32 screens for an 8-day total of just HK$5.32 million.
- The big news today in the Asian film world is, of course, the announcement of the Golden Bauhinia Award nominations. Even though I’m a fan of Edmond Pang Ho-Cheung, I have no idea whether to be happy or not that his latest Exodus (which doesn’t even open until mid-September here) managed to get 10 nominations. The fact that Filmko revealed that the Critics Association got to see the film because they pretty much asked the production company to screen it for them after seeing the ad only reflects poorly on the awards and possibly on the film itself. Hell, it’s kind of like voting for a chief executive in Hong Kong (800 elite members choose one guy), and no one wants to be reminded of not getting democracy when it counts.
Still, I was assured tonight that Exodus is going to be at least quite an interesting film, so I’m looking at these nominations as a good step to get some asses in the theaters.
- I forgot this by a few days again, but Variety’s Derek Elley managed to write a review of Kenneth Bi’s The Drummer, which premiered at the Locarno Film Festival at the expense of letting Hong Kong audiences see it at the Hong Kong International Film Festival.
- Unlike Prison Break, China is remaking yet another foreign series, this time adapting (I think with permission?) the comic/cartoon Prince of Tennis.
There’s not much today, because it’s so late and I need to leave some stuff to report during the weekend. So keep checking in over the weekend.
As usual, there’s not really much news on Thursdays, and there’s even a bit of a Hong Kong slant on things today.
- Most of the Toronto International Festival lineup has been announced, and the Asian selection looks real yummy. This year we have Ang Lee, Edmond Pang, Alexi Tan’s Blood Brothers (although the words “cautionary tale” has me cautious), Nobuhiro Yamashita, Hur Jin-Ho, Johnnie To/Wai Ka-Fai, Takeshi Kitano, Aoyama Shinji, and Im Kwon-Taek.
- Writer/director Koki Mitani, who last wrote and directed the chaotic and often funny The Uchoten Hotel, has upgraded his predictions for his next film The Magic Hour. Now he’s promising 10 laughs in three minutes instead of his earlier prediction of 3 laughs a minute. I’ll be counting, ok?
- After Monkey Magic became the widest release for a live-action Japanese film, that record is about to be quickly broken, and by another SMAP member, no less. Kimura Takuya’s drama adaptation film Hero is set to open on 470 screens (again, the blog post says it’s the widest for a Japanese film, period, but who can confirm this?). With ratings topping at over 30%, can the film’s demand meet the supply come September?
- Under “it’s worse than I thought” news today, a full page ad for that Eric Tsang/Wong Jing collaboration, now named Beauty and the 7 Beasts, was on the pages of Hong Kong newspapers today. The woman on the poster, according to the comment section, is Meng Yao, who played DJ Sammy’s wife/manager in the comedy shitter Super Fans. According to the ad, that is the woman that is supposed to “make your mouth dry, have a fever, suffer from increased heartbeats, make your body grow stiff, and cause your nose to bleed.” Is it just me, or is Hong Kong cinema getting increasingly out of touch with reality?
- Remember Lost in Beijing? The film by Chinese director Li Yu that suffered a bunch of cuts for its Chinese release, but even is uncut version as found to be not that big of a deal. Nevertheless, even though the film has cleared the censors, its release is still being put off to “create a healthy and harmonious environment” ahead of the Chinese communist party’s congress. They ought to know that to really bury a film is to release it in so little screens that no one cares, not allow such news to go out.
- Apparently, the latest Lee Myung-Se film M is finished. For those that don’t know, Lee made a huge splash with Nowhere to Hide, but pissed a lot of people off with Duelist, so let’s see how this one goes.
As usual, there’s not really much news on Thursdays, and there’s even a bit of a Hong Kong slant on things today.
- Most of the Toronto International Festival lineup has been announced, and the Asian selection looks real yummy. This year we have Ang Lee, Edmond Pang, Alexi Tan’s Blood Brothers (although the words “cautionary tale” has me cautious), Nobuhiro Yamashita, Hur Jin-Ho, Johnnie To/Wai Ka-Fai, Takeshi Kitano, Aoyama Shinji, and Im Kwon-Taek.
- Writer/director Koki Mitani, who last wrote and directed the chaotic and often funny The Uchoten Hotel, has upgraded his predictions for his next film The Magic Hour. Now he’s promising 10 laughs in three minutes instead of his earlier prediction of 3 laughs a minute. I’ll be counting, ok?
- After Monkey Magic became the widest release for a live-action Japanese film, that record is about to be quickly broken, and by another SMAP member, no less. Kimura Takuya’s drama adaptation film Hero is set to open on 470 screens (again, the blog post says it’s the widest for a Japanese film, period, but who can confirm this?). With ratings topping at over 30%, can the film’s demand meet the supply come September?
- Under “it’s worse than I thought” news today, a full page ad for that Eric Tsang/Wong Jing collaboration, now named Beauty and the 7 Beasts, was on the pages of Hong Kong newspapers today. The woman on the poster, according to the comment section, is Meng Yao, who played DJ Sammy’s wife/manager in the comedy shitter Super Fans. According to the ad, that is the woman that is supposed to “make your mouth dry, have a fever, suffer from increased heartbeats, make your body grow stiff, and cause your nose to bleed.” Is it just me, or is Hong Kong cinema getting increasingly out of touch with reality?
- Remember Lost in Beijing? The film by Chinese director Li Yu that suffered a bunch of cuts for its Chinese release, but even is uncut version as found to be not that big of a deal. Nevertheless, even though the film has cleared the censors, its release is still being put off to “create a healthy and harmonious environment” ahead of the Chinese communist party’s congress. They ought to know that to really bury a film is to release it in so little screens that no one cares, not allow such news to go out.
- Apparently, the latest Lee Myung-Se film M is finished. For those that don’t know, Lee made a huge splash with Nowhere to Hide, but pissed a lot of people off with Duelist, so let’s see how this one goes.
- Let’s start today with the Japanese Oricon charts. The singles chart was pretty packed this week, with 17 of the top 30 singles being new releases. Leading the pack is Johnny’s Entertainment pop duo Takki and Tsubasa with their latest single, selling 57,700 copies to get the number 1 spot. The rest of the chart see fairly weak sales, including Leah Dizon’s 3rd single all the way down in 16th place, selling only 12,500 copies. However, that could be due to the announcement of the release of her debut album for next month, meaning fans can wait a month for their 14-track studio modified fix of Dizon’s singing. Expect next week’s sales on the charts to be pretty low, with Tokio and Kazumasa Oda vying for the top spot.
The album chart is even quieter, with Sukima Switch’s compilation album still ruling the charts with another 145,000 copies sold. The two Orange Range compilations continue to sell strongly, with a combined sales of 73,000 copies to take second and third place. Def Tech member Micro’s debut solo album only sold 33,000 copies for a 4th place debut, and looks like band Greeeen’s hit debut album will finally drop from the top 10 next week. Next week, the profit from the death of the pop artist Zard continues as two compilations will share the first and second spot.
- The Thai horror film Alone, which was a minor hit in Korea last month, is coming soon to Hong Kong, but not without its controversies. The TELA (these guys again!) said the trailers and posters are too disturbing for public display, and has forced the distributors to cut and silence the trailer for theatre lobbies, as well as changing the posters.
Then again, the original trailer, which is now cut in all its forms, was pretty disturbing.
- I can probably link any site for this report - the lineup for the upcoming Pusan Promotion Plan, where filmmakers take their upcoming projects to meet with possible financiers, has been announced. This year, we have high-profile filmmakers (i.e. those that I’ve heard of) such as Fruit Chan, Hong Sang-Soo, Sono Sion, and Daniel Yu.
- Chinese auteur Jia Zhangke, who has made a string of films that were banned by the government before straightening up, sees his latest film Tattoo Age shelved because of the sensitive subject matter of the Cultural Revolution and they were unable to cast Asian superstar Jay Chou in a role. Jay Chou in a Jia Zhangke movie? He sure has come a long way from Xiao Wu.
- In China’s never-ending attempts to please the foreigners about intellectual copyrights before the 2008 Olympics (how can a country that held a huge ceremony to celebrate the one-year countdown to the actual opening date not be excited about it?), the government will look to shutting down websites that allow illegal download of copyright materials, which would give them an excuse to go after those banned books too.
- Let’s start today with the Japanese Oricon charts. The singles chart was pretty packed this week, with 17 of the top 30 singles being new releases. Leading the pack is Johnny’s Entertainment pop duo Takki and Tsubasa with their latest single, selling 57,700 copies to get the number 1 spot. The rest of the chart see fairly weak sales, including Leah Dizon’s 3rd single all the way down in 16th place, selling only 12,500 copies. However, that could be due to the announcement of the release of her debut album for next month, meaning fans can wait a month for their 14-track studio modified fix of Dizon’s singing. Expect next week’s sales on the charts to be pretty low, with Tokio and Kazumasa Oda vying for the top spot.
The album chart is even quieter, with Sukima Switch’s compilation album still ruling the charts with another 145,000 copies sold. The two Orange Range compilations continue to sell strongly, with a combined sales of 73,000 copies to take second and third place. Def Tech member Micro’s debut solo album only sold 33,000 copies for a 4th place debut, and looks like band Greeeen’s hit debut album will finally drop from the top 10 next week. Next week, the profit from the death of the pop artist Zard continues as two compilations will share the first and second spot.
- The Thai horror film Alone, which was a minor hit in Korea last month, is coming soon to Hong Kong, but not without its controversies. The TELA (these guys again!) said the trailers and posters are too disturbing for public display, and has forced the distributors to cut and silence the trailer for theatre lobbies, as well as changing the posters.
Then again, the original trailer, which is now cut in all its forms, was pretty disturbing.
- I can probably link any site for this report - the lineup for the upcoming Pusan Promotion Plan, where filmmakers take their upcoming projects to meet with possible financiers, has been announced. This year, we have high-profile filmmakers (i.e. those that I’ve heard of) such as Fruit Chan, Hong Sang-Soo, Sono Sion, and Daniel Yu.
- Chinese auteur Jia Zhangke, who has made a string of films that were banned by the government before straightening up, sees his latest film Tattoo Age shelved because of the sensitive subject matter of the Cultural Revolution and they were unable to cast Asian superstar Jay Chou in a role. Jay Chou in a Jia Zhangke movie? He sure has come a long way from Xiao Wu.
- In China’s never-ending attempts to please the foreigners about intellectual copyrights before the 2008 Olympics (how can a country that held a huge ceremony to celebrate the one-year countdown to the actual opening date not be excited about it?), the government will look to shutting down websites that allow illegal download of copyright materials, which would give them an excuse to go after those banned books too.
- The Japanese box office numbers are out, showing that Ocean’s Thirteen opened fairly well with 496 million yen, and Transformers dropping 36.5% in its second week, which again is somewhat surprising considering how well it has done with word-of-mouth elsewhere. Of course, its drop to third place is also because Harry Potter dropped only by 7% to keep its second-place spot.
However, the biggest drop in the top 10 goes to the latest Naruto movie, which lost 47% of its audience, while the smallest drop belongs to - and I’m almost kind of sad to say this - Monkey Magic, which lost only 3% of its audience to make 2.98 billion yen total, inching ever closer for Fuji TV to break even.
- And yet, Japan are still rolling out one drama adaptation film after another. The latest is the hit Kimura Takuya drama Hero, and a trailer is floating around online. Honestly, it’s not doing much for me, but that’s because I’ve never seen Hero…..Oriental 188 Mall, here I come.
- My bad. I totally forgot to acknowledge that Grady Hendrix’s informative Asian cinema blog Kaiju Shakedown is back, and in a much more complicated link. The link section shall be updated. Anyway, Grady reports today that Hong Kong video distributor Mei Ah’s remastered version of Patrick Tam Ka-Ming’s Nomad is actually not the director’s cut, and that the “corrected” version will be out in 2008.
- After a Tokyo multiplex found success with weekly showing of Korean star Bae Yong-Joon’s dramas, a smaller independent theater is doing the same with Korean star So Ji Sub’s Choa Choa (is that the real name? Or just the Japanese name?). If this is a success as well, then looks like the Korean wave isn’t so dead after all in Japan.
- I’m going to make a small private confession - I consider my most creative time in terms of scriptwriting to be right after I got dumped by my second girlfriend. During that period, I actually wrote 3 or 4 short film scripts, none of which I ended up making. I mention this because Kazuaki Kiriya, better known perhaps as ex-Mr. Utada Hikaru, seems to be going through a similar thing. Not only is he currently shooting a Japanese film, it’s actually confirmed that he also have his Hollywood debut lined up.
- In casting news today, Koyuki, whose most famous role is in The Last Samurai, has signed up to for Blood: The Last Vampire alongside Jeon Ji-Hyun (to be credited as Gianna Jun). These international Pan-Asian co-production in English just don’t seem to turn out very well (Dragon Squad, anyone?), so I don’t expect much.
- The United States government’s bullying continues, as they have asked the World Trade Organization to put together a panel to settle their complaint against China over piracy of their films. Just what exactly are they expecting the Chinese government to do, ask for a couple of bucks from every Chinese citizen to pay off the MPA?
Oh, they want to work bilaterally, so that means they want to actually go into China and take down every single pirate vendors themselves.
- The Japanese box office numbers are out, showing that Ocean’s Thirteen opened fairly well with 496 million yen, and Transformers dropping 36.5% in its second week, which again is somewhat surprising considering how well it has done with word-of-mouth elsewhere. Of course, its drop to third place is also because Harry Potter dropped only by 7% to keep its second-place spot.
However, the biggest drop in the top 10 goes to the latest Naruto movie, which lost 47% of its audience, while the smallest drop belongs to - and I’m almost kind of sad to say this - Monkey Magic, which lost only 3% of its audience to make 2.98 billion yen total, inching ever closer for Fuji TV to break even.
- And yet, Japan are still rolling out one drama adaptation film after another. The latest is the hit Kimura Takuya drama Hero, and a trailer is floating around online. Honestly, it’s not doing much for me, but that’s because I’ve never seen Hero…..Oriental 188 Mall, here I come.
- My bad. I totally forgot to acknowledge that Grady Hendrix’s informative Asian cinema blog Kaiju Shakedown is back, and in a much more complicated link. The link section shall be updated. Anyway, Grady reports today that Hong Kong video distributor Mei Ah’s remastered version of Patrick Tam Ka-Ming’s Nomad is actually not the director’s cut, and that the “corrected” version will be out in 2008.
- After a Tokyo multiplex found success with weekly showing of Korean star Bae Yong-Joon’s dramas, a smaller independent theater is doing the same with Korean star So Ji Sub’s Choa Choa (is that the real name? Or just the Japanese name?). If this is a success as well, then looks like the Korean wave isn’t so dead after all in Japan.
- I’m going to make a small private confession - I consider my most creative time in terms of scriptwriting to be right after I got dumped by my second girlfriend. During that period, I actually wrote 3 or 4 short film scripts, none of which I ended up making. I mention this because Kazuaki Kiriya, better known perhaps as ex-Mr. Utada Hikaru, seems to be going through a similar thing. Not only is he currently shooting a Japanese film, it’s actually confirmed that he also have his Hollywood debut lined up.
- In casting news today, Koyuki, whose most famous role is in The Last Samurai, has signed up to for Blood: The Last Vampire alongside Jeon Ji-Hyun (to be credited as Gianna Jun). These international Pan-Asian co-production in English just don’t seem to turn out very well (Dragon Squad, anyone?), so I don’t expect much.
- The United States government’s bullying continues, as they have asked the World Trade Organization to put together a panel to settle their complaint against China over piracy of their films. Just what exactly are they expecting the Chinese government to do, ask for a couple of bucks from every Chinese citizen to pay off the MPA?
Oh, they want to work bilaterally, so that means they want to actually go into China and take down every single pirate vendors themselves.
The Golden Rock is back, around the same size and hopefully the same quality. Now reporting from Hong Kong, posting times will naturally be different, but hopefully still daily.
- As always, let’s look at the Hong Kong Sunday box office. Pixar’s Ratatouille has a very strong second weekend, making HK$1.63 million on only 34 screens for a 14-day total of HK14.81 million already. This should have no problem getting past the HK$25 million mark set by The Incredibles. Meanwhile, the three opening films opened neck-to-neck, with The Simpsons Movie (whose Hong Kong dub version features Josie Ho, Wyman Wong, Denise “HOCC” Ho, and pop star Ivana Wong) leading the pack, making HK$1.24 million on 37 screens for a 4-day total of HK$3.92 million. While The Bourne Supremacy is in third of the three films in total 4-day box office (HK$3.8 million), it was just under The Simpsons with HK$1.1 million on 31 screens. This means Wilson Yip’s Donnie Yen lovefest Flashpoint made HK$1.01 million on 33 screens, but did better overall this weekend with the 4-day total of HK$3.89 million(although this actually include the HK$200,000 from previews last weekend). With fairly positive word-of-mouth amongst Hong Kong moviegoers, this should cross the HK$10 million mark.
Don’t count those leftover films out, though. Transformers is already near the HK$35 million mark after 18 days by making HK$940,000 on 34 screens; Jay Chou’s Jay Chou lovefest Secret actually continues to hang on (probably thanks to the Jay Chou fans) with HK$640,000 on 31 screens (Variety Asia reports its box office success elsewhere in Asia here); even Harry Potter made HK$230,000 on 17 screens for a 33-day total of HK$49.98 million. Invisible Target, which pretty much got pushed out of theaters, looks to end its run with HK$13.19 million. All in all, this was a pretty huge weekend at the box office, which was probably helped by the passing typhoon and just generally crappy weather.
- In Japanese audience rankings, Transformers got pushed all the way down to third place for its second week by Ocean’s 13 and Harry Potter, which is somewhat surprising because it’s done so well with word-of-mouth elsewhere. Ocean’s 13 is the only new film in the top 10.
This week, Hideo Nakata’s Kaidan dropped from 8th place to 10th place in its second week, meaning that despite being somewhatwell-reviewed, it’ll go away quickly amidst the late-Summer box office. It’s also the only adult-oriented Japanese blockbuster this summer. Kaidan’s opening is only 51% compared to the star’s last film The Murder of the Inugami Clan and only 81% of Nakata’s The Ring 2 (although I don’t know why Eiga Consultant chose to compare with that). Looks like summer is just not the time for this type of films.
- In the Korean box office, D-War wins its second weekend with a total 5.06 million viewers already after a roughly 50% drop in attendance. Don’t count May 18 out, though, as it has already attracted over 4.5 million viewers. These two films have already surpassed Voice of a Murderer as the two best-grossing Korean films of the year.
- Under “This cannot be good” news today, Eric Tsang (a producer that can be said to have pretty low taste - look at what he did to the ending of Men Suddenly in Black 2) is teaming up with Wong Jing (an even cheaper producer who’s intelligent but makes movies of low taste and lack of originality - look at all of his movies) to remake the 1970 film The Seven Colour Wolf (I can’t confirm this English title because of the Yesasia name for it. Can anyone?), with Chung Su-Kei (who has made shit like Feel 100% 2003 and Nine Girls and a Ghost) taking the director’s seat. No word yet on who will star, I believe.
- Again, an artsy Japanese film that drove audiences away has taken a major award at an European film festival. Masahiro Kobayashi’s The Rebirth won the top award The Golden Leopard at the Locarno Film Festival. However, with two Asian films taking the top prize, the festival is apparently moving into the elitist artsy film festival that is drawing less interest from buyers.
- The Hong Kong entertainment news programs have been reporting for several days about Chung Siu-Tung’s latest period martial arts film (another one?!), this time with Kelly Chan in her first period role in a long time, Leon Lai, and Donnie Yen. It’s not very likely, however, that Yen will go topless in this one.
- Lastly, two major Thai directors are planning on developing the country’s first script development project, taking on 30 aspiring screenwriters on workshops and pitch meetings. This could, in the long run, breathe new life into the slowly-expanding Thai film industry.
Song of the Day will return some time this week, and expect something new with The Golden Rock this week as well.
The Golden Rock is back, around the same size and hopefully the same quality. Now reporting from Hong Kong, posting times will naturally be different, but hopefully still daily.
- As always, let’s look at the Hong Kong Sunday box office. Pixar’s Ratatouille has a very strong second weekend, making HK$1.63 million on only 34 screens for a 14-day total of HK14.81 million already. This should have no problem getting past the HK$25 million mark set by The Incredibles. Meanwhile, the three opening films opened neck-to-neck, with The Simpsons Movie (whose Hong Kong dub version features Josie Ho, Wyman Wong, Denise “HOCC” Ho, and pop star Ivana Wong) leading the pack, making HK$1.24 million on 37 screens for a 4-day total of HK$3.92 million. While The Bourne Supremacy is in third of the three films in total 4-day box office (HK$3.8 million), it was just under The Simpsons with HK$1.1 million on 31 screens. This means Wilson Yip’s Donnie Yen lovefest Flashpoint made HK$1.01 million on 33 screens, but did better overall this weekend with the 4-day total of HK$3.89 million(although this actually include the HK$200,000 from previews last weekend). With fairly positive word-of-mouth amongst Hong Kong moviegoers, this should cross the HK$10 million mark.
Don’t count those leftover films out, though. Transformers is already near the HK$35 million mark after 18 days by making HK$940,000 on 34 screens; Jay Chou’s Jay Chou lovefest Secret actually continues to hang on (probably thanks to the Jay Chou fans) with HK$640,000 on 31 screens (Variety Asia reports its box office success elsewhere in Asia here); even Harry Potter made HK$230,000 on 17 screens for a 33-day total of HK$49.98 million. Invisible Target, which pretty much got pushed out of theaters, looks to end its run with HK$13.19 million. All in all, this was a pretty huge weekend at the box office, which was probably helped by the passing typhoon and just generally crappy weather.
- In Japanese audience rankings, Transformers got pushed all the way down to third place for its second week by Ocean’s 13 and Harry Potter, which is somewhat surprising because it’s done so well with word-of-mouth elsewhere. Ocean’s 13 is the only new film in the top 10.
This week, Hideo Nakata’s Kaidan dropped from 8th place to 10th place in its second week, meaning that despite being somewhatwell-reviewed, it’ll go away quickly amidst the late-Summer box office. It’s also the only adult-oriented Japanese blockbuster this summer. Kaidan’s opening is only 51% compared to the star’s last film The Murder of the Inugami Clan and only 81% of Nakata’s The Ring 2 (although I don’t know why Eiga Consultant chose to compare with that). Looks like summer is just not the time for this type of films.
- In the Korean box office, D-War wins its second weekend with a total 5.06 million viewers already after a roughly 50% drop in attendance. Don’t count May 18 out, though, as it has already attracted over 4.5 million viewers. These two films have already surpassed Voice of a Murderer as the two best-grossing Korean films of the year.
- Under “This cannot be good” news today, Eric Tsang (a producer that can be said to have pretty low taste - look at what he did to the ending of Men Suddenly in Black 2) is teaming up with Wong Jing (an even cheaper producer who’s intelligent but makes movies of low taste and lack of originality - look at all of his movies) to remake the 1970 film The Seven Colour Wolf (I can’t confirm this English title because of the Yesasia name for it. Can anyone?), with Chung Su-Kei (who has made shit like Feel 100% 2003 and Nine Girls and a Ghost) taking the director’s seat. No word yet on who will star, I believe.
- Again, an artsy Japanese film that drove audiences away has taken a major award at an European film festival. Masahiro Kobayashi’s The Rebirth won the top award The Golden Leopard at the Locarno Film Festival. However, with two Asian films taking the top prize, the festival is apparently moving into the elitist artsy film festival that is drawing less interest from buyers.
- The Hong Kong entertainment news programs have been reporting for several days about Chung Siu-Tung’s latest period martial arts film (another one?!), this time with Kelly Chan in her first period role in a long time, Leon Lai, and Donnie Yen. It’s not very likely, however, that Yen will go topless in this one.
- Lastly, two major Thai directors are planning on developing the country’s first script development project, taking on 30 aspiring screenwriters on workshops and pitch meetings. This could, in the long run, breathe new life into the slowly-expanding Thai film industry.
Song of the Day will return some time this week, and expect something new with The Golden Rock this week as well.
My personal principle for The Song of the Day is that one artist only gets to be here once a month, so I’m filling the Shiina Ringo quota a little early in the month (yes, I do count Tokyo Jihen and Shiina Ringo as one). Nevertheless, that should go to prove how much I love this song. From her second full-length album Shoso Strip, it’s “Gibusu”
WordPress database error: [Expression #1 of ORDER BY clause is not in GROUP BY clause and contains nonaggregated column 'webkozo_wordpress.gr_posts.post_date' which is not functionally dependent on columns in GROUP BY clause; this is incompatible with sql_mode=only_full_group_by] SELECT DISTINCT YEAR(post_date) AS `year`, MONTH(post_date) AS `month`, count(ID) as posts FROM gr_posts WHERE post_type = 'post' AND post_status = 'publish' GROUP BY YEAR(post_date), MONTH(post_date) ORDER BY post_date DESC
WordPress database error: [Expression #1 of ORDER BY clause is not in SELECT list, references column 'webkozo_wordpress.gr_posts.post_date' which is not in SELECT list; this is incompatible with DISTINCT] SELECT DISTINCT MONTH(post_date) AS month, YEAR(post_date) AS year
FROM gr_posts
WHERE post_date < '2025-01-01'
AND post_type = 'post' AND post_status = 'publish'
ORDER BY post_date DESC
LIMIT 1
WordPress database error: [Expression #1 of ORDER BY clause is not in SELECT list, references column 'webkozo_wordpress.gr_posts.post_date' which is not in SELECT list; this is incompatible with DISTINCT] SELECT DISTINCT MONTH(post_date) AS month, YEAR(post_date) AS year
FROM gr_posts
WHERE post_date > '2025-01-01'
AND MONTH( post_date ) != MONTH( '2025-01-01' )
AND post_type = 'post' AND post_status = 'publish'
ORDER BY post_date ASC
LIMIT 1
