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                        |  | ...ing |  |  |   
                        |  |  
 Im Soo-Jung and Kim Rae-Won in ...ing.
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                        |  | Year: | 2003 |  |  |   
                        |  | Director: | Lee 
                          Eon-Hee |  |  |   
                        |  | Cast: | Im 
                          Soo-Jung, Kim Rae-Won, Lee Mi-Sook, Kim Ji-Yeong, Lee 
                          Yoo-Jeong |  |   
                        |  | The 
                          Skinny: | A shy teenage girl with a life-threatening condition 
                          embarks on a relationship with her downstairs neighbor 
                          in this humorous, charming, and ultimately heartfelt 
                          melodrama. Yes, we've seen this kind of movie before, 
                          but at least …ing is a good one. |  |   
                        |  | Review by
Calvin
McMillin: | From first-time director 
                          Lee Eon-Hee comes …ing, an oddly titled, yet 
                          highly engaging romantic melodrama about living life 
                          one day at a time. Im Soo-Jung, star of A Tale of 
                          Two Sisters, plays Kang Min-Ah, a pretty teenager 
                          who has had the misfortune of spending most of her life 
                          in hospitals, especially during her formative years. 
                          Min-Ah has a deformed hand, and unbeknownst to her, 
                          a terminal illness to boot. However, Min-Ah's single 
                          mother Mi-Sook (Lee Mi-Sook) does know the truth and 
                          keeps it hidden from her daughter, instead trying to 
                          turn this negative fact into positive motivation. Although 
                          hurting on the inside, Mi-Sook puts on a brave face, 
                          encouraging her daughter to take life by the horns and 
                          live in the here and now. Min-Ah is skeptical, but soon 
                          finds the possibilities of life re-opening to her. Soon enough, a photographer 
                          named Young-Jae (Kim Rae-Won, from My Little Bride) 
                          enters both of their lives by moving into the downstairs 
                          apartment. Upon seeing her, Young-Jae immediately does 
                          his best to win Min-Ah's attention, engaging in a series 
                          of well-intentioned, but slightly juvenile acts that 
                          he hopes will make her change her mind about him. Although 
                          highly resistant at first, Min-Ah eventually caves in 
                          to Young-Jae's goofily charming persistence, and the 
                          two embark on a tentative friendship. Much to the delight 
                          of her mother, the friendship between Min-Ah and Young-Jae 
                          eventually turns to love (albeit chaste), and they soon 
                          plan a trip to Hawaii together. But with the bitter 
                          realities of Min-Ah's fatal illness looming low on the 
                          horizon, one begins to wonder if the budding couple 
                          will be able to make it to Hawaii before it's too late.
 With such a small cast, 
                          the burden of the film's success lies primarily on the 
                          film's three principals, and the actors acquit themselves 
                          quite well in their respective roles. As the focus of 
                          attention, Im Soo-Jung delivers a memorable performance 
                          as Min-Ah. And although they do have some highly charged 
                          emotional scenes, Lee Mi-Sook and Kim Rae-Won bring 
                          a welcome amount of comic relief to the proceedings, 
                          which in itself, is another positive of the film. Rather 
                          than bog down the narrative with the kinds of hefty 
                          emotional baggage generally associated with the genre, 
                          the filmmakers instead use humor as a more natural way 
                          to get the audience to identify and/or sympathize with 
                          their characters. In fact, part of what makes …ing 
                          a solid film experience is that if the terminal illness 
                          aspect were eliminated altogether, what remains - a 
                          story about a shy, reclusive girl falling in love with 
                          an outgoing young man - would sustain a film in and 
                          of itself. And considering the plethora of "terminal 
                          illness tearjerkers" plaguing the market these 
                          days, part of me wishes that element actually was excised 
                          from the film. But still, as far as these things go, 
                          this is a topnotch melodrama.
 One of the more innovative 
                          aspects of the film is that the plot doesn't rely solely 
                          on the romance element, but instead gives equal, if 
                          not more time, to the unconventional mother-daughter 
                          relationship. Because Min-Ah was deprived of friends 
                          her own age due to her constant trips to the hospital, 
                          her mother asks to be called by her first name, becoming, 
                          in effect, Min-Ah's "best friend" from an 
                          early age. But even so, the way in which the two characters 
                          interact as mother and daughter comes across rather 
                          realistically, and Mi Sook's occasional deadpan "revelations" 
                          to her daughter always make for entertaining comic digressions.
 Although the specter of 
                          Min-Ah's possible death is ever-present in the narrative, 
                          …ing feels less heavy-handed and contrived than 
                          most melodramas. Even while working within the narrow 
                          parameters of the genre, the actors are able to convey 
                          a real sense of warmth, humor, and believability, thus 
                          making …ing a poignant, yet highly enjoyable 
                          cinematic experience. If you're a fan of this type of 
                          movie, then …ing won't disappoint. (Calvin McMillin, 2005)
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                        |  | Availability: | DVD (Korea) Region 3 NTSC
 KD Media
 16 x 9 Anamorphic Widescreen
 Korean Language Track
 Dolby Digital 5.1
 Removable English and Korean Subtitles
 Various Extras
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