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review | notes | awards | availability | |
Notes:
Ditto was remade by both the Chinese
and the Japanese.
The Chinese version is called Sky of Love,
and stars Gigi Leung and F4's Ken Zhu. The Japanese
version is called Scent of Love.
Awards:
21st Chongryong Film Festival
Winner - Best Supporting Actress (Ha
Ji-Won)
Availability:
DVD (Hong Kong)
Region 0 NTSC
Mei Ah Entertainment
Widescreen
Korean Language Track
Dolby Digital 2.0
Removable English and Chinese Subtitles
Trailers and Extras
DVD (Korea)
Region 3 NTSC
Spectrum DVD
16x9 Anamorphic Widescreen
Korean Language Track
Dolby Digital 5.1
Removable English and Korean Subtitles
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Review by
Calvin
McMillin: |
In Ditto,
actress Kim Ha-Neul (My Tutor Friend)
plays a pretty college girl named So-Eun, who
has a major crush on her classmate Dong-Hee
(Park Young-Woo), a slightly older guy who's
just returned to the university after serving
in the military. She's extremely shy around
Dong-Hee, but luckily for her, there does seem
to be some budding chemistry happening between
the two. After a slow build up, the plot kicks
in when So-Eun finds herself stuck with a HAM
radio due to a mix-up at school and ends up
taking the device home.
On the night of
a lunar eclipse, she is contacted by a young
man who identifies himself as Ji-In (Yoo Ji-Tae).
After some initial hesitancy, the two start
up a conversation and are surprised to learn
that they both attend the same college. Eager
to learn more about ham radios to impress Dong-Hee,
she agrees to meet up with Ji-In the following
day so he can loan her his instruction manual.
Both end up waiting outside the university at
the clock tower, yet they never meet each other.
Why, you might ask? So-Eun lives in the year
1979 while Ji-In is broadcasting his message
from the year 2000. Talk about a long-distance
call.
Furious at each
other for being "snubbed," the two
end up talking once again and the truth comes
out, although neither quite believes it at first.
But eventually, the two get all the proof they
need and decide to capitalize on this extraordinary
event by confiding in one another about their
invidividual lives. So-Eun and Ji-In become
fast friends, but a twist that neither of them
could forsee ends up having an effect on both
their lives. Cue the crying.
Ditto is
at its best when Kim Ha-Neul and Yoo Ji-Tae
are communicating via the HAM radio. In these
split-screen moments, both give very likeable
performances, and the heart of the film lies
in their developing friendship and curiosity
about each other's time period. Sadly, when
the film is forced to focus on their individual
storylines, Ditto falters considerably.
Framed against the backdrop of South Korean
history, full of assassinations and student
protests, the "romance" of So-Eun
and Dong-Hee is remarkably trivial, sappy, and
horribly, horribly dull. The twist of the film
is intriguing to be sure, but exactly why snuffing
out a purely "puppy love" crush in
college could be so terribly traumatic and life-altering
borders on the ridiculous. Sadly, Yoo Ji-Tae's
storyline meanders as well, as his character
spends most of his free time inexplicably neglecting
his ballsy girlfriend (Ha Ji-Won) - to what
end is never really explained. Granted, each
couple gets some genuine moments of romance,
but for the most part, the narrative just keeps
spinning its wheels, whether it's taking place
in 1979 or the year 2000.
One of the more
disappointing scenes occurs when Ji-In seeks
out the still-alive So-Eun in the present day.
Although credit should go to the filmmakers
for not going with something expected, the way
in which the two interact is remarkably lame,
especially considering the major league paranormal
event the two have just stumbled upon. Exactly
why two people who have experienced a once in
a lifetime sci-fi miracle would interact in
such a way borders on the inane. And boy, even
twenty-one years later, So-Eun still looks remarkably
well-preserved!
The premise of
Ditto is identical to that of the American
film Frequency, albeit the latter involves
a father and son communicating across the boundary
of time rather than two college students. It's
probably unfair to compare the two movies, but
somehow it's probably inevitable. Whereas Frequency
is a little gem of a film that delivers on most
every count - characters, plot, drama, and intrigue
- Ditto just feels like a great idea
squandered. It wants to be a tearjerker, but
somewhere along the way the filmmakers forgot
that it was important to earn our sympathy first.
When the waterworks finally commenced, this
reviewer was decidedly unmoved. Your mileage
may vary. (Calvin McMillin, 2005)
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