|
|
|
|
|
|
|
|
|
Happy
Funeral Director |
|
|
|
Year: |
2000 |
A bad hair day in the funeral business |
|
|
Director: |
Chang
Mun-Il |
|
|
Producer: |
Kim
Jae-Won |
|
|
Writer: |
Chang
Mun-Il |
|
|
Cast: |
Lim
Chang Jung, Kim Chang-Wan, Chung Eun-Pyo, Oh Hyun-Kyung, Jeong
Eun-pyo |
|
|
The
Skinny: |
An
odd little comedy about death and the people who have to deal
with it. At times funny and touching, Happy Funeral Director
is like an imperfect but interesting treat for anyone tired
of standard Hostess-brand comedy. |
|
|
Review
by RainDog: |
After
a close brush with death, Cheol Ku (Kim Chang-Wan) decides
to try his hand at working at the funeral parlor of a small
town. He's joined in his new job by two others. Jaehyon (Lim
Chang-Jung) has reluctantly joined his grandfather (the happy
director) in the funeral business after racking up debts in
Seoul, where he'd like to go back to open a video arcade.
Daesik (Jeong Eun-Pyo) is a young townsperson who's working
for the grandfather almost by default, because he has nothing
better to do. The three of them are social misfits, and working
at the funeral parlor is an uncertain prospect at best, both
because of the slow business and because of their natures
and desires.
At its heart, Happy Funeral
Director is an art-house comedy, like an early Jim Jarmusch
film only with more editing. The story ultimately takes a
backseat to the interactions of the three would-be funeral
parlor workers, who don't seem to have a lot in common. They
hang out at various locations around the town and have conversations
of no importance, but whichare frequently amusing, wry and
charming. If they're not sitting with nothing to do in front
of the local grocery or some other place in town, they're
at the funeral parlor watching violent Hong Kong movies and
wondering why Korea couldn't ease up just a little on its
strict gun laws, so as to finally provide them some clients.
A lot of the humor comes from the dark comedy of hoping for
business, trying to learn the trade (usually practicing on
each other), and trying to deal with their sexual frustrations.
The best humor, though, comes from the main characters themselves
as they kill time. There's a charming familiarity about the
scenes when the characters aren't really doing anything at
all.
Other familiar humorous moments are
quieter than we might expect from modern comedies, such as
when Jaehyon has to race a rival funeral parlor to the scene
of a death (yes, they eventually get to deal with some corpses)
to hang his business' lantern to secure the job. There's nothing
laugh-out-loud funny about the scene, but it's done with such
good nature that it's hard not to grin through the whole thing.
Most of these bits are nothing more than just bits, and may
or may not have anything to do with the story as a whole.
This is not situational comedy that we're familiar with. Events
do not go from point A to B to be resolved at C. As a matter
of fact, there are a few plotlines that are never resolved,
characters who disappear from the story, and even scenes we'd
expect to see (such as the circumstances around a few deaths)
that are missing completely.
Many people aren't going to
be comfortable with the lack of disclosure, and may chalk
it up to lazy writing. Personally, I found this aspect of
the film to be refreshing and felt it went a long way towards
bringing the characters closer to the real world, which isn't
always as exciting or as logical as we would hoped. And while
a movie that accurately portrays boredom would seem, well,
boring, there's a lot here to keep us going, including a pair
of romantic interests, four funerals, a questionable business
plan, and a very odd gang rumble at a children's event. The
movie also has its share of tragedy, as two of the funerals
are for people they care about.
An odd element of the film that should
be mentioned is that the comedic realism frequently turns
to magical realism where the dead are concerned. For example,
there's a small, well-filmed story at the beginning of the
movie about how the grandfather met his wife, and the recurring
roles of the rather expressive corpses they have to deal with.
This works in the film's favor when it's used for comedy,
but tends to work against the film's stronger elements when
it's used for the sake of playing with the viewer's other
emotions. The penultimate scene, for instance, is highlighted
by a magical rain that doesn't pack much punch, mainly because
it's both unsurprising and forced, cheapens an otherwise sad
event, and seems as out-of-place in this movie as the typical
studio executive's editing decision.
What becomes clear is that this film
is obliquely about the difficulties of coping with lonelinessa
loneliness only mitigated by the strange bond of the three
main characters and the grandfather, and by the funeral business
itself. None of the characters are married, two of the them
unsuccessfully deal with trying to start relationships, and
others have had to deal with the deaths of loved ones in their
pasts. More tellingly, the people who they perform funerals
for all die to one degree or another as a result of being
lonely, from literally killing themselves out of loneliness
to dying while visiting the grave of a loved one. It's only
subtext, however, and the viewer can take from it what he
or she wants.
Kim Chang-Wan, a composer turned
actor, puts in a strong performance as does first-timer Oh
Hyun-Kyung as the grandfather. It's interesting to note that
all the actorsand there's not a bad one in the bunchare
all newcomers (or relative newcomers) both young and old.
It is also director Chang Mun-Il's first film, which shows
a bit in both the writing and directing, but as such it's
pretty amazing, too.
This movie does have its faults,
from the uneven tone to its conveniently uplifting ending.
Still, Happy Funeral Director is well worth its ninety-five
minute running time and is yet another pleasant surprise from
Korea's cinematic renaissance. (RainDog 2002) |
|
|
Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Modern Audio
Full Screen
Korean Language Track
Removable English and Chinese Subtitles |
|
|
|
|
|
|
|
image courtesy
of krmdb.com
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
|
|
|