|
|
|
|
|
|
One
Missed Call 2 |
|
|
|
Year: |
2005 |
Cell phones can be scary in One Missed Call 2 |
|
|
Director: |
Renpei
Tsukamoto |
|
|
Cast: |
Mimura, Yu Yoshizawa, Asaka Seto, Peter
Ho Yun-Tung, Renji Ishibashi |
|
|
The
Skinny: |
The
evil cell phone message of doom returns in One Missed
Call 2, a slick sequel to Takashi Miike's hit film
that looks a lot better than it actually is. If you've
seen Ring, Ju-On, or The Eye, then
you've already seen this movie. Really. |
|
|
Review by
Calvin
McMillin: |
Remember
when Japanese horror films were innovative and even
scary? Back when Hideo Nakata's Ring debuted,
it irrevocably changed the landscape of Asian horror,
inspiring a legion of imitators not only in Japan, but
in Korea, Hong Kong, and Thailand as well. Quite a few
of those films proved to be just as inventive and terrifying
as their ground-breaking filmic predecessor, thus continuing
this seemingly endless wave of Asian horror films flooding
cinemas around the globe. But even as quality scary
movies continued to be released in Asia, a larger glut
of these pictures were little more than glorified B-movie
rip-offs looking to cash in on the lucrative horror
trend. Plots were recycled, images re-used, and fairly
quickly, the horrifying figure of the pale-faced, long-haired
woman in white popularized by the Ring and Ju-On
films became a stock horror cliché. Although
admittedly that image still holds some terrifying potency
if utilized effectively, films that rely too heavily
on these and other scare tactics without any understanding
of what it takes to legitimately frighten audiences
seem to be lowering the quality of Asian horror as a
whole. While familiarity breeds contempt, uninspired
familiarity breeds boredom and irrelevancy.
In 2004, cinematic gore-meister
Takashi Miike tried his hand at Asian horror with One
Missed Call, featuring actress Kou Shibasaki in
the lead role. Instead of a cursed VHS tape as was the
case with Ring, the gimmick in One Missed
Call was far more technologically advanced: after
hearing a spooky ringtone, hapless victims received
a prophetic message of doom on their cell phones and
ended up dying a horrific death some three days later.
Although the film was released to mixed reviews, it
went on to become a huge box office hit in Japan, practically
insuring the existence of One Missed Call 2,
a quickie 2005 follow-up featuring a largely new cast.
And the actors aren't the only thing that's new: Miike
doesn't return for the sequel, turning over the directorial
reins to television director Renpei Tsukamoto. However,
considering both films, it's highly questionable whether
any of these differences actually matters.
In One Missed Call
2, the dreaded cell phone curse returns to wreak
havoc on the lives of a young teacher named Kyoko (one-name
only TV star Mimura) and her loyal boyfriend Naoto (Yu
Yoshizawa). While enjoying a night out with friends
at a Chinese restaurant, Kyoko receives an eerie call,
but strangely, instead of dying three days later, tragedy
strikes almost immediately and not to Kyoko directly.
Since one of the deaths in the original film occurred
on television, both Kyoko and Naoto are familiar with
the urban legend and find themselves at a loss on how
to solve the problem. Luckily for them, a plucky journalist
named Takako (Asaka Seto) is on the case, enlisting
the help of Detective Motomiya (a returning Renji Ishibashi)
who's pieced together quite a bit about how the curse
works.
Refreshingly, Motomiya isn't
the clichéd authority figure who immediately
dismisses the supernatural in favor of a scientific
explanation (an act of arrogance that serves as the
veritable kiss of death in horror movies). No, Motomiya
knows full well that the curse is real and applies his
detective skills to the realm of the supernatural, saving
not only characters, but the viewers some valuable time
in "cutting to the chase." Their investigation
leads Takao to Taiwan to visit her estranged husband
(Peter Ho). It turns out that he's been researching
the curse, too, and it's spreading throughout Asia like
a virus. Thinking they've got the mystery solved, the
heroes band together to undo the curse, but will they
be successful? And if they are, wouldn't that hurt the
chances for a sequel?
While the plot described
here may sound interesting and even logical, it doesn't
play that way onscreen. Yes, the film is slick and the
actors are pretty, but it's little more than disposable
entertainment, if that. The reason why Takako goes to
Taiwan seems to make sense at first (the ghostly villainess
is shown to have Taiwanese origins), yet the filmmakers
complicate it by suggesting that she has a ghostly predecessor
- that is, there are two curses at play. Whether the
older ghost in the sequel played an Obi-Wan Kenobi-like
mentor in the afterlife to the ghost in the original
One Missed Call is unclear, but the fact that
they both use cell phones to dole out their portents
of doom seems both highly coincidental and confusing.
Even worse, the film doesn't seem to be very consistent
on exactly how the prophetic cell phone messages affect
people. Although it's clear from the early going that
victims suffer a grisly death, it's then revealed that
the call can also make people do bad things and not
realize it. Add to that a confusing plotline involving
Takako's supposedly dead twin sister, and the result
is a muddled film with too many dangling plot threads
to even approach comprehensibility.
The main problem with
the film, however, is how derivative it is. Literally,
one could spend the entire movie listing all the swipes
from other, better Asian horror films. Dark Water?
Check. Ju-On and its sequels? You bet. In fact,
the entire Taiwan segment borrows liberally from the
Thailand portion of The Eye and even more shamelessly,
from the Ring series (most notably, the infamous
and iconic well). This reliance on imitation is so distracting
that it creates a distance between the viewer and the
film. "Suspension of disbelief" is vital for
a horror film to work, yet because of these and other
missteps, I never once forgot that I was watching a
movie. The film is by no means unwatchable, and as a
fan of Asian horror, I have to admit that I found that
despite its extensive flaws, the film was somewhat engaging
as it was happening. But let's not kid ourselves; this
is little more than mindless "entertainment"
meant to capitalize on the success of the first film.
Rather than fulfill one's need for an Asian horror fix,
One Missed Call 2 only reminds viewers of the
films that started this trend in the first place - and
it makes them wish they'd watched one of those flicks
instead. (Calvin McMillin, 2005) |
|
|
Availability: |
DVD (Hong Kong)
Region 3 NTSC
Intercontinental Video Limited (IVL)
16x9 Anamorphic Widescreen
Japanese Language Track
Dolby Digital 5.1 / DTS 5.1
Removable English and Chinese subtitles
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
|
|
|