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                  Review 
                    by Kozo: | 
                  Andy Lau turns in his finest performance in this entertaining 
                    drama about Tiger (Lau), a kickboxer who is released from 
                    prison and finds redemption. The film begins as he’s released 
                    from prison, but we’re introduced to his demons in flashback. 
                    When he was a young boxer, he fell for Thai filmmaker Pim 
                    (Indhira Jaroeupura of the film Nang Nak). She was 
                    his number one love, though he apparently forgot what drew 
                    her to him. She was drawn to his strength and his fighting 
                    nature. When she discovers that boxing is only a job to him, 
                    he loses her and something else happens that lands him in 
                    jail for 10+ years. 
                    In the present he meets Sister Mikoto 
                      (Takako Tokiwa, in her second Hong Kong film), who has occasionally 
                      looked after Tiger’s wayward daughter Ploy (Apichaya Thanatthanapong). 
                      Though their reunion is difficult at first, they eventually 
                      find some semblance of a father-daughter relationship. Still, 
                      Tiger’s demons return to haunt him, and when we see exactly 
                      what they were, everything comes together in an appropriate 
                      and even haunting fashion.  
                     Plot is not particularly important 
                      in this movie. The film is essentially about Tiger and his 
                      growth as a man, which overshadows any need for your standard 
                      three-act storytelling. Some might feel that Tiger's final 
                      decisions are difficult to swallow as they smack of overly 
                      dramatic storytelling, but Lau makes the whole thing watchable 
                      and compelling. This is probably his best acting, outdistancing 
                      his best actor turn in Running Out of Time. Tiger is 
                      an opaque role with real depth, and Lau turns in a dark, layered 
                      performance. While her character needs just a bit more fleshing 
                      out, Takako Tokiwa is again outstanding and beautiful. This 
                      is entertaining and even beautiful ride, again showing that 
                      Daniel Lee is one of Hong Kong's most competent commercial 
                      directors. (Kozo 2000)  | 
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