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Lost
Romance |
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AKA: |
The
Story of Rose |
Maggie Cheung and Chow Yun-Fat |
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Year: |
1986 |
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Director: |
Yeung
Fan |
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Cast: |
Chow
Yun-Fat, Maggie
Cheung Man-Yuk, Roy
Cheung Yiu-Yeung, Ha
Ping, Alfred
Cheung Kin-Ting, Cheung
Kwok-Keung, Chan Koon-Chung, Chan Yuen-Lai, Chun
Wai-Man, Lau Kuen-Kuen |
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The
Skinny: |
The
megastar pairing looks to be a slam dunk, but Yeung
Fan's romantic drama is poorly developed and rather
trite. The film is certainly beautiful to look at, though
that can only get you so far. |
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Review
by Kozo: |
Casting Chow Yun-Fat and Maggie Cheung opposite
one another would seem like a guarantee of cinematic
quality, but director Yeung Fan doesn't help out much.
His beautiful but calculated drama Lost Romance
(AKA: The Story of Rose) features fine art direction
but a plot that's better suited to an American soap
opera. Those tuning in for the actors might go home
happy, but those expecting a good movie may be unsatisfied.
Maggie Cheung is the eponymous
Rose, a free-spirited girl who gets in all sorts of
romantic entanglements. Despite her desire to remain
single and without attachment, she bewitches all manner
of men who venture near her personal space. Her brother
Charles (Chow Yun-Fat) worries, as she seems to create
more problems for men than any woman should. More importantly,
Charles worries that Rose will never marry for love.
Compounding this is Rose's liason with an engaged architect
named Tony. She insists that he's the one for her, but
a happy ending is denied. Depressed, Rose retreats to
Paris where she enters into a loveless marriage, much
to Charles' dismay. Then...Charles dies.
While the above may seem
like a spoiler, it really isn't. Chow Yun-Fat gets ample
screen time as both Charles and Ka-Ming, who becomes
Rose's new suitor. Of course she finds a new - and more
fulfilling - love with her brother's dead ringer, but
that isn't the end to her problems. In the meantime,
she's bewitched an interior designer and is still incredibly
despressed over Tony. Then...someone else dies.
The "tragic"
aspects of this film are manufactured beyond belief.
We're meant to think that the character of Rose is "special",
and that her story is a compelling one, but is it? Is
Rose a victim of her own irresistibility, or is she
at fault? And, does this make her more sympathetic?
The answer from this reviewer is a resounding "NO."
Maggie Cheung is beautiful and a fine actress, and she
imbues Rose with an inner life that rings true. Still,
Rose comes off as a self-pitying woman who's bad luck
for any guy who comes near her. Her overdone character,
heavy-handed plot and unnecessary tragedy make the film
nothing more than a manufactured weepie which would
get better play as a "Movie of the Week" starring
Jaclyn Smith.
And, the whole "brother
as lover" subplot seems more than a little creepy.
Even when Chow Yun-Fat and Maggie Cheung play siblings,
there is an air of sexual tension and romantic longing
that's as obvious as the homoeroticism in a John Woo
film. Then, they (that is, Rose and Ka-Ming) finally
get together, but it's clear that Rose sees her brother
in this new lover. What this incestous subtext is supposed
to mean is anybody's guess, but it just feels wrong.
Yeung Fan was apparently aiming at a charged romantic
tragedy, but the result is creepy, cheesy melodrama
which belongs in a fifty-cent pulp magazine.
As artifice, Lost Romance
certainly succeeds. Everyone in the film lives in perfect
white surroundings highlighted by just the right splash
of color (from curtains, sofas or flowers). When Rose
laments her inability to choose between men, we get
to watch both Maggie Cheung's divine face AND a perfectly
arranged flower vase! Yeung Fan (who's also a photographer)
knows how to compose a frame, but handling drama is
another matter entirely. (Kozo 2002) |
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Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Far Sun Film
Widescreen
Cantonese Language Track
Dolby Digital 5.1
Removable English and Chinese Subtitles
Conversation between director Yonfan and critic Paul
Fonoroff |
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image
courtesy of Far Sun Film Co., Ltd.
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LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
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