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Moonlight
Express |
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Year: |
1999 |
Takako Tokiwa and Leslie
Cheung |
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Director: |
Daniel
Lee Yan-Kong |
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Cast: |
Leslie
Cheung Kwok-Wing, Takako
Tokiwa, Yuka Hoshino, Austin Wai Tin-Chi,
Liu
Kai-Chi,
Jack Gao,
Sam Lee Chan-Sam, Bak Ka-Sin,
Mars, James Wong Ka-Lok,
Michelle Yeoh |
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The
Skinny: |
The
winning Takako Tokiwa shows us why she's just hot stuff
in Japan, but the movie proves to be an entertaining
and beautiful exercise in inconsequence. |
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Review
by Kozo: |
This romantic cop thriller comes with superior atmosphere
and cinematography, but is ultimately a mixed bag. Leslie
Cheung is Kar Bo, a dour undercover cop who’s a dead
ringer for Tetsuya, a Japanese Hong Kong resident who
perished only weeks before. Tetsuya was about to get
married to Hitomi (Japanese soap opera queen Takako
Tokiwa) but a ringing cel phone and poor driving put
an end to that fantasy. Hitomi’s left to pick up the
pieces, which she does by visiting Hong Kong to settle
Tetsuya’s affairs. Wouldn’t you know it: she and Kar
Bo meet by happenstance, and from there we’re taken
on an unlikely and downright creepy road.
What follows is a mixture of
pining romance and murky cop mystery as Kar Bo’s job
crosses paths with his connection to this innocent Japanese
tourist. The big plot device - that he’s Tetsuya’s physical
twin - allows for the film’s fairy tale-like atmosphere,
but it also proves to be a little distracting. Moonlight
Express isn't just a crime movie, it's a tragic
"love is forever" weepie that hinges on a
character's virtual resurrection.
Over-examination aside, this
is meant to be well-mounted, suitably intense and yet
fluffy date movie. Strangely they pull it off, mostly
due to Daniel Lee’s solid direction and the presence
of Tokiwa, who’s photogenic and absolutely charming.
Cheung fares well, but his “bad boy” act can get a little
tiresome. Only in Wong Kar-Wai films does Cheung’s attraction
to dark characters pay off. In movies like this we are
constantly reassured that he’s a nice guy despite his
intense and occasionally boorish behavior.
However, I truly did enjoy
this movie even though it made little to no sense in
reflection. The two plots have a hard time coexisting
- they seem to intrude on one another, and the denouement
is just perfunctory plot closure. (Kozo 1999) |
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Availability: |
DVD (Hong Kong)
Region 0 NTSC
Mei Ah Laser
16x9 Anamorphic Widescreen
Cantonese and Mandarin Language Tracks
Dolby Digital 5.1
Removable English and Chinese Subtitles
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image
courtesy of Mei Ah Laser Disc Co., Ltd.
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LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
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