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Why
Me, Sweetie?! |
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Louis Koo and Cherrie Ying hook up in Why Me, Sweetie?! |
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Year: |
2003 |
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Director: |
Jingle
Ma Chor-Sing |
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Cast: |
Louis Koo Tin-Lok,
Cherrie
Ying Choi-Yi,
Tats Lau Yi-Tat |
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The
Skinny: |
Uneven
romantic comedy which is as magnificently manufactured as
they come. The film ends much better than it begins, but that
isn't necessarily a saving grace. Louis Koo and Cherrie Ying
fans will probably be happy, though. |
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Review
by Kozo: |
Though he started in the horror and triad genres, Louis Koo
has since become Hong Kong Cinema's romantic comedy golden
boy. The Man with the Tan has played romantic foils to such
screen queens as Gigi Leung, Sammi Cheng, Cecilia Cheung and
Miriam Yeung, and the result has been generally profitable
if not overtly good motion pictures. Koo has thankfully shown
good comedic presence, and has never been afraid to poke fun
at his own ladykiller image. Why Me, Sweetie?! plays
to those strengths, and Koo performs gamely. However, that
doesn't necessarily mean the film is good.
Koo is Don, a studly baker who
runs a small but popular bakery in Beijing. An avowed player,
he nevertheless is smitten by Ding Ding (Cherrie Ying), an
American Born Chinese who charms him with her energetic, offbeat
ways. Despite knowing that Don is a player, Ding Ding allows
herself to be roped in, and things actually seem to head somewhere
for the two. Then the plot device hits. When Don seems to
have totally fallen in love with Ding Ding, he suddenly turns
red and collapses. When Ding Ding sees him next, he's back
to being a total player, and professes not to know her. And,
given Koo's smarmy performance, it's hard not to believe him.
But Ding Ding learns the truth
thanks to the intervention of Dr. Chie (Tats Lau), Don's longtime
pal. Chie tells Ding Ding that Don has a selective memory
disorder, which he gained due to the tragic death of a former
lover, who ironically looked exactly like Ding Ding. Chie
believes that Ding Ding can somehow help cure Don, and even
if he isn't cured, the two can continue their relationship
anyway. They use a notebook of Ding Ding facts, temporary
tattoos, and many pictures to constantly remind Don of who
he's supposed to love. And it seems to work, for a while at
least. But can the two actually make a long-term relationship
work when one is a part-time amnesiac?
The concept for this romantic
comedy is utterly manufactured, but that's no real surprise.
Given the fact that most Hong Kongand even Americanromantic
comedies feature a paper-thin premise, one should be able
to forgive Why Me, Sweetie?! for its narrative silliness.
Sure, all of the couple's problems could easily be solved
if Don visited a real brain specialist (Chie is actually a
dentist), but if that happened the film wouldn't be able to
employ its nifty Groundhog Day/Memento devices.
Since Koo is dashingly handsome and Ying is refreshingly adorable,
it should be a pleasure to watch the two fall in love again.
And again. And yet again. It's like five movies packed into
one.
However, instead of five movies
packed into one, Why Me, Sweetie?! feels like one movie
stretched on for eternity. Director Jingle Ma makes his actors
look good, but his pacing and construction leave a lot to
be desired. The film starts with lots of needless fast motion,
overdone histrionics, and sometimes grating comedy. Then the
film does a complete flip-flop and gets overly dramatic and
saccharine for a protracted second half. It's like Ma felt
obligated to give us both comedy and drama, but didn't know
how to intertwine the two. His inability to handle the material
makes the manufactured pathos seem magnified and doubly obvious.
The result: an uneven and annoying film that manages to affect,
but only because they lay it on so thick at the end. Romantic
comedies are preferable if the audience isn't pummelled into
buying it.
Still, the actors are certainly
attractive and even charming. Koo and Ying both overact like
idiots during the silly scenes, but they handle the dramatic
sequences decently. Koo is convincingly lovelorn and teary,
a combination that probably sends his swooning female fanbase
into throes of ecstasy. And Ying possesses a photogenic charm
and energy that's very winning. She could have the makings
of a real star, though she should sometimes take it down a
notch. Like most ingenues, she doesn't really know how to
regulate her performances, and spends too much time mugging
and pouting. Hopefully she'll find a way to tone it down in
the future.
Then again, this could all be Jingle
Ma's fault. In the past, Ma has taken good resources and made
workable entertainment, but his actual ability to craft a
film has never been established. His direction of a script
seems arbitrary and without any discernible purpose, and he's
never shown the ability to direct actors. This can be seen
in the uneven performances of the leads, and in the no-name
supporting characters, who are utterly faceless and uninteresting.
Ma is lucky to have Louis Koo, Cherrie Ying and Tats Lau (in
an amusingly droll performance) to bring some life to his
manufactured script, which possesses the depth of your average
kiddie pool. Ultimately, Why Me, Sweetie?! has far
too many cloying and unnecessary moments to make it a truly
compelling motion picture. But it also has a lot of Louis
Koo and Cherrie Ying, which could be enough for some people.
(Kozo 2003) |
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Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Mei Ah Entertainment
16x9 Anamorphic Widescreen
Cantonese and Mandarin Language Tracks
Dolby Digital 5.1 / DTS 5.1
Removable English and Chinese Subtitles |
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image courtesy
of Mei Ah Entertainment
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LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
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