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New
Police Story |
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review |
review #2 | awards | availability | |
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Charlene Choi, Jackie Chan, and
Nicholas Tse in New Police Story.
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Chinese: |
新警察故事 |
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Year: |
2004 |
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Director: |
Benny
Chan Muk-Sing |
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Producer: |
Benny
Chan Muk-Sing,
Willie Chan, Solon So, Barbie Tung |
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Writer: |
Alan
Yuen |
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Action: |
Jackie
Chan, Li Chung-Chi,
Jackie Chan Stunt Team |
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Cast: |
Jackie
Chan,
Nicholas Tse Ting-Fung,
Charlie Young Choi-Nei, Charlene
Choi Cheuk-Yin,
Daniel Wu,
Dave Wong Kit,
Andy On Chi-Kit,
Terence Yin,
Hiro Hayama,
Coco Chiang
Yi,
Deep Ng Ho-Hong,
Ken Lo Wai-Kwong,
Tony Ho Wah-Chiu,
Timmy Hung Tin-Ming,
Hung Tin-Chiu, Andrew Lin Hoi,
Carl Ng Ka-Lung,
Samuel
Pang King-Chi,
Mandy Chiang
Nga-Man,
Maggie Lau Si-Wai, Evergreen Mak Cheung-Ching,
Asuka Higuchi,
Liu
Kai-Chi,
Yu Rong-Guang,
Kenny Kwan Chi-Bun,
Steven Cheung
Chi-Hung,
Wu Bai,
Tats Lau Yi-Tat,
,
Winnie Leung
Man-Yi, Kenny Wong
Tak-Bun Eric Kwok Wai-Leung, Eric Kwok Wai-Leung, Philip Ng Won-Lung |
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The
Skinny: |
Police
Story meets Gen-X Cops. An entertaining,
though predictably glossy vehicle for Jackie Chan and
a whole roster of EEG kids. Not as good as the Police
Story films, but could we ever have expected it
to be? |
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Review
by Kozo: |
Finally,
Jackie Chan returns to Hong Kong! And no, those Twins
Effect movies don't count. New Police Story
represents a watershed development for longtime HK
Cinema fans. First, it marks the Chanmeister's return
to Hong Kong Cinema after too many American (Around
the World in 80 Days) or American-influenced (The
Medallion, gag) productions. Second, it reunites
Jackie Chan with director Benny Chan, who was responsible
for arguably Jackie Chan's last decent Hong Kong film,
Who Am I? Excitement would be an understandable
response.
However, blind excitement
may be too great. While a polished, entertaining,
and suitably glossy action picture, New Police
Story is still quality-impaired compared to Chan's
greatest works. Plus, it comes with an extreme price:
collusion with the Emperor Entertainment Group's band
of questionably talented popstars. Chan's primary
co-star is EEG badboy Nicholas Tse, and his co-stars
include EEG products Dave Wong Kit (who's not an empty
popstar, but belongs to EEG nonetheless), Charlene
Choi (of Twins), Kenny Kwan (of Boy'z), Stephen Cheung
(also of Boy'z), and Deep Ng (of nothing right now,
and hopefully nothing for the foreseeable future).
The film also co-stars a virtual who's who of young
Hong Kong actors, meaning somebody out there was working
overtime during a marketing meeting. While his paycheck
may be awash in music industry kickbacks, the inclusions
do the movie little favors.
But enough griping.
The obvious Jackie Chan meets Gen-X Cops marketing
aside, New Police Story is a suitably entertaining
action picture that presents the aging Chan in a new
light: as an aging cop whose life takes a precipitous
tumble. A decorated cop, Chan Kwok-Wing (Jackie Chan)
meets his match in a vicious group of young thugs,
who kill cops for fun and "x-treme" satisfaction.
After Wing boasts that he'll snag this group of young
punks in three hours, the group proceeds to dismantle
his ten man squad with expert precision and more than
a little stylish flair. Among the dead cops is Wing's
future brother-in-law (Deep Ng), a factoid that leaves
Wing crying and drinking his guts out...or perhaps
the reverse. Either way, he becomes a broken guy.
Enter young Frank Cheng (Nicholas Tse), an overly-sprightly
young cop who makes it his personal mission to bring
Wing back from the brink of self-destruction. Will
he succeed? And will EEG sell records as a result
of this old-young merger?
The answer to that last
question is unknown, but the former one is easy: of
course he will! This is a movie after all, meaning
the presence of the ultra-cute young cop is enough
to bring Wing back to supreme cop status, and enough
to get the girls swooning. As young Frank, Nicholas
Tse eschews his usual bad boy act for a happy-go-lucky
comic relief persona that the young actor handles
with surprising facility. His dialogue is sometimes
cheesy and clunky, but it's easy to like Tse when
he isn't preening like his popstar status requires.
It's also easy to like Charlene Choi here, especially
since she gets so little screen time that her whiny
girlishness is reduced to only one or two scenes.
Sadly, the much-vaunted return of Charlie Young, who
plays Wing's girlfriend Ho-Yee, is in a disappointing
flower vase role that gives the charming actress little
room to maneuver. Basically, she shows up, looks concerned,
occasionally cries, then becomes imperiled. New
Police Story may gun for modern hipness, but some
of the content is strictly out of the Dark Ages.
Equal simplicity is
applied to the bad guys. Made up of Daniel Wu, Terence
Yin, Andy On, Hayama Go, and Coco Chiang, the gang
of evildoers is given pseudo-understandable psychosis
by the screenplay. This group isn't really bad; they're
more like misunderstood kids who've simply taken their
disaffection too far...into murder and completely
over-the-top crime sprees. While some minor seriousness
is proffered in this theme of rich kids gone bad,
the performances all err on the cartoony side. These
bad seeds overact with abandon, flailing their arms
and mugging ferociously. The performances are more
than a little over-the-top, but there are bright spots.
Andy On demonstrates a welcome physicality in two
flying fists encounters with Jackie Chan, and Daniel
Wu gives his limited range a full workout. As disaffected
leader Joe, Wu gets to smoulder and preen like a miniature
knock-off of Francis Ngwith generally effective,
though ultimately overrated results. Wu recently won
the Golden Horse Award for Best Supporting Actor for
New Police Story, which is odd considering
that his performance wasn't that noteworthy. It's
not a bad performance by any stretch of the imagination,
but Best Supporting Actor?
Still, taking the Golden
Horse Awards selection committee to task is not the
big deal here. No, the big deal is Jackie Chan, and
how he handles being a middle-aged action star among
a cast of young and less-wrinkled kids. The answer
to that: not bad at all. Chan still manages a few
terrific stunts and fight sequences, and though there's
a bit more cutting than ten years ago, the effort
is appreciable. Chan also takes his elder statesman
role and gives it a surprising weight and dignitywhen
he isn't overacting. Chan gives his character heavy
emotions, but his acting has matured little from the
overacting, sweaty displays of manly emotion that
have marked nearly every Chan performance since the
early days of his career. Chan puts his character's
emotions out there for everyone to see, but the effect
can sometimes be more embarrassing than affecting.
However, this is the
moment where the masses should rise up and say, "Come
on, it's just a movie! Don't be so harsh!" Well,
for once the masses have got it right. Despite the
gripes and the groans of New Police Story being
not as good as previous Jackie Chan works, it does
succeed at being an efficient and entertaining action
adventure film. Director Benny Chan gives the film
polished style and flair, and Jackie Chan certainly
works overtime to produce an entertaining, and sometimes
even emotionally engaging commercial film. Jackie
Chan is undisputably one of the world's greatest entertainers,
and New Police Story is further proof that
the man will go to great lengths to thrill, entertain,
and perhaps simply placate his fan base. The man has
made concessions to insure lasting stardom, but hasn't
forgotten to plug Hong Kong with every ounce of spare
time that he has. Despite the massive flop that was Around the World in 80 Days, Chan didn't have
to make New Police Story. But he did, not only
to satiate his home audience but also to further the
careers of some kids who could use the boost. Whether
or not his charges will ever hit it big is debatable
(In ten years, could you see Nicholas Tse and Charlene
Choi starring in a Wong Kar-Wai film? Nope, me neither.),
but let's put it on the table: Jackie Chan tries.
And with New Police Story, he mostly succeeds.
(Kozo 2004) |
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Review
by
Aircompass: |
Because
of Jackie Chan's western material (Rush Hour,
Rush Hour 2, Shanghai Noon, Shanghai
Knights, The Tuxedoreally, do I need
to go on?), the major assumption is that any new flick
starring the Drunken Master will be a comedy. Though
the first couple of Chan's Hollywood popcorn movies
were reasonably amusing, watching him fumble with his
English while playing and sparring with a young hotshot
actor got old and tired. Sort of like him. Fortunately,
the man shipped himself back home to make New Police
Storywhich may very well turn out to be his
redemption.
When we first meet Inspector
Chan (Jackie Chan), he's been chugging down way too
much booze. Flashback to a year before, and we get to
meet the man he was: Senior Inspector Chan, tough policeman
and undefeated in his fight for justice. But the Inspector
is about to be taken off his high horse; he's put on
a case involving a gang of young punks who rob the Bank
of Asia, and then call the police in so they can open
fire on them. Chan boasts on television that he will
capture the robbers in three hours, and brings his team
(including his girlfriend's brother) to the gang's hideout
to capture them.
But the Inspector learns a
lesson, as the gang was only toying with him, and in
the end only he survives their brutality towards the
police. The gang is comprised of five very rich kids,
led by Joe Chow (Daniel Wu). The five are obsessed with
video games and extreme sports. Surprise, surprise:
they aren't after the money; the gang is on a blood
rampage for any and all cops. Now in the present, the
Inspector has become an embittered drunkard who has
to be shaken awake by a nosy new partner named Frank
(Nicholas Tse). Of course, what happens next is the
story of Chan's mission to pull himself together and
make things right again.
It must be reiterated:
despite some moments worthy of a chuckle, New Police
Story is not a comedy. This is not the Jackie Chan
most people know because for the last ten years or so,
he's been pretending to be a young, kickass, funnyman
Hollywood actor. This is the first time we see Jackie
Chan playing his age, and he should be commended. It
is refreshing to see such a real character; the Inspector
is a sad, tired man who is getting on in years. He falls
apart so quickly because of the shame he feels for his
own arrogance, and has given in to booze and his own
depression. No one except his girlfriend trusts him
anymore, and moreover, he doesn't trust himself with
her. Them's the breaks. Given this sort of character
description, it should be pretty easy to see why most
of the humor comes not from Jackie Chan's character,
but from Nicholas Tse's instead.
As the Inspector's new partner,
Frank, Nic Tse is young, charming, nosy, and always
getting ahead of himself. Taking on the role of the
second banana, one could say that he gives the audience
some room to breathe during the film. His character
provides the much needed comic relief, as without the
short breaks, the film would have been a lot heavier
and more difficult to watch. He fits his character perfectly,
bringing a bright exuberance and cockiness to Frank
that makes him likable and easy to watch.
As head villain Joe Chow, Daniel
Wu portrays an arrogant, whiny brat with an extremely
troubled home life that causes him to lash out at any
policeman he encounters. The role is similar to the
one Wu played in Gen-X Cops and in direct comparison,
the Daniel Wu of this film shows improvement as he believably
displays the cold-heartedness and confused distress
that are warring within the character. He sneers, taunts,
and actually appears to be a snot-faced little brat
whose neck you'd like to wring not because he is inadequate,
but because he's a punk. He effectively tortures both
Inspector Chan and himself with his delusions of police-obliterating
grandeur. As an actor, Daniel Wu isn't brilliant, but
he works well and hard.
Fans of Charlene Choi will
probably be happy enough seeing her on the big screen,
particularly with Nicholas Tse as her playmate. Fortunately,
the taller Twin doesn't distract from the film. Her
character doesn't bring in much significance, except
to flirt with Frank, act cute, and sometimes bail them
out of troublewhich is tolerable enough to work.
Jackie Chan's girlfrined is played by Charlie Young,
making her first film appearance in a while. Playing
the signature damsel of Jackie Chan's heart, Young is
sweet, cute, likable, and extremely loyal. She manages
to get us to sympathize with her when she is trouble,
but really, the role didn't call for her to do too much.
But despite the fact that she and Charlene Choi were
technically given flower vase duty, Charlie Young is
a welcome addition to the cast.
New Police Story possesses
few puzzling or head-scratching moments, and that's
what I liked about it. The questionable or unrealistic
plot points can be attributed to the tried and tested
format of the old school versions of Police Story.
It's like watching Casablanca; most people will
think it's cliched, but it should be realized that Casablanca was the original. New Police Story is a movie
that sticks to old guns, and churns out a respectable
film. Thank the gods, Jackie Chan decided to ship his
Asian butt back home and do New Police Story,
a movie that can possibly be considered redemption for
his many Western mistakes. But what he does next may
be a different story. (Aircompass 2004) |
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Awards: |
24th
Hong Kong Film Awards
Nomination - Best Picture
Nomination - Best Director (Benny
Chan Muk-Sing)
Nomination - Best Actor (Jackie
Chan)
Nomination - Best Supporting Actor (Daniel Wu)
Nomination - Best Editing (Yau Chi-Wai)
Nomination - Best Action Design (Li Chung-Chi,
Jackie Chan Stuntman Association)
Nomination - Best Sound Effects (Kinson Tsang
Kin-Cheung)
Nomination - Best Visual Effects (Wong Won-Tak,
Ho Chi-Fai)
41st Annual Golden Horse Awards
Winner -
Best Supporting Actor (Daniel Wu)
Winner - Best Action
Choreography (Li Chung-Chi,
Jackie Chan Stunt Team)
Winner - Best Visual
Effects (Victor Wong, Brian Ho)
Winner - Audience
Choice Award
Nomination - Best Editing (Yau Chi-Wai)
Nomination - Best
Art Direction (Wong Ching-Ching, Choo Sung-Pong, Oliver
Wong)
Nomination - Best
Sound Effects (Tsang King-Cheung) |
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Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Joy Sales Film and Video Distribution
2-Disc Set
16x9 Anamorphic Widescreen
Cantonese and Mandarin Language Tracks
Dolby Digital 5.1 / DTS 6.1ES
Removable English and Chinese Subtitles
Various Extras
*Also Available on Blu-ray Disc |
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image
courtesy of Joy Sales Film and Video Distribution |
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Copyright ©2002-2017 Ross Chen
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