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                        |  | Our Time Will Come |  |  |  
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                              review    |     notes     | |  |   
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 Zhou Xun fights for the resistance in Our Time Will Come.
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                        |  | Chinese: | 明月幾時有 |  |  |   
                        |  | Year: | 2017 |  |  |   
                        |  | Director: | Ann 
                        Hui On-Wah |  |  |  
                        |  | Producer: | Roger Lee, Stephen  Lam, Ann 
                        Hui On-Wah |  |  
                        |  | Writer: | He Jiping |  |   
                        |  | Cast: | Zhou Xun,  Eddie Peng Yu-Yan, Wallace Huo, Deannie 
                    Yip Tak-Han, Tony Leung Ka-Fai, Jessie Li,  Babyjohn Choi, Stephen Au Kam-Tong,   Ivana Wong, Guo Tao, Jiang Wenli, Masatoshi Nagase, Sam Lee Chan-Sam,  Tony Ho Wah-Chiu,  Adam Wong Sau-Ping, Huang Zhizhong, Bau Hei-Jing, Xiong 
                        Xin-Xin, Hugo Ng Doi-Yung, Ray Lui 
                    Leung-Wai, Yuen King-Tan, Leila Tong Ling, Candy Lo Hau-Yam,  Joman Chiang Cho-Man, Eddie Cheung 
Siu-Fai, Stanley Fung Shui-Fan,  Suzuka Morita |  |   
                        |  | The 
                          Skinny: | Wartime spy thrills Ann Hui-style, which means Our Time Will Come is a  subdued, sometimes relaxed drama with little manipulative filmmaking and plenty of surprising and even stirring humanity. Ann Hui's latest is marvelously detailed, impeccably acted and keenly observed. A Best Picture winner at the Hong Kong Film Awards. |  |  
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                        |  | Review by Kozo:
 | Ann Hui’s Our Time Will Come is a World War II  espionage drama, and it’s exactly what one might expect from the  multi-award-winning filmmaker. That’s great for fans of Hui’s humanist concerns  and low-key style, but moviegoers who fixate on certain signifiers (guns,  spies, war) probably expect more bang for their buck. Those people might be  disappointed, because this is not a wartime thriller, and is instead a marvelously  detailed portrait of average people and how they cope with the dangerous times  in which they live. Hui finds extraordinary drama and tension in He Jiping’s finely  observed screenplay, and the everyday heroism on display is genuinely moving.  At the same time, the film offers wry observations that entertainingly subvert  expectations about life during wartime. This is an intelligent and subtle epic told  in Ann Hui’s trademark style, and easily deserves mention alongside her other  acclaimed works.
                         
Taking place in Japanese-occupied  Hong Kong in World War II, Our Time Will  Come is a fact-based portrait of local resistance fighters and the struggle  against their Japanese oppressors. The key protagonist is Fong Lan (Zhou Xun),  a schoolteacher who becomes involved in espionage when gangster and freedom  fighter Blackie Lau (Eddie Peng) arrives at her apartment complex to escort her  neighbor, novelist and future Chinese official Mao Dun (Guo Tao), out of reach  of the Japanese. Meanwhile, Lan’s estranged boyfriend Kam-wing (Wallace Huo)  works for the Japanese military while quietly collaborating with the  resistance. Impressed with her intelligence and demeanor, Blackie recruits Lan  to the cause, but this opens up a larger world with even greater dangers to Lan  and her mother Mrs, Fong (Deanie Yip), who obstinately instructs Lan to stay out  of trouble.  
What follows is a subdued, sometimes  relaxed film that’s largely devoid of manipulative filmmaking. Eschewing commercial  film technique when making a tense wartime drama seems counterintuitive, but  Ann Hui succeeds handily because her situations are so detailed and incisive.  Hui sets up her tension naturally by focusing on war’s effect on common people  and their daily lives, and conflicts are built-up or defused in unexpected ways  that feel true. Information smuggling becomes even more unnerving when the  participants are victims of poor luck or their own inexperience. Events that  would be portrayed romantically or histrionically in another filmmaker’s hands  are quickly resolved or rendered anti-climactic. Also, crucial moments show  that a heroic response is sometimes not possible. These are normal people who  fight their oppressors in whatever way they can, and sometimes the struggle is insurmountable.  Yet witnessing these everyday heroes fail, pick themselves up, and still find  the resolve to move forward can be inspiring.
 
The lead actors range from  sublime (Zhou Xun, Deanie Yip) to just OK (Wallace Huo), with Eddie Peng providing  star presence as the charismatic if somewhat incongruous freedom fighter. Japanese  actor Masatoshi Nagase impresses in a pivotal role as a Japanese military  officer. Aside from Deanie Yip, the biggest names in Our Time Will Come are not from Hong Kong, which reflects the local  film industry’s declining cachet across Asia. However, many Hong Kong actors are  present in cameos or supporting roles, most notably Tony Leung Ka-fai, who  appears in interview segments set in the present day. His scenes frame Our Time Will Come from the perspective  of a local survivor of the war – a POV that speaks to Hong Kong’s resilient  people and their activist spirit. In Our  Time Will Come, their voices and experiences shine through splendidly.                         
                        (Kozo, 4/2018) |  |  
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                        |  | Notes: |  Review was originally published in April 2018 in the Far East Film Festival catalog for the  Udine Far East Film Festival. Reprinted with permission. |  |   
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