| 
                        Review 
                          by Kozo: | 
                        This sequel to HK’s seminal screwball screw-fest Sex 
                          and Zen is actually better than the original, though 
                          not as classically campy. Category III staple Tsui Kam-Kong 
                          is a rich man who idolizes Lawrence Ng’s character in 
                          the original Sex and Zen, and works hard to do 
                          as many women as he possibly can. When marrying off 
                          his mentally challenged son, he finds his son’s new wife (Category 
                          III starlet of the moment Shu Qi) pretty hot, so he 
                          takes her for his own, not knowing that she is the evil 
                          Mirage Woman, who knows “sucking” magic that’s pretty 
                          nasty. Loletta Lee is Tsui’s daughter, who dresses 
                          like a man and wears Chastity Armor (for three quarters 
                          of the film, anyway). She and the righteous Iron Man 
                          (Ben Ng) try to stop Mirage Woman before it’s too late, 
                          which means that she’ll have free reign to “suck” anyone 
                          she wishes.  
                           This film actually possesses 
                            a plot (!) that resembles a live-action Urotskidoji movie. Like those epic Japanimation porn classics, intercourse 
                            is a transaction that can kill, maim, destroy, and most 
                            importantly, establish power over another individual. 
                            It’s also a means to get nubile young things naked and 
                            have them slink all over the place, a tactic Sex 
                              and Zen 2 isn't shy about employing. Both Shu Qi 
                            and Loletta Lee take it off to the delight of horny 
                            males everywhere, which equals money in the bank from 
                            anyone who gets a gander at either Shu Qi or Loletta 
                            Lee. It’s all pretty sleazy, but amazingly enough, also 
                            less gratuitously raunchy than the first. Sex is actually 
                            used as a plot device in this film (wow!), meaning it 
                            does more than titillate. Sex actually advances and 
                            furthers the film’s plotsuch as it is, anyway. 
                            Ultimately, Sex and Zen 2 lacks the original’s 
                            over-the-top campiness, but it has an entertaining over-the-top 
                            sleaziness all its own. Ah the wonders of Wong Jing. 
                          (Kozo 1996)  | 
                         |