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                  |  | Infatuation |  |  |   
                  |  | Year: | 1995 |  |  |   
                  |  | Director: | Jimmy 
                    Shin Chi-Wai |  |  |   
                  |  | Cast: | Francoise Yip Fong-Wah, 
                    Wong Chung-Kwun, Money Lo Man-Yi, Simon 
                    Lui Yu-Yeung, Ng Doi-Yung |  |   
                  |  | The 
                    Skinny: | Other-woman 
                    thriller that has a few gripping moments, but the overall 
                    product is so ridiculous that it's hard to be affected, much 
                    less keep a straight face. Francoise Yip is sexy, but not 
                    much of an actress. |  |   
                  |  | Review by Kozo:
 | This 
                    derivative Fatal Attraction rip-off promises much with 
                    its fetching poster: an image of Rumble in the Bronx babe 
                    Francoise Yip in a wet blouse. The film itself doesn't live 
                    up to its hormonal promise, but it does manage to do its inspiration 
                    one better. In one over-the-top scene, jilted other woman 
                    Yip and the offending nuclear family intellecualize and discuss 
                    the film's primary conflict - while the family is soaked in 
                    kerosene and Yip is threatening them with a cigarette lighter! 
                    However, the ultimate resolution to this bizarre sequence 
                    tries to be profound, and thus strains any sort of believability. 
                    The film has its harrowing moments, but they're so exploitative 
                    that buying any dramatic resolution is just impossible. Francoise 
                    Yip is remarkably attractive, but she lacks any evident acting 
                    ability. The film itself lacks character, plot, story, dialogue 
                    and logic; a full house of cinematic necessities. Director 
                    Jimmy Shin tries to help by throwing style on the screen, 
                    but the arty slow motion and strobe effects can't disguise 
                    the truth: this film is crap. (Kozo 1996) |  |   
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