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Review by Calvin McMillin: |
In
1983, Sean Connery reprised his role as 007 in Never Say
Never Again, a decent James Bond flick that was not officially
tied to the MGM series. With Last Hero in China, we
have a similar case: Jet Li once again stars as turn-of-the-century
folk hero Wong Fei-Hung, but this time sans Once Upon a
Time in China's producer-director Tsui Hark. In Hark's
place, we have Wong Jing, and boy, does the difference sure
show.
Last Hero in China is
an action comedy, but as with most of Wong Jing's films, it
verges on crass parody. The movie's plot is all over the place
as Fei-Hung and his disciples relocate the respectable Po
Chi Lam clinic, only to become next-door neighbors with the
gals at the local brothel. From there, we have Fei-Hung and
company breaking up a prostitution racket run by evil monks,
a quasi-romance for our hero with a beautiful street performer
(Cheung Man), Fei-Hung battling deafness (don't ask), some
required lion dancing, and a tacked-on scheme to abduct a
British official by the Boxer's Association. Then, to top
it all off, there's the ludicrous finale in which Jet Li dresses
up as a red rooster (and clucks!) to do battle with a giant
lion dance-inspired centipede.
On the bright side, the movie
is actually pretty engaging up until the "rooster incident"
thanks to some top-notch fight choreography from Yuen Woo-Ping.
Li's early fight with Shaolin Master Killer Gordon
Liu is pretty nifty as is his post-rooster battle with a corrupt
official. Yuen Woo-Ping even borrows from his earlier work
as he makes this Wong Fei-Hung not only a master of the No-Shadow
Kick, but of drunken boxing as well. For those who don't know,
Yuen Woo-Ping was the director of the original Jackie Chan
fight-fest Drunken Master. And since Last Hero in
China came out a year earlier than Chan's spectacular
Drunken Master II, we can't accuse Wong Jing of ripping
off Jackie Chan.
Though Wong Jing deserves a
great deal of blame for the proceedings, Jet Li bears some
of the responsibility as well - he was listed as producer
after all. Though one can understand why Li would want to
toy with the Wong Fei-Hung image and even his own image (Jackie
Chan-style outtakes occur at the end), Last Hero in China
still fails to add anything noteworthy to the Wong Fei-Hung
legend. As a sequel, it falls short since it lacks the grandeur
of the Once Upon a Time in China series. As a parody,
it stinks because it lacks one vital ingredient - humor. (Calvin McMillin
2002) |
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