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Review
by Kozo: |
Merry Go Round is a welcome break from the
usual teen tales out of Hong Kong. Not only is it
better-observed than most, but it features zippo in
the way of ubiquitous popstars. Eric Tsang stars as
Mr. Kuk, who opens a noodle shop with son Fung (Lawrence
Chou) and daughter Cocoa (Yuki Lai). Despite some
initial setbacks (the location is a dump, and the
noodles terrible), the Kuk family make a decent show
of things. Too bad they're in a lousy location, but
who cares about business? What's important here is
not the survival of the noodle shop, it's the puppy
love plotlines which are thrown in the face of the
audience. Fung falls in love with Carlily (Yeung Shing-Lam),
who works part-time for Mr. Kuk. Likewise, little
Cocoa finds an affinity with Locust (Darren Cheng),
a primary school kid who actually likes the shop's
noodles.
Sadly, love is not so
simple. Fung and Carlily fall in young love rather
quickly, a point illustrated through a drawn-out "falling
in love" montage which plays like a shojo manga
Greatest Hits Collection. Still, despite Fung's lightning
love for Carlily, he develops a minor attraction to
her tomboyish older sister Heman (Zeny Kwok). Heman
returns the affection, though equally as reluctantly.
Meanwhile, the friendship of Cocoa and Locust putters
along with the emotional pull of wheezing jellyfish.
One feels left out, the other doesn't notice, and
their young friendship hits some minor turbulence.
The conflicts and misunderstandings here are simple
ones, and sometimes the result is heartbreak and sometimes
it isn't. Love grows or dies in alarmingly unnecessary
ways; in some ways, it's just like real life, except
Eric Tsang plays the father.
Merry Go Round
is based on a series of radio plays created by radio
personality GC Goo Bi, who also wrote the film script.
Her work possesses a genuine wit, and a keen eye towards
the minor trials and tribulations of the kids, who
feel very real despite the cheesy setup and sometimes
too-cute moments. The lightweight fluffiness of the
first half is a little strained (especially during
Fung and Carlily's storyline), but the film rights
itself for an excellent second half. Not much of import
ever really occurs, but the characters grow on the
viewer, to the point that the minor hows and whys
become of genuine interest. Director Thomas Chow handles
things in an amiable fashion, and the kid actors are
winning if not sometimes a little stiff. Elder statesmen
Eric Tsang and Law Lan (as Locust's grandmother) lend
the film some acting cred, and the locations and sentiments
are pleasantly realistic. Merry Go Round may
not possess the overwrought highs and lows of other
teen romances, but the film's innocent charms and
familiar minutiae are hard to totally resist. (Kozo
2003)
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