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            Review 
              by Kozo: | 
              Tiger Cage 2 reunites director 
              Yuen Woo-Ping with star Donnie Yen, but unlike the first film, Yen 
              is the true star here. He also gets a supreme leading lady in Rosamund 
              Kwan, as well as a lighter film and more HK-style antics. This film 
              may not be as dark as the harrowing Tiger Cage, but in its 
              own way it's just as enjoyable. 
              Dragon Yau (Yen) is an ex-cop blamed 
                for a robbery that he didn't commit. He goes on the run with shrill 
                lawyer Mandy (Rosamund Kwan), as the two are handcuffed together 
                due to Hong Kong movie-like circumstances. The robbery in question 
                involved a bag of money meant to be laundered by businessman Philip 
                (Robin Shou of Mortal Kombat fame), but it got misplaced when a 
                masked gang of thugs attempted to steal it. One of the handlers, 
                David (David "WuMan" Wu), must find it, and suspects Yau 
                and Mandy. Of course, neither Yau or Mandy had nothing to do with 
                the robbery, and spend most of their time arguing in wacky Hong 
                Kong style over whose fault it is that the cops are after them. 
                For awhile, the two suspect David which means many misdirected suspicions 
                and humorous face-offs. 
               Eventually the three team up to clear their 
                names, as it's obvious that Philip is the real culprit. Aside from 
                acting smarmy and generally annoying, he hangs out with musclebound 
                bad guys Michael Woods and John Salvitti. Their presence heralds 
                a kung-fu fix for the fans, and Yuen Woo-Ping and Donnie Yen don't 
                disappoint. While the first three-quarters of the film is reserved 
                for fun chase sequences and some nifty Jackie Chan-style choreography, 
                the final quarter gets brutal kung-fu standoffs aplenty. In quick 
                succession, Donnie Yen must take on Salvitti (in a samurai sword 
                duel), followed by Woods and then Shou, who neglects to try any 
                of that Liu Kang stuff on him. David Wu does his share of faked 
                fighting too, but it's Yen who carries the day with his nifty martial 
                arts skills and above-average comic talents. 
              Those aforementioned comic talents 
                make some of the quieter moments of Tiger Cage 2 tolerable, 
                as they're generally run-of-the-mill Hong Kong comedy sequences 
                involving male-female bickering, a love triangle between the three 
                leads, and Donnie Yen acting drunk. Dragon Yau, Mandy and David 
                also bond during the course of their quest for the missing dough, 
                which is a plot development that's neither convincing or compelling. 
                Asking us to care for these characters is probably asking too much, 
                but most Hong Kong films (including the fine work of Jackie Chan 
                and Sammo Hung) are guilty of the same thing. 
              Tiger Cage 2 can never compare to Tiger Cage, because the sequel only beats up the actors. 
                The original Tiger Cage was a brutal, pessimistic crime thriller 
                than managed to bludgeon both actors AND the audience, which is 
                a rare feat for any film. While the silly wackiness of the original 
                provided a fine counterpoint to the ultimate death and dismemberment 
                of the majority of the cast, this sequel tries to make the wacky 
                silliness actually mean something. No surprise here; it doesn't 
                mean anything whatsoever, and the film's insipid love triangle comes 
                off as superflous filler. Then again, it's unlikely that those who 
                choose to seek out the film will give a damn who ends up with Rosamund 
                Kwan, anyway. All they'll care about is the action sequences, in 
                which case they'll go home happy. (Kozo 2002)  | 
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