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72 Tenants of Prosperity
 
72 Tenants of Prosperity

TVB sends us a blast from the past in 72 Tenants of Prosperity.
Chinese: 72家租客  
  Year: 2010  
  Director: Eric Tsang Chi-Wai, Patrick Kong (Yip Lim-Sum), Chung Shu-Kai
  Cast: Jacky Cheung Hok-Yau, Eric Tsang Chi-Wai, Anita Yuen Wing-Yee, Bosco Wong Chung-Chak, Stephy Tang Lai-Yun, Wong Cho-Lam, Linda Chung Ka-Yan, Leung Tin, Lai Yiu-Cheung, Kate Tsui Tsz-Shan, Michael Tse Tin-Wah, Bernice Liu Bik-Yi, Nat Chan Bak-Cheung, Raymond Lam Fung, Fala Chen, Charmaine Sheh Si-Man, Prudence Lau Mei-Kwan, Joyce Cheng Yan-Yi, Ron Ng Cheuk-Hei,Wu Fung, Dicky Cheung Wai-Kin, Kevin Cheng Ka-Wing, Nancy Sit Ka-Yin, Joe Ma Tak-Chung, Maggie Siu Mei-Kei, Lam Suet, Koni Lui Wai-Yee, Kara Hui Ying-Hung, Sam Lee Chan-Sam, Gordon Lam Ka-Tung, Andy Hui Chi-On, Denise Ho Wan-Si, Timmy Hung Tin-Ming, Ryan Hui, Alfred Cheung Kin-Ting, Myolie Wu, Tin Kai-Man, Maria Cordero, Justin Lo, Angela Tong Ying-Ying, 6 Wing, C. Kwan, Siu Yee, Jacky Heung Cho, Vincy Chan Wing-Yee, Joe Junior, Guk Fung, Siu Yam-Yam, Toby Leung Ching-Kei, Tats Lau Yi-Tat, Mimi Chu Mi-Mi, Sunny Chan Kam-Hung, Suki Chui Suk-Man, Carlo Ng Ka-Lok, Emily Kwan Bo-Wai, David Lo Dai-Wai, Ben Wong Chi-Yin, Wong Ching, Sherman Chung Shu-Man, Yoyo Chen, Lawrence Ng Kai-Wah, Raymond Tso Wing-Lim, Joyce Tang Lai-Ming, Peter Lai Bei-Tak, Eddie Peng Wai-On, Osman Hung Chi-Kit, Otto Wong Chi-On, Gill Mohindepaul Singh, Siu Fei, Cheung Kwok-Keung, Chin Siu-Ho, Kelly Chen, Yuen Wai-Ho, Ma Tai-Lo, Joe Nieh, Kenneth Ma, Samantha Ko Hoi-Ning, Evergreen Mak Cheung-Ching, Jamie Chik Mei-Chun, Dada Lo Chung-Chi, Sammy Sum Chun-Hin
The Skinny: It may be just another Lunar New Year comedy, but 72 Tenants of Prosperity turns out to be much more fun than expected. Winning local details, some great stars, some not-so-great stars and solid jokes make this suitable holiday fluff for Hong Kong entertainment aficionados. Playing spot-the-star could be half the fun.
 
Review
by Kozo:
They haven’t made a real stunner yet, but TVB is now 2 for 2 in their bid for big-screen credibility. After earning box office with the summer hit Turning Point, Hong Kong’s reigning television monopoly delivers 72 Tenants of Prosperity, a quasi-sequel to the Shaw Brothers classic House of 72 Tenants. The film opens with newly-filmed sequences echoing situations seen in the 1973 original before flashing to the present to follow the next generation of local Hong Kongers as they fight and fume on Mongkok’s Sai Yeung Choi Street. Director Eric Tsang (and co-directors Chung Shu-Kai and Patrick Kong) manage genuine laughs and surprises in between maudlin sentiments and occasional awkward moments. Their ratio of good-to-bad is probably less than 3-to-1, but that’s still much better than TVB accomplishes on television. Success, like most things in life, is measured in relative terms.

Like most Lunar New Year comedies, 72 Tenants of Prosperity concerns family dynamics and over-extended romantic situations. Kung (Eric Tsang) and Kin (Jacky Cheung) are former best buddies who let their friendship go to rot over Hong (Anita Yuen), who married Kung and bore him two children played by TVB regulars Bosco Wong and Linda Chung. Kin is currently their neighbor and has two children of his own, one played by TVB regular (See a pattern here?) Wong Cho-Lam. Not-a-TVB-regular Stephy Tang plays Kin's daughter, who's enamored with Japanese AV culture and just returned from Japan where she worked as an assistant director on AV films. What follows are some surprising gags acknowledging Tang’s minor resemblance to pornstar Akiho Yoshizawa (who's sometimes referred to as "AV Stephy"), and a set-up for a possible romance between Stephy Tang and Bosco Wong's characters. Since their families are estranged, that's your standard Romeo and Juliet storyline right there.

Kung and Kin also get pissed at each other over work. The two run competing mobile phone businesses and occasionally spar at their local merchant meetings, where everyone grouses over a dastardly criminal who’s throwing bottles of acid from the rooftops – a reference to a serial crime in Hong Kong that’s received plenty of local media attention, not to mention parodies in Split Second Murders and Trick or Cheat. 72 Tenants of Prosperity trumps both those films by working that real-life detail directly into the plot, with the acid bomber essentially becoming the film’s “big bad”. Another potential bad guy is a Mainland property developer (Leung Tin) who may be looking to buy up Mongkok and evict the Sai Yeung Choi locals. The biggest bads, however, are Kung and Kin, whose feud is getting in the way of the mega-mega happy ending. The X-factor is Hong, who may have lingering feelings for Kin despite being married to Kung. Who will she choose? Her heartbroken former flame or the barrel-shaped man who fathered her children?

If you answered “both”, then congratulations - you guessed right. No, Kung and Kin don’t engage in wife-swapping, but the film pretty much does what you'd expect, using every possible means to please the largest audience it can. By the end, love finds a way, the bad guys pay, and the big boys up north are portrayed as so nice that they'll help Hong Kong locals in need. The Mongkok locals eventually get Mainland funding for the "Paradise Project", a redeveloped version of Mongkok that’ll give everyone the happy and prosperous ending they're looking for. Also, Kung and Kin’s children get together romantically, meaning not only a Bosco Wong-Stephy Tang pairing but also a Wong Cho-Lam-Linda Chung pairing. All these stories are hackneyed and the emotions predictably syrupy, but to the film’s credit it sometimes manages to affect. A lot is due to the actors in question, e.g. Jacky Cheung and Anita Yuen sell it beautifully, while Bosco Wong and Stephy Tang aren’t quite as successful. Eric Tsang is Eric Tsang, in that he overacts effectively. You can easily evaluate the rest of the cast yourself.

Shoring things up are often surprising gags. 72 Tenants of Prosperity gleefully parodies local issues and culture, taking shots at everything from shopping and eating to triads and recycling. Local celebrities get roasted; besides Stephy Tang being likened to Akiho Yoshizawa, the film notes Linda Chung's self-described resemblance to Wu Chun of boy band Fahrenheit, and makes multiple references to Jacky Cheung looking and acting like, well, Jacky Cheung. Wong Cho-Lam gets to show off his own surprising Jacky Cheung impression, and local films and television also get nods. The casting is also fun; Joyce Cheng Yan-Yee cameos in a flashback as the same character played by her late mother Lydia Shum, Prudence Lau reprises her Golden Horse award-winning role from True Women For Sale, and Justin Lo and Raymond Lam play – get this - younger versions of Eric Tsang and Jacky Cheung. Also, seeing Jacky Cheung and Anita Yuen back onscreen in a silly comedy is a joy on its own, and the massive parade of stars (well, television stars) has its attraction.

72 Tenants of Prosperity occasionally stalls. A parody of Ip Man is performed too reverently to be very funny, though seeing Linda Chung as the Donnie Yen stand-in is amusing. Also, Michael Tse reprises the role of Laughing Gor again, making this the third time in less than a year that the audience-favorite character is being pushed by TVB. Then again, TVB has always been all about TVB, and that shows here, with the station's general manager Stephen Chan (who only provides a voiceover) getting top billing during the end credits. The rampant product placement can also be distracting, though the film even pokes fun at the in-movie ads, having Bosco Wong and Wong Cho-Lam show up at the end credits to literally thank each and every sponsor. 72 Tenants of Prosperity is thin commercial cinema but its knowing details, agreeable sentiments, and local humor make it a winning diversion for Hong Kong audiences. International audiences unfamiliar with Hong Kong issues may not be quite as entertained, but that's hardly the movie's fault. Given its genre's inherent limitations, 72 Tenants of Prosperity is a surprising success. (Kozo 2010)

 
Availability:

DVD (Hong Kong)
Region 0 NTSC
CN Entertainment
16x9 Anamorphic Widescreen
Cantonese/Mandarin Language Track
Dolby Digital 5.1
Removable English and Chinese Subtitles

*Also Available on Blu-ray Disc

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image credit: TVB
   
   
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