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Dummy
Mommy Without a Baby |
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review | awards | availability | |
Miriam Yeung |
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Year: |
2001 |
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Director: |
Joe
Ma Wai-Ho, Mak Kai-Kwong |
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Cast: |
Miriam Yeung Chin-Wah,
Edison Chen,
Niki Chow Lai-Kei,
Wyman Wong Wai-Man,
Pauline Yam Bo-Lam,
Hui Siu-Hung,
Cha Siu-Yun, Chor
Yuen, Cheung
Tat-Ming, Moses
Chan Ho, Sammy,
Soi Cheang Pou-Soi |
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The
Skinny: |
Amusing
comedy with winning performers that derails thanks to
mean-spirited humor and lazy plotting. Director Joe
Ma has definitely done better. |
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Review
by Kozo: |
Hit film from Joe Ma's Brilliant Idea Group remakes
an older film of the same Cantonese title. Singer Miriam
Yeung stars as Fong, who works at an advertising firm
and is at odds with high ranking colleague Monica (Pauline
Yam). After an e-mail snafu puts Fong on the firing
line, she decides to feign pregnancy as HK labor laws
stipulate that pregnant women can't be fired for a period
of 10 months.
The scam works, and Fong discovers
that there are a lot of perks involved with her single
mother status. She takes heavy advantage of that, securing
help from her colleagues as well as fancy new digs from
her overly-nice CEO (Edison Chen, in what has to be
one of the weirdest casting decisions of the year).
Ultimately the scam gets out of hand, the lies pile
up, and we prepare ourselves for the expected comedic
denouement.
Unfortunately, an appropriate
climax never seems to be in the offing. Joe Ma and Mak
Kai-Kwong pile up so many lies and tricky situations
that too many people will get the shaft when Fong's
duplicity is revealed. Even worse, Fong and her cohort/best
pal/co-worker Dina (Joe Ma fave Niki Chow) show very
little actual remorse until they're on the brink of
being caught. Before then, they've already taken taken
advantage of others, and even engaged in some assault
and kidnapping to cover their tracks. The situations
are amusing enough, but it's hard to be won over by
people who don't seem to care that they're breaking
the law and cheating perfectly decent people.
It's times like these that
a star's charisma is supposed to win over the audience,
and Miriam Yeung almost does the job. I say "almost"
because the film's twists and turns are so manufactured
that she can't really do much to rise above the material.
Yeung has a charming personality, but her character
is downright unlikable. The only measure of her decency
is that rival Monica is even more unlikable. Strangely
enough, the most sympathetic character is Fong's boss,
played by terminally maligned prettyboy Edison Chen.
Chen still isn't much of an actor, and he doesn't look
appropriate for his role at all. Still, he doesn't resort
to the punkish posturing that's typified his stage and
screen persona.
After Fighting for Love,
a case could be made that Joe Ma has gotten lazy with
his romantic comedies. He hangs Dummy Mommy on
Miriam Yeung's ample charms, but she lacks the requisite
depth to rescue the film from its own downward spiral.
She can do cute and she can do winning, but she can't
change the fact that Fong should be thrown in jail.
Maybe this is supposed to be commentary on the region's
economic downturn - that people who simply want to
make a living for themselves can be easily forgiven
for their transgressions. However, if that's what the
filmmakers wanted to say then I think I missed the memo.
(Kozo 2001) |
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Awards: |
21st
Annual Hong Kong Film Awards
Nomination - Best New Artist (Niki Chow Lai-Kei) |
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Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Mei Ah Laser
Widescreen
Cantonese and Mandarin Language Tracks
Dolby Digital 5.1 / DTS
Removable English and Chinese Subtitles
Various Extras |
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image
courtesy of www.mov3.com
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Copyright ©2002-2017 Ross Chen
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