|
|
|
|
|
|
|
|
|
Task
Force |
|
|
|
|
review | awards | availability | |
Charlie Young and Leo Koo |
|
|
Year: |
1997 |
|
|
Director: |
Patrick
Leung Pak-Kin |
|
|
Writer: |
Chan
Hing-Kai |
|
|
Action: |
Chin
Kar-Lok |
|
|
Cast: |
Leo
Koo Kui-Kei, Charlie
Young Choi-Nei, Karen
Mok Man-Wai, Eric Tsang
Chi-Wai, Edmond So
Chi-Wai, Alan Moo,
Waise Lee Chi-Hung,
Chin Kar-Lok, Stephen
Tung Wai, John Lone, John
Woo, Clifton Ko Chi-Sum,
Fung Wai-Hung,
Lawrence Lau Kwok-Cheung,
Sammy |
|
|
The
Skinny: |
A
truly Hong Kong creation, Task Force pays tribute to
Hong Kong Cinema's rich genre history while leaving its own
indelible mark. |
|
|
Review
by Kozo: |
Easily one of 1997’s most original films. Director Patrick
Leung’s latest is a nearly plotless police drama that swings
from the dramatic to quirky in a moment’s time, and never
ceases to be less than interesting.
Leo Koo is Rod Lam, a young cop whose
life takes a strange turn when he finds himself involved with
wacky prostitute Fanny (Charlie Young). Rod struggles to be
a good cop while contending with the shadow of his father
(a former cop) and the presence of his colleagues. Partner
Lulu (Eric Tsang) is a womanizing sergeant who must deal with
his ex-wife’s remarriage. Officer Shirley (Karen Mok) has
an insensitive boyfriend as well as a father who’s dangerously
ill. And then there's Fanny, who has a fixation on a hitman
she once encountered.
All these random plot threads don't
seem like much, but the filmmakers handle things superbly.
Chan Hing-Kai’s script is extremely creative and Patrick Leung’s
direction is sharp. Occasionally he’ll borrow a moment from
a film like Face/Off, but Leung is clearly aiming for
homage as each of his action sequences references a particular
Hong Kong genre (i.e., heroic bloodshed or swordplay). And
John Woo actually appears in the film (in a brief cameo as
a cop), so it's apparent Leung had his blessing.
This film is similar to all the other
“cop soap opera” flicks (i.e. Option Zero or The
Final Option), but it transcends those films thanks to
a splendid sense of human poetry. Leo Koo is excellent as
Rod and Eric Tsang and Karen Mok turn in effective supporting
roles. Charlie Young is the revelation here. Though she’s
still too squeaky-clean to play a hooker, she manages to be
charming and compelling in this role. An excellent film, but
more to the point: an excellent Hong Kong film. (Kozo
1997) |
|
|
Awards: |
4th
Annual Hong Kong Film Critics Society Awards
Winner - Best Screenplay (Chan
Hing-Kai) |
|
|
Availability: |
DVD
(Hong Kong)
Region 0 NTSC
Universe Laser
Widescreen
Cantonese and Mandarin Language Tracks
Dolby Digital 5.1
Removable English and Chinese Subtitles |
|
|
|
|
|
|
|
image courtesy
of Universe Laser & Video Co., Ltd.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LoveHKFilm.com
Copyright ©2002-2017 Ross Chen
|
|
|